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  2. If I wasn't in the band I would have been escorted off the premises. Lol Daryl
  3. It’s not been repaired although regularly PAT tested and serviced. It’s always been very reliable. Not sure about the source of your info however I’m not questioning it. The ‘Combo Head II’ as it’s labelled on the control panel I had assumed was the same as the Little Mark II but to my ears it sounds the best of all the CMD mini combos. It certainly is heavier than the later version I had (and sold on) that was around 12kgs. That version had a later preamp and just didn’t have the tone this one has. Thanks for the info!
  4. A Behringer Xenyx Q502USB mixer. Spec includes: * single XLR mix input with phantom power * 2 pairs of line inputs * USB interface Has velcro on the underside. Collect from Chepstow, UK or I can post to UK addresses.
  5. Handy footswitch to give you FS4 and FS5 on a Helix HX Stomp or similar. Needs a TRS cable to connect Unit is velcroed and in good condition. Selling as I’ve moved to an expression pedal. UK Postage included
  6. I've owned a lot of combos and they all had their flaws. They were either loud but heavy, or light and not powerful enough. But my latest combo, which is a Markbass CMD 121P, ticks both the loud and light boxes. I got mine used but I'd definitely have paid the full price (whatever that is/was) for a new one, they're definitely worth it.
  7. To sort of expound on this, I do personally think "PAT" testing does have some value, but as preforming musicians, I think that by and large, we look after our gear. Now, an amp in a rehearsal room I would always treat with healthy caution As others have alluded to, my biggest concern would always be the state of the venue's electrical installation!
  8. Quite a change from a high end bass to a simple J.
  9. Oh hold
  10. … spend a boat load of money!! You could use a pedal switcher type pedal like. Gigrig G3S, then have all your preferred individual effects (after you’ve bought loads finding those gems you prefer), use expensive patch cables for the switcher system (or at least way more than you’d anticipate), power it all with a nice isolated PSU, but you’ll most likely need at least 2 of them (lots of pedals = lots of power!), then you’ll have to see if the pedals play nicely together, and if they do then you’re onto a winner. If you’re pedals are fancy they may take Midi control, but that’s not something I know about to comment. Or buy a modern multi fx and be done with all the above 😆. However I don’t have a G3S, but have enough of everything else mentioned in the first paragraph lol!! Currently I’m favouring small (ie Pedal Train Nano sized boards) but that could all change in the future! Don’t think I’ve really answered the OP but had a brain dump instead 🤣
  11. Hi Ash, looking at the manufacturing date of 2009, this will be a Class AB power amp version of the Combo Head 2 (unless it has already been repaired at some stage?), which is actually identical to the first Little Mark 3 heads (not a LM2). This combo will also almost certainly contain an Italian made cast frame B&C driver. The AB power amp with B&C driver makes this my favourite version of this combo. GLWYS.
  12. £20 here will sort you out: You'll need a headphone splitter (and a stereo to mono 6.35mm-3.5mm adapter if you don't already have one), if you have some sort of headphone amp (the P2 clones off AliExpress are good) then you could probably use the main out to get a seperate mix if you don't want the same levels, again with a few more adapters. In fact you could probably just pan everything over to one side and use a regular mono 6.35mm-3.5mm adapter.
  13. My dad saw this at the car boot yesterday and rang me to see if I wanted it. Unfortunately he couldn't work out how to take a photo or send it to me 😄 Apparently the guy selling said it belongs to his son who plays guitar all over the world, and the bass had been in his attic for 25 years. There's no serial numbers on it. I said it sounds like it's just been nicked off someone in Rhyl so I passed! *edit - of course the story might be true, but over the phone it sounded fishy. The guy wanted £200 for it btw...
