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  1. Past hour
  2. What do you expect with an endorsement from Richard Nixon?
  3. PS - yup actually super easy to assign expression pedal to control parameters. For example: assign expression pedal --> tremolo rate with min = 0 and max = 80, and at the same time assign one of the display knobs to show tremolo rate (to give you both a real time check on actual rate and ability to dial it back in on the knob should you choose to). Just adds a fun / useful dimension for live use to what appears to be a very cool mid-range multifx.
  4. Bastards - Machine Head
  5. Today
  6. No changes through the year with my main band - had a reasonable number of gigs, no conflicts in the band, bringing new numbers in a little slowly as our singer also performs in shows so we can be a bit limited for rehearsals during show runs and show rehearsals. We were chatting after a recent rehearsal and the singer and the drummer both said they were happier than with any previous band (and had stayed for longer). It's the guitarist's first band, but he's happy, and I'm as happy as I've been with any previous band. I went to a new (to me) open mic and when there got invited to be house bassist at another open mic, an opportunity that I jumped at. That then led to the open mic organiser asking me to dep for his band as their bassist couldn't make a gig, which then extended to the next gig, and a couple of further gigs, and then being asked to join the band on a permanent bassist, which I accepted. I joined an originals trio - however, the drummer dropped out after he became she (not anything to do with we other two, she just had a lot going on and don't think she could cope with the extra stress). Then the BL went on holiday with his boyfriend (that he was living with), and when he came back he let me know he'd split up with the boyfriend and was moving to Leamington from Coventry. He still wants to carry on with the trio when we can recruit another drummer, but at the moment communication is a bit erratic. So current status is permanent bassist with two covers bands, indeterminate status with an originals band, house bassist for two open mic nights (well, three, but last Wednesday was probably the last one for one venue). I've been asked to play with a couple of other people on an ad hoc basis, stemming from the open mic nights, which is nice.
  7. So underrated it’s criminal.
  8. SBL are very clever in recognising that their target audience aren’t overly proficient - hence need the lessons. Scott and Ian are great at expressing their wonder of each other’s skills for example. I haven’t watched the video mentioned but doubt the shock was genuine, unless it was due to the speed rather than method.
  9. Great info on this thread! From my own thread the other day on jazz bass component weight (which I'd encourage others to participate in): Jap 75RI jazz: 773g Jap Aerodyne Jazz: 703g Also from an eBay seller I enquired of, Jap 75RI jazz: 740g Reported on talkbass, 2 Fender replacement roasted maple jazz necks came in around 680g. I'd definitely aim for under 800 as the 773g one ain't particularly light to me. For tuners there's also the 35g Gotoh Carbon-o-lite but they are pretty spendy. I bought some of the Gotoh GRL510C (the slightly heavier 12mm version) via eBay and sucked it up on customs duty.
  10. You’re right, it does happen on the 100 , but also on the 500 too. The DI is post master volume, but I have no idea why. TBH it’s the only niggle I have with these amps, and can be solved by using a DI box if it’s a problem. If you rarely change your stage volume once it’s set, then it’s not much of an issue but still a bit weird! Incidentally on the 800 it has been sorted - you can switch between either pre or post on the DI.
  11. That's terrible news and at such a busy time of the year, sorry to hear that you won't coming over here for a vacation. I hope your medical consultation goes well.
  12. Hey Huff, sorry for the delayed reply. The necks are hollow tube construciton but filled with epoxy resin. I'm not sure what you mean by grade though, would you like to clarify?
  13. I bought strings from Joel, the second time we've traded. All went well - good comms, prompt delivery. I'd be happy to trade with him again. Thanks Joel!
  14. Yesterday
  15. Tina is the only one on that list who played a Hofner for most of her career. Nothing against Hofner instruments, but they've been a niche offering for more than 50 years now. Time for a change.
