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  2. From my own viewpoint, I never liked the ABM series due to the mix of sliders and dials. Somehow this seemed wrong to me and less intuitive because of it. I may be in the minority, but I always quite liked the MAG series amps and the Rootmasters are great. The cabs are awful though.
  3. I'm not at home ATM but according to the 'net the 34.25" scale version is 117cm total length.
  4. You are right - a good reminder. The Casio piano was on my original list, having tried one in Martin Phelps music in Croydon, about three tears ago. I need to pop over and try it again.
  5. The Shen SB 100 that I use for jazz and my pathetic attempts at bowing in my lessons and orchestra is a D neck while the old Czech ply that I play for bluegrass has an E flat neck. Not too much of a problem because when I play bluegrass I rarely play anything higher than C on the G string and find it easy to switch between the instruments. As Beedster said above, listening to yourself and making adjustments as you play is the way to go and don't worry about it too much. So far that's worked for me but I agree that it would be a problem farther up the neck and in thumb position.
  6. Nord Electro 4D 61 Keyboard Weighted Waterfall SW61 Superb Nord Electro keyboard - this has all the classic acoustic and electro mechanical keyboards you could wish for for live and studio performances. Rhodes and Wurlitzer electric pianos, acoustic grands and uprights Hammond, Farfisa and Vox organs. It even has Mellotron and Chamberlain samples, plus strings, harps and guitars. This version also has drawbar control. It’s a classic in its own right but still updateable using the Nord site and sample library. Included is the keyboard, user manual, mains lead, damper pedal, sample library on CD plus a nice heavily padded gig-bag. I have added a custom ‘half moon’ switch to control the rotary speaker simulation from the keyboard rather than using a foot switch like an old Hammond. If you collect in person I’ll also include a stand. The price is non-negotiable and sorry no trades. It is feasible to post but only in the UK and at your cost and risk. See pics - I’ve not gigged it but have used it in rehearsals occasionally. To be honest it’s been used at home as a piano and the other wonderful sounds have been wasted! Selling as I use my old Korg live as I’m not worried about it being knocked about and I’m going to buy a simple piano for home use.
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  7. Thats lush
  8. Darn. I was at that show…
  9. Well, I never thought it would happen... I got rid of my Spark amp and replaced it with playing electric guitar through my Fender Bassman amp and using a Headrush MX5 multi I picked up second hand. I started to experiment with the Headrush and it's pretty good for bass too so my Boss ME-90B is put to the side for a while. Well, a nice small multi effects pedal is great, but I wanted to add wireless. I've got a vocal effect pedal too, and I plan to get one of those MXR Synth pedals too... So I needed a board. This is what it looks like today, with space to spare for the synth. I could even mount the wireless transmitter for my IEMS on here but I think that's overkill potentially. I'll practice and gig this board next week and see how it compares to the trusty Boss ME-90B.
  10. Sounds great to be fair. I have a bitsa P that I'm forever changing the pickup in, I really rate the GZR but it's probably not a worthwhile change over what you have already.
  11. Sontronics mic's are excellent for the money and they are a nice company to deal with. I have a Solo and a couple of their pencil condensers. However, many of their mic's are made in the PRC to the company's design/specs and some are modified or part-built here. Nothing bad about that - China is quite capable of making quality products, provided costs aren't cut to the bone - but "made in the UK" is stretching things a bit.
  12. That is what I would have if I had a person that would carry my stuff around for me!
  13. Incredibly easy person to deal with, great comms, fast payment, nice easy transaction. You can trust this BassChatter
  14. I don't think the neck is roasted, it looks like an antique tinted varnish. Very nice though 🙂
  15. I have one of these, I had to get something bigger to fit my bongo, its the only one the bongo fits in well as its got a bit of a spikey headstock. In fact all things fit in it apart from the Sei 42", that doesn't fit anything. If you say how big the mayones is I will tell you if it is long enough
  16. Set of rack mount bars for a GK RB amp. I haven’t owned a GK amp for several years but they would have come off of either a 1001RB II or a 700RB III as I owned both. The bars are complete with all parts including screws. No trades thanks. Price includes shipping to locations within the UK. I took the photos myself and I am blind, so my apologies if they look like they were taken by a drunk person.
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  17. Today
  18. I fancy one of these, does anyone know if it has sufficient internal length to fit my Mayones Jabba? It has a slightly longer scale length than 34 inches and doesn't quite fit in my Contego gig bag.
  19. Only used for five minutes. Thought I ‘d try these on my Mini P Bass, they sound really good - but I prefer the feel of my nylon coated jobbies under my old fingers. £25 including postage to the U.K. Mainland. Since the 50s and 60s, La Bella’s DEEP TALKIN’ BASS Stainless Steel Flat Wounds have been the choice of professional bass players and continue to be the standard for the best sounding Flat Wounds on the market. Stainless Steel Flat Wound; hand-polished for incredibly smooth finish 31″ Wound Length (distance from the ball-end to where the silk begins is 31″; the silk must start after the nut and only the silk can wrap around the tuner) Medium Tension String Gauges: .049, .069, .089, .109 Top Load Only (do not string through the body of the bass or they will break) Made in the USA with American Wire Packaged using MAP Technology (Modified Atmosphere Packaging) to prevent tarnishing and ensure freshness This particular set is NOT suitable for basses with bridges that require strings to pass through the body of the instrument. Hopefully, here’s a Chap demonstrating them. https://youtu.be/Da54YGS7ygQ
  20. Up for sale is my 2011 Loar LH-309-VS archtop guitar in great condition. The stock P90 pickup has been replaced with a Kent Armstrong Vintage Icon Alnico II one, with the pots replaced with CTS ones, and a Switchcraft jack used. The neck angle on this one is perfect, and the action is currently 2mm at the 12th fret, with scope to go lower if required. A wonderful sounding guitar, both unplugged and through an amp, that plays really well. Collection from Beccles, Suffolk much preferred. I do have a box so posting is an option.
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  21. I don't see what's wrong with adding a second Orange cab if the OP likes the sound of the first, and the impedance works for the amp. Who cares if it's isobaric and therefore not the most efficient use of drivers? It's still compact, goes reasonably loud and since the drivers are neo it's not particularly heavy. Just think of it as a 112 that sounds how it sounds.
  22. Another documentary up on YouTube. This one is from 'Rock History' and is an interview with 'Vick Flick' talking about his session days:
  23. Another thumbs up for Tim who bought some strings. Perfect deal as always.
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