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Posted

Please share any new thoughts on dealing with poor attendance at gigs. I've been dealing with it for years, yet I still struggle with weak attendance. 

 

I know it's part of the job. Take a look at the contrast we've all had to deal with.

 

Daryl

 

 

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Posted

We played 2 nights at the Chorley festival last year - Friday and a Saturday.

 

its a multi-venue thing across the town.

 

first night peaked with a ukulele orchestra and by the time we played, one couple and 6 people who I knew arrived.

 

the second night in a more “prime” venue - was absolutely rammed…

 

it’s a venue problem as well as a band concern.

 

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Posted
2 hours ago, AndyTravis said:

We played 2 nights at the Chorley festival last year - Friday and a Saturday.

 

its a multi-venue thing across the town.

 

first night peaked with a ukulele orchestra and by the time we played, one couple and 6 people who I knew arrived.

 

the second night in a more “prime” venue - was absolutely rammed…

 

it’s a venue problem as well as a band concern.

 

 

I think it was merely some very inexperienced folks at the venue that thought you could just throw live music at their problem with no real thought put into it 

 

Daryl 

Posted

Sometimes things are beyond your control. I played a venue (dedicated band space in the basement of a pub) which was usually well attended. That night, the audience was just the guy we had collecting money on the door and a young couple. We spoke to them after the gig - there had been a massive fight in the pub upstairs and they'd come down to avoid the chaos. In the duo we were often asked to play in pubs on a Sunday between 5pm and 7pm - the intention being to try and stop punters heading home for their dinners. It rarely worked and they were mostly poorly attended, with those watching largely the ones that had been drinking all day.

 

The main problem with the duo (and trio when we added a drummer) was that we got gigs booked through an agent, which could be anywhere in the South Wales area (up to 2hrs drive each way). It meant that the usual way of guaranteeing some kind of audience - by supplying them ourselves - wasn't an option. We managed to develop a following of sorts for local gigs - perhaps 8-10 people would usually turn up to a pub - but it was dependent on the weather, time of year and what other events were on. The mistake we made with the local gigs is that we didn't vary the set enough and so people started to drift away as they became bored with what we were doing (as did I, eventually). 

 

My main band now only plays private functions (the dream of guaranteed audiences 😀) but when I play with other cover bands in music venues, we are very much at the mercy of the publicity that the venue provides. Most of them are pubs with live music and few people come to see a specific band. Instead they are there to start the night off before heading to a night club and will leave according to their own agenda and not the end of the gig. So the pub concentrates on advertising the venue, the offers on drinks and fact they have live music rather than the individual band itself. 

 

 

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Posted

I’ve twice done gigs where the band outnumbered the punters, once because the venue f***ed up, once due to the bloody world cup final being on in the other side of the venue. Both were cracking gigs however, we got paid, enrolled punters into a jam session, and had fun. Easy to take it personally but it’s life 👍

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Posted

It's nice when any of us play a venue with what we call a " built in " crowd. The Zeigler Winery put a lot of thought and resources into establishing themselves as a music venue. Not live music as an after thought. 

 

Daryl

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Posted
28 minutes ago, Beedster said:

I’ve twice done gigs where the band outnumbered the punters, once because the venue f***ed up, once due to the bloody world cup final being on in the other side of the venue. Both were cracking gigs however, we got paid, enrolled punters into a jam session, and had fun. Easy to take it personally but it’s life 👍

 

We don't play any pub gigs anymore.  However, when we did many times we'd have to cancel gigs if there was a major "play off" football or baseball game on game on during the gig.

 

Daryl

Posted

A few years ago we played to the barman and a cardboard cut-out of Marc Bolan in a venue in South Wales. We actually got paid - £13! That was between us... To be fair, it was raining.

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Posted

We’d had a gig booked for months, a ticketed affair. I’d seen social media promotion and I assume something more locally. Come a week beforehand and, IIRC, a whole 6 tickets had been sold. Given it was a trek and any payment would at least have to cover fuel, the promoter pulled it. Fair enough, but a bit more, up front, clarity about the ticket sales would have saved the last minute ‘are we, aren’t we?’ shenanigans.

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Posted
36 minutes ago, Burns-bass said:

I played two festivals on Friday. At the first, we played to the security team. The second, we played to about 400. Madness.

 

I think it's easier to take when the second gig has the big crowd. Playing to a packed crowd on a Friday and then playing to a few " lost souls " on Saturday is hard to take.

 

Daryl

Posted
2 minutes ago, ezbass said:

We’d had a gig booked for months, a ticketed affair. I’d seen social media promotion and I assume something more locally. Come a week beforehand and, IIRC, a whole 6 tickets had been sold. Given it was a trek and any payment would at least have to cover fuel, the promoter pulled it. Fair enough, but a bit more, up front, clarity about the ticket sales would have saved the last minute ‘are we, aren’t we?’ shenanigans.

In the pics posted we sold 234 seats $18.00- $20.00 at the theater gig. Maximum capacity is 300. Very unusual for us. However it was in our hometown and The Bend Theatre has built a fine reputation as a premier live music venue. They book 2-3 national touring bands every week.

 

Daryl

Posted (edited)
14 minutes ago, Leonard Smalls said:

A few years ago we played to the barman and a cardboard cut-out of Marc Bolan in a venue in South Wales. We actually got paid - £13! That was between us... To be fair, it was raining.

 

Love the Marc Bolan cut-out story. I remember once we an outside event on a farm where we ended up playing to the livestock. 

 

Daryl

Edited by Bluewine
Posted

Happens to the best of us, Blue.

 

I remember one time we played to a completely empty room, save for the bar staff.  They told us we could go home after playing the first set.  We still got paid.  Epic fail.  It was a football club's social club - albeit a very small team in the Highland League, but is that what supporting your team looks like?  I just couldn't believe it.

Posted

I was in a band that literally played to a barman, one man and the man's dog. 

We did sell album to the man. We didn't ask if the album was for the dog.

Posted
35 minutes ago, Leonard Smalls said:

A few years ago we played to the barman and a cardboard cut-out of Marc Bolan in a venue in South Wales. We actually got paid - £13! That was between us... To be fair, it was raining.

Was it the Dragonflii in Pontypool by any chance? Great little pub but we had a similar issue with attendance :-)

Posted

IMO it doesn't matter if you are playing to just the bar staff and half of the other band on the bill or an adoring audience of several thousand. You have to give it everything. If you can't do that then maybe live performance isn't for you.

 

I've played my share of poorly attended gigs, and you never know if one of the two people who aren't venue staff or in one of the other bands is going to be someone important who will open the doors to better gigs, as has also happened to me.

Posted

I once played a duo gig in a bar with just one drunk customer. He started howling like a dog over the music and couldn't take it any more.

 

So I went over to him, picked him up (he was only little) and threw him into the street.

 

He, did eventually, crawl back in to his seat at the bar.

 

...we weren't asked to come back 🤣

 

 

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