  16. Dirty Deeds Done Dirt Cheap- AC/DC
  17. Synthmaster One, KV331 Audio’s easy-to-use wavetable Synthesizer is FREE for a limited time. Free until January 4th. https://www.synthmaster.com
  18. Imon Butterfly Had Brains Stayer Pudgie Mumble Pie Phiph Jig Country BBC Psychedelic Curs
  19. My year began with our singer and lead guitarist both announcing they were leaving. The year ends with new folk now well bedded in and the 2 leavers are willing to dip from time to time. Even better is the healthy gig diary for 2026. The old singer has started a new trio project with myself and the bands drummer on guitar so I'm looking forward to progressing that. And a patient teacher has turned me from someone who couldn't play drums into someone who can play them badly. A good year
  20. Welcome TG.
  21. Went to the Earl Haig jam on Monday hosted by James Oliver Band. Some interesting new faces, some youngsters (boy drummer & girl bass player) and a band who looked like four brothers and plenty of familiar ones - yook a couple of mates who hadn't been before and were happy just to see what the situation is. Played some bass for Ken Wood with Mark Kemlo on drums. It was a nice Trace Elliot through Ashdown cab, but the previous bass was active and despite fiddling as I played I wasn't loud enough. Still had fun, first was a long, slow blues, so I based around a nice simple riff I stole from Leo Lyons who no doubt found it somewhere else... next was Crossroads, hard to really channel Jack Bruce (😂) when you're struggling to hear yourself, but folks said it was OK (if quiet).
  22. Thanks Bas. I think the GX10 is a much better device than the GP-50 for you. As good as the GP5/50 are, they lack the versatility that a lot of other pedals have, especially the Zoom stuff. For me thats what im looking for. Each time i get something like a Zoom i seem to spend so much time messing about with it. I find the GP-5 to be set and forget. Ive been using it with a band and find i dont touch it at all, once its on its on and i just use a footswitch to turn drive or modulation no and off. No adjustment's made. I expect the same will be true with the GP-50, although its nice to be able tweak things on the fly. Just minor adjustments. I do find the NAM/Snaptone stuff to be very good, and i find i don’t use the Amp/cab sims, which i feel are a bit limited. These days i tend to keep a lot of the cheaper stuff i have, but do prefer to off load the more pricey stuff. I expect the EBS Microbass 3will fall in to the later category now. Seeing as i just spent £1400 on a new keyboard, i raraly have bass GAS these days. Very much settled down in that respect. Good luck with the GX10.
  23. Question: Do you think there would be enough room on a standard fender 51 P bass cavity (Control plate) for an active EMG P pickup with battery? Not looking to make any body modification to fit the battery but honestly not sure it would fit. Can't find any info online.
  24. Some info from the Behringer web site: 32 authentic virtual amp models freely combinable with 23 awesome speaker cabinet simulations Stereo multi-effects including ULTRABASS, synth, delay/ loop sampler, chorus, flanger, rotary speaker, voice box, auto wah, phaser, ambience and reverb 125 memory locations including original artist presets Intuitive user interface with direct display of all essential settings Additional effect parameters directly accessible on the unit; Tap-tempo function allows real-time adjustment of effects speed parameter 4 renowned distortion and overdrive stomp boxes with adjustable Drive, Tone, Boost and Split Dedicated wah pedal and studio compressor effects Effective Presence, Deep and sweepable Shift/Shape controls for all amp models Sweepable 24 dB Butterworth frequency crossover for bi-amping operation Adjustable auto-chromatic tuner 15 rear panel connectors allow comprehensive routing and suit virtually every conceivable application Pre DSP send/return for dry recording and wet monitoring Stereo 1/4" Line outputs controlled by master volume for live use as guitar preamp Balanced stereo XLR DI out with ground lift and switchable ULTRA-G cabinet simulation Post DSP stereo inserts for connection of external effects BNC wordclock input for external sample rate synchronization up to 96 kHz MIDI implementation includes program changes, control changes and SysEx, allowing complete MIDI automation through our free Windows editor software downloadable at www.behringer.com
  25. Being a little lazy here i know, but is there a thread on BC that shares downloads of patches we have created? I say 'we' ive not created any yet, waiting for a USB-midi kit to arrive. As a complete novice to the software, im interested to hear others creations
  26. Nice one Dave, looks even more compact than in the ads! I've been pondering a standalone multifx to take to forthcoming travel-light gigs for several months. The Valeton, Zoom B2-4 (no PC/android editor) were on my radar and I also came close to getting a little Ampero Mini. I was about to make do and mend with my old B1-4 when I got offered a Boss GX10 from my fav BC Boss-angel, and, given I'd already had very good experience with the GT1000 Core and was up to speed on the UI, kinda made sense to go for the GX10 in my case. Hope you get on well with the Valeton mate, although you, bass pedals & accessories and "keeper" should never really be allowed to appear in the same sentence? 😂
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