All Activity

You're welcome. There are some good sounding basic toneprints there, among the lot. I use overdrive compression and octave. Even if the BH has two toneprint slot you can use only one at a time. Some of the toneprints available are combined tone prints - e.g. OD and compression. This may compensate for that, if you find a combined toneprint that suits your need. I would have appreciated the ability to edit the tone prints as well. Re the laurel-resting mentioned by neepheid I have the impression that the development og the effectmotor using the toneprint stopped when the company was sold. Which is a pity as many of the basic effects are actually quite good. I am not a fan of any of the artist toneprints and I am not a fan of the over-the-top self appraisal babble in the app but apart from that. Besides the BH I have a BG combo which essentially has the same features.

That's exactly what we did in basso continuo: longstrings person and keys person got together for a little chat before playing the piece. Ha. I'd never known that modern bands are just like baroque orchestras! 🙂

first gig done last night used both Mark Bass cabs and boy, did it shift the air Amazing Next gig will try my Ashdown RM410 cab

The keys and bass need to meet separately to work on an arrangement that works for both of them. With experienced musicians this can be done on the fly as they both will adjust using their ears.

Oh, I wanted to say that it looks like Danny will ship to Hungary soon 😁 However, I then got the website translated and "こちらの商品は[在庫切れ]のため購入できません" means "This item is out of stock and cannot be purchased." 😞

When soldering to the back of a potentiometer use a light abrasive (sandpaper, larks’ tongues etc…) to remove the coating on the metal and make it easier to solder to. When soldering the wire to the lug of the potentiometer use a small crocodile clip as a heat-sink to avoid overheating and damaging the insides.

I'm enjoying the poster name/content congruence going on here!

I think this is the only selling point, but No I'm happy locked in my room upstairs

A s/h Squier Mustang bass in a padded gigbag - cheap, robust, replaceable, easy to find strings.

Here's a sexy little folding wooden number, I found it on Amazon a few years ago:

Exactly this. Some know what their roll should be in a band situation others do not. For me they should cover Keyboard based tunes as a Pianist and everyone else steps back. In other pieces they should be handling the Brass, Sax and string parts.

I dont disagree with any of that, but that's not what ive been posting about.

A bass transcription of Curtis MayField's "Do Do Wap Is Strong In Here" from the "Short Eyes" album with Joseph "Lucky" Scott is now online.

Carpenters and luthiers, close you eyes now, please. I do love inserts, but I have used M2.5 or M3 screws for pickups without inserts. If the wood is tough I have used a tap to make the thread straight to the wood after drilling the hole. Check Vigier strap button attachments: https://www.parts.vigierguitars.com/en/bodies_parts/153-vigier_parts_insert_for_strap_endpin_with_m4_screw.html

I'm not worried. It's good of you to allow me my own opinion. I see you're a keyboard player. Enough said, really. I'll just reiterate that there is a world of difference between playing solo piano, organ or whatever, where you need to provide a melody, chordal accompaniment and bass part, and playing in a band context, where nobody is the centre of the universe.

Just because - Anita Baker

Piano/keys are good to have in a band but there has to be discipline to stop the bottom end getting muddy. I would recommend listening to Fleetwood Mac to see how they incorporate both bass and piano, without stepping on each others toes.

I don’t follow your post, but no need to be sorry, you are welcome to your option of course. You finish off with a reference that I first made, saying it can be done with some thought. Well isn't that what it's all about, working together? I NEVER said the bass player should change a set in stone part to accommodate the keyboard player, but if a keyboard part is written for two hands then they need to be aware of it, and again, work together. Ive played keys in a band where the bass player never bothered to really work out the songs, and would clash with not only me, but the guitarist as well as his notes were off. Are we supposed to stop playing anything in the low register to accommodate this? Also having the bass player use a tone that works with keys is definitely a step forward. Too many bass players use a muddy tone that leaves no definition in the low end. Even kick drums can get smothered by the wrong tone. Then there are the other lot that insisting on playing all over the spectrum. As for 'no keyboard part is set in stone', that made me laugh. Again, blanket statements make no sense. There are 1000's of keyboard based songs where the keyboards are very much set in stone. Two we are doing at the moment are You do something to me and Angels. Are you seriously suggestion I change the parts because they are tow hand songs? I totally get the playing at home is different argument though. when I switched to keys and looked for some tutorials for some songs it was all piano stuff, no help for learning the actual songs for a band. That I totally get, but not all keyboard players do that and my argument is more against blanket statements.