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Every year I go to a progressive metal festival along with 9,999 other weirdos who can headbang perfectly in time to constantly changing time signatures. Im positive 95% play at least one instrument. There's definitely a market for prog music made for musicians.

Laim (there are much worse and more innocent variants for this band, which I have ignored)

Not good but there are jobs out there. I went application crazy everyday for over a month but managed to secure a role just before Xmas that I start in a couple of weeks. Recruiters that I spoke to said January is their busiest time for year

Ocean colour scent

My Humps - Black eyed Peas.

Red Zeppelin Rake against the machine Nick Cave and the bad weeds

Fancy building my first pedal, thinking of a 29pedals Euna clone. It’s a very expensive pedal I keep eying up so this would be a cool way to stop me splashing out a load of money while having a fun project to help me avoid getting better at playing. Just wondering where people source components?

Shite, if I'm honest! If I hear of anyone who needs two bass players and some craziness I'll send them in your direction!

Hi we have quite a few US members @jd56hawk @Bluewine @StickyDBRmf spring to mind do you have an equivalent of Open Mic nights? That’s where I found people to play with, and bass players are quite rare so no shortage of people offering collaboration

In other news the new orange amp is very good. Gigging on silent stage with IEM so relying on anagram for a convincing amp tone and this is nailing it, probably my favourite model in here now

I'm in. I've managed to sneak in my IEM upgrade before the starting gun and I don't anticipate anything else other than a couple of professional set-ups that fall within the rules.

I went out in a blaze of glory on 31st December 2025. A 13-note midi pedal board, won on eBay at 4:40pm and a Roland FP-30X piano ordered online at 9:20pm.

Kenny Doggins

Welcome Bobby.

Thank you for running it this year.

Yeah I’m still not sure how I feel about stuff like that. Doesn’t bother me as much for bigger gear manufacturers, certainly not when the gear that’s being modelled is out of production. Even products that are wildly out of the budget for most people to contemplate like the Nobel where it’s unlikely to impact sales. Captures don’t bother me much either, I’ve bought gear based on using captures that otherwise I would’ve been waaaaay less likely to splash out on. Large businesses modelling gear made by smaller boutique builders feels pretty unethical to me.

Welcome Bobby T

They know that all their listeners have reached the age that by the time they've played a dozen songs, we've forgotten what the first one was anyway. Buying any more than a dozen would just be a waste of money. Now what were we talking about again ?

Hi, I am Bobby. 60yo at this posting. I picked up bass as a hobby about 4 or 5 years ago. And I am loving it. Nothing like the feel and the sound of bass. Played Tuba in band, so when I had to choose guitar or bass, hey. I have never gigged or played with anyone. I need to. I am at that level I can follow a chord progression, know my triads and pentatonic scales, know the fretboard pretty well, have pretty good rhythm. I just need to jam with some folks. I don't have anything expensive, Schecter Silhouette Extreme-4 and an Ibanez SR505E. I use a Fender Rumble 100 to practice. I play most every day. I have a few songs under my fingers for the most part, Don't Stop Believing (why I started playing), Have you ever seen the rain, Burning for you. But I like jamming to backing tracks mostly.

Nut width is 42mm and the profile feels very standard modern precision to me. Skinnier than my other P at 45mm!

I have a strange intonation issue I have not seen before I hope someone can explain to me. I have a Schecter Stiletto Extreme-4 that I love playing. It is the easiest to play bass I have owned. I am very much an amateur. Recently I noticed my intonation was off on the E-string, so I adjusted it using the bridge adjustment so that the open and 12th were both in tune. The problem now is every note from G to D is flat. I don't understand how this can even happen, unless maybe it does this if the neck is bowed backward? To add more strangeness, the A-string is a little like this. D-string is fine and so is the G. Which makes me wonder if there is a twist in the neck. I have not measured anything yet. That is next, maybe just a complete setup is needed? Any ideas? Thanks