Jump to content
Why become a member? ×

How Many Inches Do You Like?


Billy Apple
 Share

Recommended Posts

I've played great sounding B's on both 35" and 34". Had a Spector Legend 6 which was 35" with a fantastic B, but my Wal is 34" and the tension and sound is better, but then it would be, it's a completely different level of instrument... I also had a Thumb NT6 at 34" and the B on that was great too...

So in my experience it makes very little difference and I have no preference :)

Edited by CamdenRob
Link to comment
Share on other sites

37" - Dingwall.

on a non-fan fretted instrument I prefer 34" scale though. Mainly because I find the G/D strings to not feel as good on them. But there will always be basses of both scales that feel and sound brilliant. Construction/build quality has more to play into it than scale length IMO.

Link to comment
Share on other sites

[quote name='Billy Apple' timestamp='1462733620' post='3045324']
Is that a fan-fret? Are fans of fans called fannies? :D
[/quote]

Ha ha ha ha!!!! Yes, yes maybe!!! Oh and yeah, fan-fret bass 37"-34" B-G

Link to comment
Share on other sites

[quote name='Billy Apple' timestamp='1462733176' post='3045311']


So why the difference in scale length?
[/quote]

Oh I understand what the difference is supposed to be... I just can't feel it myself... Then again my technique is a little agricultural to say the least!

Link to comment
Share on other sites

IMO it's all about the construction of the neck and how it is attached to the body rather than a 1" difference in scale length. The other important factor is finding the right B string for a particular bass. What works on one won't necessarily work on another.

Bear in mind that going from 34" to 35" is not even a 3% increase in length so by all means go for 35" scale if you like the longer spacing between the frets, but don't expect a single inch to make any real difference in how the B string feels and sounds. Also IME 35" scale is used by a lot of cheaper basses to try and compensate for the fact that the construction of the bass isn't really up to the standard required for a 5-string. It doesn't work. Any manufacturer capable of making a 35" scale bass with a good sounding a feeling B string will be able to make one with a 34" scale length just as well.

Scale length only makes a significant difference once you go to 36" scale or longer.

Of all the 5-string basses I have owned, the best B-strings were on the 34" scale basses (Gus, Sei and Warwick). The next best were my 2 Overwater 36" scale basses. The two 35" scale basses I owned (Reverend and Traben) were, apart from a very cheap 34" scale bass, by far the worst when it came to the B string.

Link to comment
Share on other sites

[quote name='SICbass' timestamp='1462774367' post='3045491']


As you mention that, I was curious as to how viable a 33" or even 32" scale low B might be. Does anyone have any info/experiences to share here?
[/quote]

33" seems pretty popular with the likes of Fodera and Wood&Tronics, if that counts for anything.

Link to comment
Share on other sites

[quote name='SICbass' timestamp='1462774367' post='3045491']
As you mention that, I was curious as to how viable a 33" or even 32" scale low B might be. Does anyone have any info/experiences to share here?
[/quote]

I've been playing 33" basses for a long ol' time now, and I've not found the low B to be any worse than on any 34" basses I've played.
Part of it will be that you can't really get a 33" bass with a low B without getting one made by a proper luthier as a custom bass, so they're likely to always outperform any production line bass, although Ibanez do one now. The only slight issue is that some low B strings are wound a bit longer for long extra long scales and you can end up with a bit of the fully wound string on the tuning post, rather than just the tapered bit. Having said that though, it makes no difference to the playability and sound of the string, it's just a visual thing.

I now also have a 31.5" 6 string bass, tuned B to C and the low B on it is ridiculous considering the scale length! It's not going to be as good as a 33", 34" or 35" low B, but it punches well above it's weight and is absolutely useable.
Here's a quick sample I recorded just after I got the bass to demo the low B string >> https://soundcloud.com/eudeboy/low-b-noodle
I've since swapped the 130 B for a taperwound 120 and the definition is even better, although I may split the difference and try a 125 next for a slightly better feel.

