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Just watching it from my feed and wanted to know about this guy and basschat is up there in the search results. His tone and playing is sublime. It takes some balls to do this as well, a whole orchestra behind him, wow. The music flows into some really cool sounds with beautiful chords and rhythms.

I believe Subdecay contacted them as most of his new pedals (Noise Theory, Pixelwave, M3000) are basically software in a stomp. So I’m hoping they could be ported and be the first they add to an “app store” style system.

I use them on both of my 5 string Washburn XB925 basses (fretted, and fretless). The fretted bass came with a set, which I liked so much that I got a set for the matching fretless. I liked the grip and bite of them being round wounds, but slightly smoother because they have been compressed. A nicely tight string, but not so much tension that I have to fight with them. On the fretted, there is a good low B, solid sound across all of the strings, and a lot of resonance transmitted through the neck. The fretted seems to have thinner gauge strings on it, and I am still getting used to the instrument following a recent neck adjustment to give me some mwah. They were difficult to find - my fretless set were ordered from Holland, I think. And the set already on the fretted came with the bass, from Hungary. I am not a connoisseur of bass strings. I have never tried the main brands. So, I can't really compare them to other brands. However, I like the SIT strings that I have. Ooh, hang on! One of my Washburn XB500s has a D'Addario low B (0.130", I think). I prefer the SIT low B to the D'Addario.

For a combo, the Laney Digbeth Foundary line may have what you need.

She tried the wireless out at a gig on Sat and worked great. @Woodinblack Do you guys just use the one wireless? Just wondering if there will be interference / drop-outs if more than one of us get the same wireless set up? I note that, in theory, both the Joyo and Lekato have 4 channels. Amusingly her Lekato wireless via Ali Express arrived in time for the gig, but her AKG D7S from Thomann didn't!

Won't be the best bass lines. It'll be the bass lines from the producers favourite songs!!

I can't comment on the Squire, but the Vinterra's intonation is good. It was nicely set up and smooth playing out of the box. The only thing I've noticed is a sporadic buzzing on upper frets of the high E string. I don't think it's a string buzz. Continuing to track it down. The Bass VI is a fun instrument.

Yikes, that’s a bit frightening! I don’t like the shaded headstocks, just too much.

Ooohhh liking some of that. I can hear similarities to Goth thing but it reminds me of some of the more light hearted bands from early 80's but just can't put my finger on who it i've got in my head. Sounds really good tho and i'd enjoy your gig. Thanks for sharing with us. Dave

I have a rotator cuff injury and cannot currently play my 34" basses. I have a U Bass (23") and it helps, but I am now looking at a 30". Not only that, but I am on a budget. I could probably stretch to £250, so what is worth getting? A bit of info, the Kala U Bass Solid Body is not as good as any cheap bass I have bought in the last 10 years, so I have been looking at Ibanez, Hartwood, Harley Benton and looking for advice.

Quite enjoyed watching this one, nice sound from the 2 65 P basses

I admire you faith in the producer's intent in finding the objectively-best players. I'm confident none of these players will be mentioned. The criteria will almost certainly be 'World's Greatest Basslines (your Mum would recognise)'

Love this so much. Do you know if the mains cable is .75mm2 or a beefier 1mm2?

This is now significantly reduced in the Fenderfever sale, in case anyone was pondering it edit: here https://fenderfever.com/products/atelier-z-zpo-4-jr-short-scale-natural?_pos=1&_fid=dfd8784d9&_ss=c

The Scarlett 2i4 interface uses standard XLR cables I believe.

It's both economics and functionality. I use RCF 745's; the 4" coil compression units are £300 ea, the amplifier modules £200+ per amp and a 15" drive unit from RCF around £300, that's without th e DSP, matching horn flare and all the other bits of hardware. Building at that standard would cost well over £1,000 per cab and I paid £1300 for a pair second hand. In addition I don't really have the facilities to develop and design the crossover, even if I had that level of skill. I know how long it took @stevie to design the crossovers for his cabs and this is someone who designed for KEF and Yamaha. Did I mention the cost of pro level design software? The truth is that it would be really challenging to match the technology now used in speaker design. The plus side is that you can buy some really good kit for not a lot of money. Active cabs with amplification and speakers designed as a complete system saves money and time setting up and allows you the chance to design in things that the best sound engineers can do but few bands could deliver. It's a bit like trying to build your own car, you might be able to build something which excels in one aspect but it is going to cost you a fortune, take up hours of your time and isn't going to be able to match an ordinary family car in general usefulness and probably reliability On a practical level if I am in a band I want a PA I can use tomorrow. I'd be balancing the needs of the band against any desire to build my own PA and if the band folds I can sell the PA and get most of my investment back.

Willing to go through the trouble if it will be an opportunity for me to be hired as a graphic designer or UI artist in their team! Ivan did reply and said he will forward it to the team but no promises. Still hopeful like how Q started the Origin Effects B15 petition which have been already in development.

The other observation I forgot to mention (and this applies to all the BassRigs compared to tube-based pedal recreations of those amps): there’s something different in the way the overdrive decays. On the tube pedals I have used (Shift Line Olympic (roughly like the ‘64 Black Panel), Shift Line Flex (supposedly B15 but uses 12AX7 and sounded closer to the Super Vintage) and the Grand Slampegg), the drive has a softer attack and noticeably longer decay time compared with the BassRigs. On the BassRigs it reacts with more of a quick spike. The drive character when digging in to cause breakup is also “smoother” on the tube-based pedals compared to the BassRigs, though some of that may be to do with my having used the 1/4” output on the latter.

Wow, that looks great.