gjones

My niece toured the UK with Courtney last year. They have the same manager. Courtney's great.

Pontypridd? That'll be right.

If it's in a pub, stick to the orange juice until after the gig.

[quote name='ubit' timestamp='1435429140' post='2808756'] Not everyone can be like you and be able to afford different amps for different sized venues though. Our guitarist has a 100w amp, which he has used in small pubs and large halls and even outdoor events. [/quote] And my guitarist has a 15 watt amp that he has used in tiny venues and 2000 seater theatres. Of course it took me a while to convince him it was all he needed.

Jack Bruce's roadie sold me my first bass (don't think it ever belonged to Bruce). He also sold my drummer pal, Bruce Gary's cymbals (Jack Bruce's drummer at the time). Maybe it's the same guy?

I'm in the position that I don't need to do crap gigs to feed myself anymore. If the bar is a dump and the audience are knuckle draggers, I won't be going back. But if I am forced to play a dive, I just look on it as a paid rehearsal.

Some singers with very, dodgy intonation, have gone on to fame and fortune in the past. Simon Le Bon and Sade are two that instantly come to mind.

Hmmmm.....touch of bass OCD? I think many of us have a touch of that on Basschat.

I play a regular venue called 'The Jazz Bar' in Edinburgh. Their house rig is the weirdest I've ever seen. It's an Ashdown Little Giant, with some kind of Peavey head acting as a pre amp, to boost the signal. The little giant then goes into an old Peavey 2x10 and an even older Fender 1x15 combo. Even weirder, for such a mishmash of ancient gear....it actually sounds OK.

You forgot about the veteran C & W star, who will mime through her whole set.

I gig quite a lot but 95% of them are at venues which provide decent backline. So my amp and cab do little more than gather dust back at home. So why do I keep on checking out the amps and cabs for sale constantly? I dunno!

I have a friend who is a very good pro bass player. I first met him when he was playing a P bass through an old Gallien Krueger 1 x 15 combo. His sound was a lovely old fat P bass sound that really laid a great foundation for the rest of the band. In fact I liked his sound so much that I promptly went out and bought a P bass. The next time I saw him play he was playing a Warwick Thumb Bass (which has single coil jazz type pickups very close to the bridge). His sound this time was very nasal (in an extreme Jaco Pastorius kind of way) and didn't support the bottom end of his band as well as the P bass did. He was still playing through the GK amp. Recently he's aquired a MM Stingray. This bass has a very, aggressive, rocky sound. As above, it didn't complement the band as well as his P bass did. He has also changed his amp setup to an Aguilar Tone Hammer 500 and an SL 112. I actually preferred the tone of his old GK combo which had a deeper rounder sound, especially when he played his P bass through it. So to answer your question, yes your gear does affect your sound. It doesn't make you play any better (assuming your bass is well set up in the first place) but it does affect your sound.

I once played a gig in a big, crowded, sweaty, venue, where after each song a woman shouted, 'you're sh*t, you're sh*t!'. Eventually, after about 4 or 5 songs the singer had enough and shouted back, 'Well if you think we're sh*t f*** off then!' to which she replied 'Oh I wasn't calling you sh*t'. Who she was calling sh*t, we never found out?

If you had the chance to have a hollywood star play in your band who was sh*t, or an anonymous bass player who was really great, who would you pick. Congratulations Keanu, you've got the job!

You need to get a long lead and head where the audience will be sitting. Then get the band to play a tune, which will allow you to set your bass to the correct volume, in relation to the rest of the instruments. Then if your amp is sitting right next to another band member's head and they complain you're too loud, you don't need to turn down, they just need to move their head out of the way of your amp. Edit: Aha, I've just read your last post. And it's all your fault

Don't peel the tape off then. You bought a pedal not the box it came in.

[quote name='KingBollock' timestamp='1434247828' post='2798015'] I have official permission, from my wife, to keep my hair even if I go the full Terry Nutkins skullet. The other day she rather proudly pointed out that I was sitting on my hair. Which I wouldn't have minded if I'd have had pants on at the time... [/quote] You did say 'sitting' didn't you?

I have a musician friend who has just reached 65 and retired from a sensible job. He's now become the long haired,, bearded, hippie, freak. he's always wanted to be.

My brother in law turned up to a pub, where he was booked for a solo set, to find another band set up and ready to go. He complained to the landlord, who confirmed that it was him that was supposed to be playing that night. It turned out that the band had actually been booked for a gig at another pub down the road, and had mistaken this pub for the one they should have been playing. The landlord told them to take all their gear down and sling their hook.

When the drummer can't make it..........the bass player is in charge. But don't let the power go to your head.

[quote name='Beer of the Bass' timestamp='1434120189' post='2796907'] I hear this a lot, but I don't agree. I like flatwounds with no muting, tone control on full and the treble boosted on the amp, so the sound is actually quite bright but not in a metallic or zingy way That provides a sound which I can't get from roundwounds - you can get the harmonic content similar with tone controls and EQ but the attack/decay envelope is quite different. [/quote] And then you plug into a DI box (pre EQ which is usually the case) and the sound person reduces your fastidiously, sculptured, sound into an inaudible, mushy, mess. I quite like the sounds of flats when I have control of how I EQ them. But that rarely happens if I'm going through a venue's PA and my amp is there purely for onstage monitoring.

You can get a flatwound sound from roundwounds, if you take all the tone off your bass. But you can't get a roundwound tone from a bass fitted with flatwounds. Which is why I always go for roundwounds. If you want to go 'vintage', then put a lump of sponge up by the bridge, to mute the strings, and turn all the tone off on your bass. Instant James Jamerson.

And I'm almost as impressed by the quiff as the bass playing.

Excellent!

Bought a precision scratchplate from Gareth, and very nice it is too. Excellent communication and a completely, painless, transaction. deal with confidence.