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  2. She was a Gibson gal in many respects. LPB, EB-2, Ripper...planty of evidence online. In all fairness, she always did maintain that her '57 P-Bass was her main recording instrument.
  3. There's no advantage to that over a 410, as it's essentially the same thing. In fact the increased spacing is worse. If you must do it, though I can't imagine why, the bottom cab should be flipped upside down, placing the woofers closer together, but only if the tweeters are not used. If they are used the top cab should be flipped, placing the tweeters closer together.
  4. Well I found both to be a warm vintagey sound, but with the TH able to add in drive as required. Other than that the main difference I’d say were the highs, with the TH being at a much better eq point than the LM - this could be why your bass sounded so different.
  5. Did she? I've seen here with little else than Fenders (mainly J but the odd P).
  6. I haven't got any answer to your question, so please bear with me. I'm just curious whether you played the TH with AGS on or off. As far as I understand, the preamp of TH is super clean, so it's the AGS function which makes it sound warm. I've got a Tone Hammer preamp v1, and the AGS is always on with gain set somewhere before it gets some grit. You've probably already seen this one, but if not, it might be helpful. Or not.
  7. I’ve had a reliced Sandberg and I would say that is absolutely not part of their aging process. Proving it is another matter of course. What’s the actual finish? You may be able to buff the worst of it out.
  8. Does it make a Bass IV good for metal?
  9. Ive managed to find a guitar box, so delivery is now an option
  10. A height gauge for mice?
  11. Left my choice of best bit of bass gear to something quite late in the day! I've been on the hunt for a one-stop multifx that could take the place of my pedal board for a monthly pub residency that's I need to get to via public transport. I wanted something that was a step up from my trusty little Zoom B1-4, but wouldn't break the bank and was decently portable. I've spent a few months pondering alternatives - there's a lot of excellent and often really well priced multi-fx's on the market! I came close to getting one a few others, but none seemed to cut it for one reason or another. Slightly out the blue I was recently offered a used Boss GX10 from a fellow BC'er, which is a more budget version of the Boss GT1000 Core which I have on my board and I'm a big fan of. Whilst less powerful in terms of processing power than the Core, it does have a few features that make it great to use that the Core (or indeed the ubiquitous Helix Stomp) lacks e.g. colour touch-screen, built in sturdy expression pedal that can be easily assigned to patch parameters e.g. to boost volume or change the tremolo rate. It's a big step up from my old Zoom B1-4 and seems to tick a sweet spot for me. Although I bought it as "travel" multi-fx with the intention of using my main board for most gigs, the GX10 has really got me thinking whether it could actually become my main board by itself?
  12. Indeed, but I don't think we've had 'The Sinks'
  13. Mint condition Fender Bassman Reverb pedal. Designed specifically for bass, it has a lowcut knob, a pre-delay setting, controls for time and mix and the choice of two reverb types (hall and room). Comes with box and rubber feet, price includes shipment or can meet in East London and knock £5 off the price.
  14. I think it is a galaxy
  15. Cheers, I messaged Sandberg about a week ago through the website. Not had a response yet but I guess it's a busy time.