[quote name='Billy Apple' timestamp='1462774767' post='3045498']
Does a different scale length make a fundamental difference to the quality of the B? If it doesn't then why bother making long scale basses?
[/quote]

Scale length does mate, it's certainly something that can be countered to a certain degree by a talented luthier, but you can't defy physics.
The other issue is strings, almost all string manufacturers make strings to suit 34" and 35" basses, certainly when you're talking about low B strings. Not so much of an issue on a 33" bass, but if you go much shorter you can encounter issues.
My 31.5" 6 string has strings custom wound by Newtone, to try and get the feel of a 34" scale on the shorter scale, using heavier cores. I have to add though, I have tried some regular strings on the bass and they felt pretty darned good, so if Newtone weren't able to make me strings any more it would not be a deal breaker. Callowhill make short scale 5 and 6 string basses which are incredibly well received and he strings them up with regular scale Dunlops.

A lot more luthiers are building shorter scale instruments with extended ranges these days, but I imagine it'll take a VERY long time before it would become mainstream, if ever.

Cheers,
Eude

Link to comment
Share on other sites

[quote name='hiram.k.hackenbacker' timestamp='1462732963' post='3045302']
B - Lull - 35"
[/quote]

Out of curiosity how do you string the B, through body or normal?

OT: I've only ever played 1 5 string, my 35" Lull, and the B sounds good to me!
I do find that the G sounds a little uneven though, so i'd like to try a 34" Lull to see how it compares.

Link to comment
Share on other sites

[quote name='Sammers' timestamp='1462782459' post='3045547']
Out of curiosity how do you string the B, through body or normal?

OT: I've only ever played 1 5 string, my 35" Lull, and the B sounds good to me!
I do find that the G sounds a little uneven though, so i'd like to try a 34" Lull to see how it compares.
[/quote]

Long scale gets the best out of low strings and shorter scale suits the higher strings, which is why the Novak(x?) Fanned Fret system makes so much sense, shame it's used to make such enormous basses! :blink:
Having played some 35" and 36" basses, particularly on 6 string basses, the high C ends up pretty much unusable.

Eude

Link to comment
Share on other sites

[quote name='eude' timestamp='1462779767' post='3045526']


I've been playing 33" basses for a long ol' time now, and I've not found the low B to be any worse than on any 34" basses I've played.
Part of it will be that you can't really get a 33" bass with a low B without getting one made by a proper luthier as a custom bass, so they're likely to always outperform any production line bass, although Ibanez do one now. The only slight issue is that some low B strings are wound a bit longer for long extra long scales and you can end up with a bit of the fully wound string on the tuning post, rather than just the tapered bit. Having said that though, it makes no difference to the playability and sound of the string, it's just a visual thing.

I now also have a 31.5" 6 string bass, tuned B to C and the low B on it is ridiculous considering the scale length! It's not going to be as good as a 33", 34" or 35" low B, but it punches well above it's weight and is absolutely useable.
Here's a quick sample I recorded just after I got the bass to demo the low B string >> https://soundcloud.com/eudeboy/low-b-noodle
I've since swapped the 130 B for a taperwound 120 and the definition is even better, although I may split the difference and try a 125 next for a slightly better feel.



Scale length does mate, it's certainly something that can be countered to a certain degree by a talented luthier, but you can't defy physics.
The other issue is strings, almost all string manufacturers make strings to suit 34" and 35" basses, certainly when you're talking about low B strings. Not so much of an issue on a 33" bass, but if you go much shorter you can encounter issues.
My 31.5" 6 string has strings custom wound by Newtone, to try and get the feel of a 34" scale on the shorter scale, using heavier cores. I have to add though, I have tried some regular strings on the bass and they felt pretty darned good, so if Newtone weren't able to make me strings any more it would not be a deal breaker. Callowhill make short scale 5 and 6 string basses which are incredibly well received and he strings them up with regular scale Dunlops.

A lot more luthiers are building shorter scale instruments with extended ranges these days, but I imagine it'll take a VERY long time before it would become mainstream, if ever.

Cheers,
Eude
[/quote]

Agreed. Also, I'm pretty sure the Ibanez production 33" scale bass (BTB33) is tuned E-C, so the low B wouldn't be applicable :-)

So basically, if you want a nice 33" scale bass with a good low B, custom build is your only option!

Edited by skej21
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Restore formatting

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

 Share

  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...