  14. Today
  15. I've just put my bass down after a play through of Keep On Running. IMHO it's a great piece of music with a driving bassline featuring good syncopation and memorable riffs. Despite few 'blue' notes it manages to convey a great sense of movement. Other great examples: Heard it on the Grapevine, Sunny Afternoon, Jean Genie... but even some superficially simple songs contain subtle little details. It's not Beethoven, but it's way more complex than most modern 'pop' music. When waiting to go on, I often quietly play along to the DJ/Jukebox and you can crack many modern songs =very quickly. Why have the basslines of popular music become so basic (excuse the pun)? Is it just that old-school bass players had a bit more theory knowledge? Or just that modern music is so dance oriented the bass has just become an extension of the kick drum?
  16. LA BELLA S660 DOUBLE BALL SYSTEM BRAND NEW SEALED PACKET These strings retail around £60 Developed by La Bella’s president Richard Mari Cocco, Jr. with Ned Steinberger, these strings have been manufactured to exact specifications for Steinberger’s revolutionary headless instruments. Specifically designed for ORIGINAL Double Ball systems built by Steinberger or licensed by Arbor, Burnside, Cort, Hohner, Louts, Mach I and Status Black Nylon Tape Wound Tension: Light String Gauges: .060, .070, .094, .115 Distance from inside of ball-end to inside of ball-end: C, G, D, A 908mm; E 909.5mm; B 910mm Made in the USA with American Wire Packaged using MAP Technology (Modified Atmosphere Packaging) to prevent tarnishing and ensure freshness
  17. My current combo is the Fender Rumble 800, chosen for weight and power. If Ashdown did a similar product I would have gone with them as although the Rumbles sound great I do prefer the Ashdown sound. But they don’t, and weight for me is a big factor, a 13kg 800w 210 great sounding combo fits my needs well.
  18. Think there was someone after a CV60 P neck a while ago due to a truss rod issue, check the Repairs section of the forum.
  19. Had an absolutely amazing gig last Wednesday playing in Guildford at part of the very busy GT Session weekly gigs. We were headlining out of 4 acts with a 30 minute slot. We weren't quite sure what type of set to play as each act was different and we originally decided to play a more uplifting choice of songs. The act before us was very chilled and laid back so we mixed it up and played some chilled songs and a few upbeat songs to lift the vibe and pick the listeners up. I can say we played an absolute blinder and went down a storm. I play fretless and the sound was incredible, so I decided to have a bit of fun by really bringing out the fretless tone, emphasising the slides and the use of my chorus and octave pedal, so much so that our singer gave me a nod and gesture to take a bit of a lead bass part as it was just sounding so good. After the gig, another bassist came up to me and said I saw you were playing so I had to come down and listen as you are my favourite fretless bass player and you sounded incredible 😲 Another bassist came up to me and was fascinated by the pedals I was using and what strings I was used and a few other people came up after and complimented me. Absolutely awesome gig and makes it all worthwhile.
  20. These are probably done digitally with a synth, but it feels like a synth emulating a Bass Guitar: ... I guess they are aiming for a Bernard Edwards Stingray sort of thing. What do you reckon, Stingray to get closest to this sort of sound?
  21. I tried a 5 string fretless at bass gallery a while back, good curr for rosecoe beck gas!
  22. I'm spending much of today polishing a 34-song list for a rehearsal tonight with a band I've just joined, I know a fistful already but most are new, although I am familiar with them as songs which makes getting the structure easier. But... just found myself learning the Immigrant Song, which is NOT on the list so slapped wrist and back to the grindstone.
  23. Saw Nine Inch Nails in Dublin last night. Really impressive show in every way, which we have come to expect from Trent Reznor. I particularly appreciated the fact that there was a band media blackout from January when the tour was announced. It felt like pre-internet days and there was a real sense of anticipation. I only took a few photos, preferring to enjoy the show. There are dozens of videos and reviews up now, so there are spoilers, but for anyone going to Manchester or London, you are in a for a treat.
  24. I assumed they were referencing the previous posters... from 8 years ago...
  25. GarLick it Up - Kiss
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