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  2. New video by my young'uns band. Another single coming in a couple weeks and loads of gigs booked.
  3. Further reduction on the Micro-V.
  4. An excellent 6/12-stage phaser, being a clone of the revered Moogerfooger 103. I’ve just received a brand new exemplar from Andertons today as a replacement for one I bought a few months ago that had a loose connection. I’m on a drive to raise money due to unemployment so don’t even want to put this on my board. As yet I haven’t even opened it. I’m happy to leave it unopened or to open to test and photograph for the buyer (once payment is received) if desired. Price includes recorded UK postage. Stock photo for illustrative purposes.
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  5. I got a Pandora PX4 that I don't use, message me if you want it.
  6. Welcome
  7. ped

    Mini Gig Rig

  8. Great pic! Really nice. Daryl
  9. Under The God - Tin Machine
  10. Hello. Long time lover of the 1960's.
  11. He’s great just done a ‘72 P for me
  12. Today
  13. I'd have a look on AliExpress https://www.aliexpress.com/item/32664749601.html
  14. Hi @Heydayday - welcome to BC! It's important to remember the huge majority of headstock names on these instruments have nothing at all to do with the factories that made them - your bass looks like it's probably from a different manufacturer - and possibly a different country - from the Johnny Guitar in the link. Headstock names would be applied by the manufacturer if a customer requested one and provided a logo design - it looks like Johnny Guitar (& later, Johnny Pro II) were probably names owned by a European retailer or distributor (possibly German or Dutch), who would have ordered & imported batches of these instruments. If a customer didn't request a brand then headstocks would be blank and the wholesale price lower, which is why there are so many 'no name' guitars & basses from the 70s & 80s era around. Sometimes, like both unbranded basses in the first post, it's possible to work out the manufacturers from build quirks & details, but sometimes they can be annoyingly hard to ID! The DiMarzio Model J on yours is a bonus - the PAF-stickered, silver pole early examples are increasingly rare, and that bassbucker's interesting. Both Schaller & DiMarzio made similar pickups, but those both had hex pole pieces rather than the slotted ones on yours. Not sure what that is.
  15. @TimAl will do one. Did a jazz one for me.
  16. Good to know. I'm in discussion with Gary @ Sylva Guitars 👍
  17. The Headway EDB2 also allows you to blend a mic and pickup and provides 48V phantom power. So does the EDB1 but it's now discontinued though they pop up second-hand occasionally. Neither of these units is really designed for switching between two instruments, unlike the EBS.
  18. Yeah, I should have spotted that, shouldn't I?
  19. MK Studio P EUB, with stand and original soft case, in very good condition. I bought this from a fellow Basschatter last year as a tour backup for my Yamaha SLB 300, but it was never required, so has had very little use apart from a few hours practicing. Great design. Really well made and compact, and very quick to set up. Sounds great straight into an amp, and even better with a decent preamp. I wouldn't want to risk shipping this bass so collection in person only. I can rendezvous within 15 or so miles of Southend if necessary. Might consider trade for a Fender American Professional 2 P.Bass with maple fingerboard, in very good condition. PM for more details. (NB, the position markers are self adhesive stickers and can easily be removed).
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  20. Agreed Mick, Whilst the SMX series added some useful bells and whistles such as compression and a blendable valve/solid state preamp, the Series 6 has a certain immediate clarity with clout never bettered by Trace Elliot.
  21. A pound to a penny, it's autocorrect for "tube amp".
  22. Good luck to you whichever way.
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