Jump to content
Why become a member? ×

All Activity

This stream auto-updates

  1. Past hour
  2. Ime it's your option two: better but not worth the cash. They're not better enough to be worth the extra over the lower end models and also they're not commensurate with other basses you can get for that money. Yes, I own a mia Fender P... 😁
  3. People will have different views, but I e gigged with Squiers, Mexican, Japanese and American jazz basses. While all are great instruments (and some can be awful) the American higher end models sound better, are built better and come with a nice case. Whether this is worth the premium, that’s a question of personal choice. But for me, my Professional series jazz basses is the best instrument I’ve used and we’ve done hundreds of gigs together.
  4. Great choice Bernardo!! The red Starstream will certainly make a dramatic statement on stage. I love my black A2S and like the sound of the Aguilar pups so much that I've ordered a 4M-J set to retrofit to my s-s Sandberg. Re strings, I too have fitted and like the T-I Jazz Flats but they're not the brightest and I had to get a new nut made to fit their unusual string gauges.
  5. The massive crowd appeared to enjoy it and that's what counts over a few grumpy bass players.
  6. I'm looking at this plugin now. tbh it shouldn't be necessary to trawl through all the FAQ to find out something like this.
  7. I have a Kingman too and I always use a soundhole plug. I agree with what @JPJ said, get your HPF higher, I start mine at 50hz minimum and increase it if needed. I normally run my Kingman EQ flat and do a 400hz cut on my MS60B, HX Stomp or mixer to get those nasal sounds out of my bass tone. Does your Zoom pedal have a parametric EQ? If so, to tackle feedback, you can do an EQ cut and sweep the frequency control around to find where the feedback stops.
  8. My take on the Rod Stewart set. Agree lots of vocal stuff wasn’t in tune, and he’s certainly showing his age now. He’s been a bit embarrassing in his performances for a few years, and I have no idea why ( with such a wide back catalogue ) he decided to do stuff like ‘Love Train’. Re the girl singers doing a song mid-set, that was probably to facilitate him changing and having a blast of oxygen or whatever he takes to do a 90 min set! Also I certainly don’t agree with his recent political comments in the press, or many of his other views TBH. Plus all the Celtic / Scottish stuff gets a bit tiresome from someone born in London, albeit with a Scottish father. BUT! I’ve seen worse Glastonbury ‘Legend’ sets over the years by other artists who proved to be as disappointing, including one or two who mimed / used backing tracks. Rod’s band were pretty good ( despite all the bass and guitar changes etc ), and more importantly were all playing live. Too many girl singers maybe, to help cover his now limited range, but this is how he works these days - if it seemed a bit Vegas it’s because that’s what he’s been doing recently. Past years have seen others doing this - Dolly, Barry Gibb, Shania etc etc. It’s meant to be cheesy and nostalgic, a gentle piss take maybe but most of all FUN. On that basis, it was okay!
  9. In which case its easy, but for me it was my favourite group, so the change is not something I can put up with. Same reason I didn't go to see the last genesis gig.
  10. TC BQ250 bass amp. Only used for a few hours of use whilst I was getting another amp fixed. Has a small mark on top whilst it was clamped into a TC combo cab (see other listing). Prefer collection but could post it necessary.
  11. I’ve got a TC RS210c 2x10 cab for sale. This is the cab used for the TC RS combos. The shelf is also the right size for a Markbass head. Decent condition - a few scapes in the bottom as to be expected. Comes with a cover and the trolley handle. I also have a TC BG250 head for sale separately. Trade wise, I’m looking for a 4x10 cab - thinking Ashdown ABM but not too fussed. Collection from Tewkesbury as I don’t have anything to ship it in
  12. Not so sure about parting with it.. But I'm reorganizing my gear and for my current needs, I'm not using this instrument at the moment as I also have other 5 string jazz style instruments. I might consider a trade, or exchange, for a different instrument, maybe something more modern, or 4 or 5 strings.. with active preamp This Olinto is a sensational instrument, maybe the best passive jazz 5 I've ever tried.. a very woody and organic voice.. it doesn't sound like the typical maple fretboard instrument.. it sounds very 60's.. it even has a sound that seems older than my 66 jazz!! As for the characteristics of the instrument: Olinto J5, Production year 2023 body: alder maple neck, birdseye maple fingerboard, custom Mas Hino hand wound pickups 34" scale Carbonetti Sunburst nitro finish hipshot hardware weight around 4kg original hard case available a spare white perloid pickguard Other pics and samples available on request price for a new one, around 5200$ plus shipping, plus taxes I set a trade value of 4800€, open to discuss depending on the offers no issues on the bass.. really near mint conditions
  13. For me he never could.
  14. Yesterday It's too Late - Carol King
  15. A good point well made @andytoad Bath 😎
  16. BT12. As new condition. Was fitted to a 2018 Jazz Elite. Price includes UK postage.
  17. Hi folks Intrigued as to the "consensus" on the forum as to the quality of the "higher end" Fender basses out there. How do things like the American Vintage and/or American Professional II series compare in comparison to, say, a Vintera or Player series model? Where do the Japanese ones fit in in 2025? Noticeably better? Bit better but not worth the cash? Different ballgame altogether? What about custom shop? Whole different conversation? I'm definitely of the opinion that mass produced instruments with bolt on necks definitely have a quality:price ceiling where the diminishing returns get silly but I'm not sure I know at what price point that happens. Obviously the right answer is "go and play a bunch" but I'm interested in your thoughts as well. (FWIW - I'm afraid if its not a Fender I'm not interested, yes there are lots of awesome basses out there that aren't Fender but that's a different thread for a different day).
  18. Bunged a few quid - hope it works out!
  19. My LX-4
  20. After playing a couple of gigs with them they’ve settled nicely, they do feel really buttery now, but it’s just not the sound I thought I’d get from them!
  21. @oldslapper wots local? 🙂
  22. Having graciously bought Krispn's Anagram from him (legend btw), I'm finally happy to clear out pedals and board I don't need anymore. The Cali76TX isn't for sale, I just have not yoink'd it from the board yet. I'm in Chorley, feel free to swing by and test any of the above and fondle my instrument's while you're here Bright Onion Pedals Dual AB Looper- no box - £40 posted Darkglass Harmonic Booster - no box - £125 posted TC Corona Chorus - boxed - £45 posted Warwick Rockboard Tres 3.3 with Flight case and Mod 1 patchbay less than 6 months old - £165 (postage would be a pita with this its quite large. Cables and Power supply aren't included) Darkglass X7 Ultra - no box - £260 posted Boss LS2 - boxed - £70 posted - velcro on bottom no rubber GigRig Quartermaster Q4 - boxed - £170 posted EHX Pico Platform compressor - boxed - £65 posted Bassrig Super Vintage - no box - £280 posted
  23. That’s it, though the way he wrote it gave the impression of American built. Not that I read it that closely!
  24. Everyone, especially the BBC, keeps going on about how"emotional" Lewis Capaldi's set was. Of course he was emotional! He'd just had his kebab wrestled away, been dragged out of the catering tent and forced to perform.
  25. Don't really need anything to be honest
  1. Load more activity
×
×
  • Create New...