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Thank you for the suggestion. I present the bass guitars as honest as possible. No effects, no compression. Just the bass directly into Focusrite Scarlett > my iMac. But my recording equipment and skills are nothing to write home about. 😉 On the twelve string builds with two separate outputs i did demonstrate how you can blend a clean signal with a distorted one. Because that was the purpose of the separate outputs. Plus of course with the Brooks QB, I demonstrated the SansAmp and the Compressor because they are part of the actual bass itself.
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Now £350 An excellent bit of kit but sadly no longer needed. Lots of info out there including our own @Dood video with demo. Stock pics used and I will upload actual ones tomorrow. Its in mint condition and comes in the carry case too. Price includes uk shipping and info below - https://www.motherload.co.uk/product/motherload-elemental-copy/ The definitive master volume control. Connect this device between your guitar amplifier and speaker. The amplifier knobs control the tone, the Motherload Elemental controls the speaker volume. It can also emulate speaker tones at line level for recording, with or without speakers being used, so you can record with your real amp at midnight! It will also connect your guitar or bass amp to the PA for amazing live sound. Our flagship design, the ‘Motherload Elemental’, is now available. This easy to use unit combines an upgraded version of the Richter Control attenuator with Motherload versatility and sonic qualities all in one compact package. The Elemental is a dummy load, speaker attenuator and speaker emulating D.I. for guitar and bass. All of this is achieved in a format as near to plug and play as is possible while maintaining tone and feel. See ‘Technical Specs’ for detailed features list. The current voicing of the Elemental was developed in collaboration with Richard Fortus (Guns n Roses, Thin Lizzy). Key Features: unspoilt sound, consistent in dynamics and tone 2 range attenuation output: 0-12% and 12-50% signal and overload indication 4, 8 & 16 Ohm options 2 speaker outputs in parallel for full stack connection operate as a dummy load (without speakers) for silent recording. powerful speaker simulations from a single blend control speaker sounds based on Celestion Blue, modern 4×12 and bass cabs centre to edge mic simulation send and return connections… and much much more!-
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It did, and by listening to an album from limewire or wherever you were probably more likely to buy the real thing from those artists so it made more money for the artists, not just the industry. Generative AI has the opposite effect, if it is generating the music itself, it will still make money for the industry, but less oportunity for artists.
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I suspect you're probably the only person to 'download to try' then go and spend money on the same thing you've already downloaded. If you could provide the evidence for stating that illegally downloading music etc. factually provided income for the industry, I'd love to see it!
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Gear4Music have it at the same price but with free delivery so £6 cheaper, est delivery later this month although that might be a lie as Thomann (same price as Andertons) also say end of June: https://www.gear4music.com/PA-DJ-and-Lighting/Behringer-FLOW-8-8-Channel-Digital-Mixer/3N67?utm_campaign=surfaces_across_google
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In one sense, that's admirable. On the other hand, unless this is clearly marked as such, it could end up being sold as genuine. I've mentioned it several times on this thread, but two of my vintage basses sold with changed parts clearly mentioned to new buyers. Unfortunately, they have subsequently appeared for sale with all of those things not mentioned. The price was almost double (in one case, triple) what I'd sold the basses for. I know Limelight clearly mark their fakes, but Bravewood doesn't. I think I'm more supportive of the former approach than the latter.
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I’m in the ‘hair covering the headstock’ camp I’m afraid. 🤣 Si
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That's brilliant, I hope it works out for you. The perceived wisdom is to always have spare channels but sometimes a tool is just right for the job. Behringer are a funny old company. They still make a lot of stuff they've been producing for years and I think the Flow is made to replace their analogue desks but it does knock up against the X12 price wise. The X Air 12 does offer a whole world of extra capabilities but has the same learning curve as the x18 mixers and the same lack of physical controls. Not everyone will want to develop the technical expertise to run the X-series of mixers and I suspect that there would be a real market for replacing all their small analogue mixers with a Flow version. I think there is a lot of merit in simplicity and it is one of the joys of playing with a duo or trio to go in with a simple set up and just get on with playing.
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This is a deliberate attempt to make a 70's Jazz bass to look Vintage at a fraction of the cost, he is not trying to sell it as a Vintage Jazz but offering it to anyone not in a position to afford the real deal but want to have a bass close to a Vintage looking one But if you had never seen a Vintage bass before or what to look out for then you could easily be fooled...
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Actually in that photo the headstock was just behind the drummers head. He was known to be deeply embarrassed about his headstock, so he always hid it.
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Tc Helicon H1 Vocal Harmoniser
Woody1957 replied to Steve1967's topic in Accessories & Other Musically Related Items For Sale
That sounds really good Steve. I used a similar unit a few years ago but it had to be used in conjunction with a guitar to get the key right. Out of interest what have you replaced it with? Glwts. -
Badges! We don't need no stinking badges!
Dad3353 replied to Newfoundfreedom's topic in General Discussion
@bnt : -
Annual Otis Jay Blues Band show at the local Forest Arts Centre, New Milton. Sold 100/130 tickets for a three-band bill - all good clean fun and a joining-in audience to boot. Great to have pro sound and lights. Sandberg VM4, GK MB200 through Barefaced One10, DI’d of course.
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There's a hydraulic press at work, I'll let you know how I get on 🤠 -
One of your kidneys should get you over the line … -
Has anyone been to a Pitchblack Playback event? I'm thinking of going to one and I'm really not sure if it will be worth the money or something that will be an incredible listening event.
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Having a standard pre-agreed half song or chorus to quickly run through after telling everyone in the room what you are going to do seems to be a fairly professional way to do it regardless of who is already there, and saves the back and forth as to what the band wants to play or random jamming (which feels somewhat less professional!). I can possibly see how IEM mixes may not change much between gigs and thus a soundcheck is less necessary, but I don't think I would ever NOT want to do one!
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Open to reasonable offers on this. -
Please have that
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Thanks Richard for the offer but I think you can probably find a better home for it as we are spoiled for amp choices!
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^^^ Ah… late 70s. That’s why I’ve never really noticed them.
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Shattered - Rolling Stones
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I’m confident the guard is legit. The tuners, though.. I don’t recall seeing those gaps at the bottom of the plate before..?
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What is the budget? The other question is, do you have any brand loyalty. If the thread goes on long enough you will end up with recommendations for every major bass cab known to man. As @taozero said above, The LFSys range could suit but similarly the Barefaced range get a lot of love too. However those long stretched arms will need to dig deep into your pockets for those. It is barely a secret the @stevis has been working on a new range and I know they are close. These will be lighter and lower power handling but two should do it.
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It's not an original neck in any way. That's a slab fingerboard, not a veneer, which it should be on any Fender from 1962-1983. Those tuners are the Fender branded Schallers that came out in 1976 and are still used in Fender's '70s reissue basses today. The guard is a clear repro. The body, electronics and bridge could be real, you'd need to a closer look inside to verify.
