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  2. Def, in my last band we found that vinyl sold great in Wales and Europe, CDs not so much, whereas in England CDs sold much better than vinyl. And yes, L & XL shirts are the "sellers".
  3. Very good quality audio interface, very light home use. Just much more tech than I can use. Details and spec here: https://www.esi-audio.com/products/u86xt/ Original box, power, cables and paperwork included. £180 collected. Quite a chunky parcel, so postage extra.
  4. He doesn't half look smug. IIRC, this is the offence of "Appearing so self-satisfied as to outrage the Public Decency".
  5. I have a few snares where the throwoff is very stiff and takes two hands to get off and on When I was playing quiet folk songs in pubs with limited PA, I would keep my snare off as much as possible in intros etc. Now I play bigger venues with big PAs I leave it on. You can't hear it FOH
  6. Option 2 for sure. My amp hardly ever needs updating significantly but our guitarist needs to adjust for each venue, sometimes several times during the set but at least the base volume is about right.
  7. Copyright theft. Taking someone else's work and passing it of as your own.
  8. I played this again today and noticed the bass volume pot is a bit scratchy/non linear (albeit fully functional once it is set). Probably just that its been barely touched over the years and needs some contact cleaner. To reflect this and to attempt to drum up some interest, I will lower price to £1900 inc UK delivery
  9. Looking at The Double Bass Room is fantastic. Is there anywhere in N. America that compares?
  10. You don’t need to really - or at least it would be a lot of work for little real gain given that to manage output you can balance the G/D and A/E poles with PUP height, and in doing so some of the tone imbalance would at the same time be resolved (and of course by swapping PUP arrangement you’d probably introduce different tone issues) 👍
  11. Pino must be demanding a decent amount of cash for his name…
  12. Price drop £700ono For sale: my dream bass, built with no expense spared, using only the finest components. This was my exclusive bass for around three years, including on a full UK tour with EXTC — featuring Terry Chambers, original drummer of XTC. Specs: Neck: Beautiful quartersawn flame roasted maple Jazz bass neck, oil-finished with a rosewood fingerboard — hand-crafted by Neil at Custom Guitar & Bass Builds (Oxfordshire) Body: Alder, metallic grey finish — also hand-crafted by Neil at Custom Guitar & Bass Builds Pickups: Hand-wound by Jamie at The Creamery (Manchester) — custom 1960-spec Jazz Bass and 1958-spec Precision Bass pickups Bridge: Babicz Full Contact Bridge Electronics: John East Uni-Pre (customisable, 3-knob pickup controls) Tuners: Hipshot lightweight tuners Assembly: Professionally built to the highest standard Condition:Good- some scratches and dinks from regular use — see photos or ask for more details. I upgraded the tuners to Hipshots so there are some small holes left from the previous tuners. Includes a finger ramp- could do with a respray! (easily removable though – attached with double-sided tape). Sound:Massive tonal flexibility, amazing clarity and depth — from deep vintage warmth to tight, modern punch. A truly powerful, versatile bass that suits any genre. Reason for Sale: Only selling as I've now moved permanently to short-scale basses, and this is no longer getting the use it deserves. Price: £800 (sensible offers considered) Cost about £1500 to put together. Collection preferred. Happy to send more photos, recordings, or arrange a try-out for serious buyers.
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  13. £160 - Posted - Darkglass Vintage Deluxe- used but good condition. Works perfectly but no longer needed. Free postage
  14. Welcome back! I can relate to falling into periods of playing lots then not so much. Good on you though for only selling one bass and acquiring another in the intervening nine years! Glad also it was a G&L 😀
  15. Yep you're right- it's a compound neck. Thanks
  16. Good tip. I still use Helix Native for my bass tones, but I grabbed Archetype Rabea for my guitar this sale, and I already owned Archetype Nolly from a previous sale. Both are great plugins for sure. I've used the trial version of Parallax, but I was too geared for modern distortion for my tastes. If they release an Alpha Omega plugin I'm all over it.
  17. Ah that's what it was - I didn't get a chance to speak to him but could see he had something smaller than a helix at his feet. I think he had a boss tuner as well. Mind you his bass wasn't even on stage before the show and I was initially worried there wouldn't be a live bass player!
  18. I guess the good thing is it will be a one time payment as they'll never need replacing. Still, I doubt they are any different to regular Ernie Ball Flats so you are paying for the name.
  19. It might be catching on the pickguard also...
  20. I use EB cobalt flats on four thunderbirds and a rickenbacker. Never understood the 'sticky' complaint — they've always felt fine to me, and I have never had any with rust or discolouration. They are a lot brighter than all the other flats I have played and the brightness seems to last a very long time. I really like them. I use the lightest set, the one with blue on the packaging.
  21. "A piece of rock history"? Oh dear
  22. Sounds like the PJB earbox https://pjbgear.com/product/ear-box/ Never tried one myself, but I saw a comment flash past on this forum that they're very good at solving the problem they're trying to solve. This is for personal monitoring, not for adding highs to your stage sound.
  23. I think this is the key line here "Websites will have to change the algorithms that recommend content to young people and introduce beefed-up age checks or face big fines, the UK media regulator has confirmed." My emphasis added. This is targetting the social media apps that push things to you. Basschat doesn't recommend things, also we don't have any young people. I will get around to reading the legislation and the Ofcom stuff once the bass bash is over and I have a free few hours. Just for information, there are circa 11.1 .co.uk domains registered, not all of which are live. A simple thought experiment on how much work is needed to process this information if its only 10 mins per website per year manually. You can't do everything by computer yet. UK law isn't very happy with fully automated decision making by UK Govt depts. Assume 50% are live so that's 5M websites = 5,000,000 * 10 = 50M minutes So 50M minutes = 833,333 hours. 833,333 hours = 120,000 days (ish) Assuming lunch breaks 120,000 days = circa 550 people As of 31/3/23 Ofcom had circa 1,300 employees. So even a cursory 10 min check will require a 41% increase in employees. I know that the civil service is doing it's best to cap new recruitment. Ofcom is considered a quango and whilst it is not subject to civil service recruitment blocks, its funded by frees from industry as well as grants from central govt. It will not be capable of recruiting 550 people or 275 people or even 140 people for a 2.5 min check. Somebody has to answer the phones, report on how many websites are checked, this is all manual. There are no robots here. I'm also not aware of any software development that might be taking place to do this work. That doesn't mean it hasn't happened as I'm focussed around certain areas of UK Govt, but I might have heard. As I've said before, the focus here will be on the large social media companies. Basschat is in the low level noise here (pun intended) Rob
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