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3 Times Enough - Nine Below Zero

Looks the business, but the minimum order is 70 yards!! I shared the suggestion of pulling the tab to see if the grill comes away. If it does then her Mum will probably replace the fabric (Dad is blind) and can discuss options with the daughter. She wouldn't take a cab apart though.

Say It Again - Don Williams

I used those (plus machine screws) to secure the feet on my BF Two10 after the ply got a bit messed up by rough handling. Much more secure than the original wood screws fixed directly into the ply.

A fellow bass player I bump into at open mics and gigs has just bought Squier Sonic Precision. He usually plays a Japanese Fender Precision Lyte and also has a Warwick Corvette $$. He told me the Sonic plays better, sounds better than the Fender and he can't remember why he bought the Warwick.

Girls, Girls, Girls - Motley Creed

I just used 4 of those to rebuild a piano bench so that I could bolt the padded bit down to the leggy bit. Great job. Very neat.

Oh yeah, not knocking them as such, just wish they had a few more options.

I'm not sure you need to worry abnout sacrificing the bolts. the T-nuts will be well below the surface you are painting and you could always use blu-tac/chewing gum/plasticine to cover the nut, it's all going to be invisible once the speaker is fitted. I don't really like t-nuts much so I'm shifting to furniture nuts in future the t-nuts sometimes overhang the narrow strip of baffle left once you've cut the speaker hole so I'm hoping these will be neater

I did notice that overhang 😂 Dave 🤩

I tried a lot of stage pianos before PMT closed their doors. My 2p: The Nords sound good and have great interfaces, the samples are all somehow more musical and characterful than a lot of the competition. But, the nicest Rhodes samples tonally are lacking depth/richness because the samples just aren't big enough. Keyscape absolutely runs rings round them. Likewise, the Steinway D sample shows its age which is a shame because it's nicer tonally than the bigger 'White Grand' (Steinway A). The Yamaha grand sample is better than any of Yamaha's own. One general criticism of the piano samples is lack of 'ppp' samples, they could have a softer tone at the bottom. Hammond sounds great. The key to pricing stability is their sound library, but get a model with resonance modelling. Crap actions on the electro, weighted or otherwise, passable on the stage but far from the best. Yamaha YC/CP: VERY disappointing pianos, just bland digital-sounding. Shame as the organs on YC were good and the interfaces are great. Didn't like the action on the 73 or the 88. Looking at 88 key models which I appreciate you're not sold on: Yamaha p525: much better samples and action vs CP. Good if you don't want all the organ stuff Roland, all the pianos sounded awfully dull except the RD2000 'German Stage' Expansion which was actually good (also nice action). The rest haven't surpassed the old 700NX IMO. Kawaii: pretty good sounds, certainly musical, decent action too (88 note weighted tho). I ended up with an MP7SE. Organ/FX not as good as the Nord but the piano key/sound connection is the best of the bunch. Not light though! Something I'd like to take a punt on, but haven't tried, is one of the Studiologic Numa X - either the 73 or the GT. Demos/reviews of the EPs and the downloadable Steinway D sound superb to my ears. Not sure if they have organ sounds though

Played thru a Hartke rig once and loved the tone. I think it was an LH5000. Hopefully you'll get a decent sound from that rig. I've had much worse supplied backline to the point i no longer use it and always bring my own gear. Dave

Girls on film - Duran Duran

Dirty Movies - Van Halen

I was in Carlisle last week