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Posted

Have you tidied them all away as best as possible? If you're still tripping over one, check the bass is ok, don't worry about your foot pointing the wrong way. If you're tripping over one and damaging the bass you have too many.

  • 2 weeks later...
Posted

Well. I'm back to 3 basses for 2 bands, 2 of which can do back up for each other and the other one a short scale to spice things up or when we need more space in the boot.

  • 3 years later...
Posted

Bringing this old thread back to life, and kind of following on from what @SumOne was saying, I currently have 7 and find myself a bit overwhelmed by them all. When I'm at home I end up playing one for 10 minutes, then swapping over to another, then another and get more obsessed by their different tones than with getting on with playing.

I wonder if other people find this and how you deal with it?

  • Like 2
Posted
1 minute ago, cdog said:

I wonder if other people find this and how you deal with it?

 

Simple.  Just buy another bass that covers all the tones you think you'll need.

  • Haha 2
Posted
10 minutes ago, cdog said:

Bringing this old thread back to life, and kind of following on from what @SumOne was saying, I currently have 7 and find myself a bit overwhelmed by them all. When I'm at home I end up playing one for 10 minutes, then swapping over to another, then another and get more obsessed by their different tones than with getting on with playing.

I wonder if other people find this and how you deal with it?

It's an endemic problem when you have a nice selection of gear. Choose one as your main bass, get to know it well. Look at the other ones while you are practising on that one and count your blessings.

  • Like 1
Posted (edited)

I have 10 basses of which I count 2 as my 'main' gigging basses. I like having the choice, though and I have gigged every one of the 10 over the last three years or so. My main band plays a wide range of covers which change quite frequently as we tailor the set to the function we've been asked to play. The feel of the set determines which of the main basses I use. For example, we play a long festival set every year which is usually heavier and rockier and for this I use my Sterling 34HH. We also have a regular Christmas gig for the Local Crown Court service and as this is a more laid back affair, the P Bass comes out. As we are a large band (13) if I know the venue is small I'll bring a headless bass and if space is particularly tight (I can think of two venues we've played several times) I have my Ibanez short scale headless. 

 

I like to have a spare guitar at gigs and it recently occurred to me that if I'm making the effort to match the main guitar to the gig, I should also match the spare to the main guitar. So I have a Squire PJ to use at 'Precision' gigs, and an incoming Sire Z7 to use at 'Sterling' gigs. 

 

The full list:

Sterling 34HH

Fender Precision

Ibanez EHB100S

Squire PJ

(Sire Z7)

Hohner 'The Jack'

Spirit XZ2

Ibanez GSR 205 (5 string)

Ibanez SR300

Ibanez AGBR 200 semi acoustic

 

Edit: And a Harley Benton Fretless Jazz which I've used in rehearsal and on recordings but not gigged.

 

Edited by Franticsmurf
Posted

I rotate my practice bass but often end up back with my 40th anniversary Squier P.

 

I try (often unsuccessfully) to gig one of my favourites and one of the others. I've managed to gig all my basses except the two Kay short scales, and one of those has done an open mic. Some have only done short sets or a few songs.

 

My main bass from the early 90s got its first full gig (rather than one or two outings for the odd set) in 30 years last weekend. 

 

So I rotate basses slowly but do have my favourites. 

  • Like 1
Posted

I still have two. One active four and an active/passive 5 with separate tone controls for each mode, so you can get two sets of tones out by flicking active/passive 
it is enough 

Posted

I have quite a few. However, when I don't know how big the venue is or I know it's small, I'll take a fretted headless, if I've got room then I may take a headed bass instead and that will be a choice from a selection of three or four. For open mic nights I'll take any one of a dozen, generally 5-strings but occasionally a 4 or a 6.

  • Like 1
Posted

It's interesting this thread was revived just now, because I've been asking myself this question a lot for the last two weeks. My car is dying and needs replacing soon, and financially it comes at a bad time so I figured I'd need to let a few guitars or basses go but I have a hard time deciding which ones: I quite like the range of different tones in my arsenal, but I barely have an active band anymore and little desire to find one. So realistically, I could do with very few instruments. When I ask myself "Which one do I play the most?" the anwer is usually simply "The most recent one I bought". I have a few favourites that are very versatile but don't excel at one type of tone or character, and I have a few with a very defined character that do a certain tone very well that I happen to like, but it's usually the latest acquisition that gets played the most. Currently that's my Fender Mod Shop Jaguar.

 

I know I have too many because a few of my guitars and basses mostly stand in my rack unused. When I do play those they always bring a smile to my face though: because of how they sound or play, or because of memories of former bands and gigs. My left-handedness adds to my hoarding instinct, because I have found that seller's remorse is a right pain in the butt and lefty guitars and basses are extra hard to replace because they can be so rare. It took me 10+ years to find two "identical" guitars to two I foolishly sold once. Would I risk that again? :|

 

 

Posted
16 hours ago, cdog said:

 When I'm at home I end up playing one for 10 minutes, then swapping over to another, then another and get more obsessed by their different tones than with getting on with playing.

 

I just pick one and play it. Next time I am playing chances are I will pick a different one and play it. Unless there is some compelling reason, I don't actually swap basses once I have started playing (like I was planning to take a different bass to a gig or if I want to see something is easier to play on some piece or not)

  • Like 1
Posted

I play the bass I'm going to be using with my band at the rehearsal and gig. IMO there's little point playing anything else. Once every 3 or 4 months I'll do a rehearsal with my backup bass to make sure that I can still play all the songs on it, and I haven't written anything new that can't be done on both basses.

  • Like 1
Posted
19 hours ago, cdog said:

Bringing this old thread back to life, and kind of following on from what @SumOne was saying, I currently have 7 and find myself a bit overwhelmed by them all. When I'm at home I end up playing one for 10 minutes, then swapping over to another, then another and get more obsessed by their different tones than with getting on with playing.

I wonder if other people find this and how you deal with it?

Another thing I think about is that lots of great bass players are strongly associated with a single bass that they used for most of their career: Duck Dunn, James Jameson for example. If they managed with a single bass who am I to need loads of basses. I guess it's because instruments were more expensive back then, but did the gain anything from from having a single bass?

Posted

I think so, with just one instrument - or a fave that inevitably gets played instead of the others - you really get to know it. I have a few Precisions all of the same series, yet my fave one which I’ve had 10 years feels so much better to play, even though they’re all set up pretty much the same. I just instinctively know where/when to back off or dig in as appropriate on it.

  • Like 1

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