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it does say Limelight on it and a serial number so it's not passing itself off as the real thing IMO It's a replica not a counterfeit. Counterfeit is designed to deceive people. There is no intent to deceive as it says Limelight on it, therefore it's a replica

They'll log onto their system this morning and hopefully find an inbox full of messages saying this has a legal owner!

Now showing as 'withdrawn'. Good work @Chris26 and those who contacted the auctioneers.

I assume some of the backlash against Punk was similar. And probably Rock n Roll before that, and Blues before that. Music isn't all about technical skills, it's about expression - if AI can help people express themselves then it's it always a bad thing? I suppose there is a fine line regarding artistic input. People that studied music for years and struggled to make a living in an orchestra probably looked at punk musicians with the sort of distain people look at people using AI for helping write music now. I suppose a key thing with Punk was the democratisation of expressing yourself through music - whether or not you were lucky enough to have been able to go to a music conservatory or have the time and money to practice. AI supporting artists possibly does similar. Nearly 50 years after punk and we still have music conservatories and orchestras of highly trained musicians and people that appreciate hearing that, and a lot of musicians (e.g. rappers, DJs, pop singers) that could barely tell you the difference between a major and minor chord. There is room for both.

The auction ends in 8 hours time, currently 25 bids, up to £310, 19 watchers. Someone needs to walk into this place and stop this! https://auctions.wellersauctions.com/catalogue/lot/f72e04251781ce1fd69a2f03361751e1/45205abdbb84d2df36d33a64cd5790b5/unclaimed-goods-from-a-major-uk-courier-network-lot-1412/

I remember watching her appear one morning on the Big Breakfast in the 90s and she was playing keyboard. Maybe it was the camera shot, but I remember being amazed by the long length of her fingers. I had her first two albums and still occasionally have a listen. I just love that rasp in her voice when she goes for it. I got the impression over the years that she is not precious about the bass, so it is not always her playing on recordings, but I could be wrong.

Case closed but overlooked for two pages. Call the cops and get it seized before numbnuts takes it back from the auction house.

I bought her first album on the strength of ‘All I Wanna Do’ when it first came out and was knocked out by the songs and the sounds. I’ve pretty much kept up with her releases ever since - there’s been the occasional disappointment (C’mon, C’mon) but otherwise lots to love. I knew she played bass as well as guitar but have never been aware of which particular tracks.

Perhaps it was originally ordered with that set up when new. The original or earlier Warwicks like mine which is an 89 Thumb had a small encapsulated block pre-amp. My pre-amp failed in the first 6mths and again approx 10 yrs ago. I now can't remember if mine had any print on it. Warwick no longer supply those original style pre-amps and mine now has an MEC preamp. Dave

Thanks for that. I just always assumed that direct drive meant less maintenance with belt replacements. Interesting to see the trend is more towards belt drive. I'm guessing belts are made from better quality materials these days. Dave

There are hifi buffs who swear by Technics decks, spending thousands on arms, carts, isolation, "clean" power etc, though not many other turntable brands (not even EMT!) use direct drive motors, preferring the extra level of isolation a belt gives (on my TT the motor is in a separate very heavy billet aluminium cylinder, and a new belt is £50! Even Verdier use belts, despite having a magnetic bearing meaning the platter effectively levitates... Still, I've heard Technics decks sounding very good indeed.

Here’s an interesting serial nr K999 87 from a fretless thumb bass. Sounds like something special as it’s the last number of a month? emailed with warwick, he said it has no original pickups, passive pickups and electronics for active pickups. The pickups are beige, the electronics has a little block with “Dale” imprinted on it. Can’t upload photo’s . My brother says he bought it new in a shop around 1987 but is not so sure anymore if it was new. Does that happen that you buy a new or almost new bass and it is already tampered with?

If you're not afraid of botox...

I think I know what the problem is. I put a small rubber gasket around each SpeakOn socket to reduce air loss. I think this has changed the distance from the plate to the socket enough to stop some plugs working. I'll pull the panel, remove the gasket and see if that works.

I put a set of Gotoh Resolite GBR640-XN (X Nickel) on a custom shop P I used to have. They were a perfect fit and not new shiny chrome. They looked the part and were so much better in operation and balance. Reverse wind gears like the originals. I don't think they do the forward gear version (GB640) in X-Nickel unfortunately, soon got used to them though. Recommended. https://www.thomann.co.uk/gotoh_gbr640_4l_xn_bass_tuners.htm

I'm no bridge pickup guy.

So sorry to hear this man and yeah I always use UPS as had bother with Parcelforce before. If I get offered anything at Vintage Bass Room I’ll get in touch immediately @knicknack

Hole In One - Diesel Park West

I wonder if it's one of those Limelights with a Fender logo? I can just about imagine a situation where, for whatever reason, the shipping information goes awol and ,after checking the headstock, the undeliverable bass is recorded as a Fender on whatever database they use for such things. When the Limelight is reported missing they check the database and come back saying the only undelivered bass we have is a Fender, Then because no one has reported a Fender bass missing they have no idea where the one they have came from and it ends up at the auction Just a thought. Edit. The final step would be the auction house correctly identifying it but not telling the courrier company, and so the circle of f-ups is complete.

I don't know how these things normally work but , if I've understood the timeline correctly, 30 days from initial postage to turning up in an auction for unclaimed goods seems like a ridiculously short period for a fairly valuable item, especially one that is so unique and easy to identify after it went 'missing' in the first place. I agree it's far more likely to be error that criminal intent, but something has clearly gone very wrong here.

Yes - if the jack socket is a skeleton type and you've got a 2-band EQ so the jack socket will be sitting on the same shielding, the shielding should be grounded by the jack socket. If you've got a 3-band EQ with the jack socket in the side then you'd need to ground the shielding by connecting a pot body to ground. It would be worth checking that everything is properly grounded by going over it with a multimeter afterwards.

Maybe I should haver applied Hanlon's Razor before I posted previously, but it seems whatever system is in place to ensure that a parcel has a fighting chance to reach its intended destination before being disposed of and profited from is clearly broken.