  16. I bought a new Lake Placid Blue Fender Vintera bass VI recently, and as I already have a Squier Classic Vibe Bass VI (also LPB) I knew exactly how I wanted to set it up. My plan was to add a shim, put a set of LaBella flawounds, adjust the truss rod, oil the fingerboard and all the little jobs required to make it my own. The bass had been sitting in its gigbag for several weeks whilst I put off this job, but I finally got around to it yesterday and the bass is now perfect. In the process of setting it up and making all the adjustments I used several tools, and I made the tool shown below from the same card as I used for the shim. I used this for a specific task as part of the overall job. I'm sure I'm not the only person to use such a tool, but I don't recall seeing anything similar documented anywhere. The card is about the thickness of a good quality business card and came from the inner packaging of a d'addario micro soundhole tuner I bought for an acoustic guitar. How obvious (or not) is the purpose of this tool? Please post what you think this tool might have been used for. edit - changed the pic to include a ruler
  17. The latest iteration of my gigging board while I was experimenting with adding a noise gate yesterday. I bought that Donner to prove out the concept and it does the job. I'm not sure what a high-end bass-specific noise gate would give me but am willing to learn. The big change with this board is the addition of a second compressor. I play about 50% of the set with a pick, the other 50% fingerstyle and previously was only ever happy with the compressor for one of the other. I also tried comp off for fingers, comp on for pick and just couldn't get a setting I was happy with. I then mocked up a dual comp patch in the HX Stomp and reached a point where I was happy switching between pick and fingers. If you use 2 comps, you quickly learn that the two "stack" so you need to think about ratio settings. Signal path: Spector with EMGs and LHZ Haz-clone into: Front End: 1. Korg Pitch Black Bass Tuner. Brilliant, accurate like nothing else I've got. 2. [sfx] Microthumpinator v2 I've had one of these on/under my board for about 15 years. 3. Origin Effects Cali76 Bass Compressor (Pick Attack) Switched on for when I'm using a pick. 4. Origin Effects DCX Bass (Sparkle) A tone/EQ-shaper that I've got really attached to. It works nicely with the Spector/LHZ and is always on. The filters on these are very good and allow you to keep your low end intact. 5. Origin Effects DCX Bass (Overdrive) Dirt. These boxes are so good and have such a nice range of drive sounds that it made sense to snap up a bargain when it presented and get another. I love these as dirt pedals, so versatile giving warmth and breakup right through to smooth fuzz that reminds me of the SansAmp DP-3x. Effects Loop 6. Aguilar Chorusaurus v2 (Shimmer) I've been through a lot of Chorus pedals over the last 20 years. This one is the winner. You can see that I use quite a subtle chorus. I use it a lot. 7. Origin Effects Cali76 Bass Compressor (Always On) An utterly marvelous compressor. 8. Noise Gate We'll keep an eye on this and see how it performs in the wild. The board is a D'Addario expanding one and I use a Pedalsnake to run power and signals through the loops. A future addition could be an Emma Discumbobulator v3. We'll see how the set list evolves.
  18. We’ve got another chat going on, however I’ve never seen a scratch like this on a relic bass. The team at Sandberg are really good, they’ve always gone above and beyond in replying to my messages and helping me out. I even got a hand drawn wiring diagram when they couldn’t find a schematic in their file. If you message them then they’ll let you know whether this is part of their relic process. I can confirm that mine has some strategic dents and marks but no surface scratches
  19. Yeah, I guess I'm being a bit precious 😉 it's just the rest of the dings/dents are subtly done, but that scratch is like some 2 year old just picked up a key and attacked it! 😅 I really like the bass, so I'm keeping it - it just niggles a bit I've been sold slightly damaged goods (it was advertised as brand new).
  20. cheers, yea its great little project for someone, to be fair i thought it would of been gone in two days at that price. if no one wants it by tonight i will put it on ebay for 140, its bound to go on there in no time, we will see. cheers again
  21. Have you been able to wirelessly connect any of your usual devices to the external router or direct to the X18 since the problematic gig? Since the wireless connection to the X18 or external router is generally a peer-to-peer rather than a normal network connection I wonder if the network setting have been lost? I would try a wireless connection from a proper computer so you can see the network settings and IP addresses, and then see if these are being carried over to the Android tablet via the ethernet connection.
  22. Sadly all too well, and I have been thinking about that a lot recently!
  23. Feel your pain, Gav - it does kinda tie into the convo re. expensive / more "value" pedals earlier in this thread! Fingers crossed you'll be able to snag one used in due course or if you decide to buy it new it lives up to expectations which, from comments from other owners on this thread, it very well may do!
  24. Up for sale is this very nice Yamaha QY700. This one has a bright upgraded screen, all buttons working and flawless operation. It's also upgraded with a GOTEK drive to store as many sequences as you can throw at it. It's pretty much future-proofed for a good while. A rock solid workhorse, this is a great centrepiece for a DAWLess set up. Only selling as I have another sequencer that's smaller This is a great piece of classic tech. Famously used by Squarepusher. It's a lovely sequencer with a tweakable GM library (but I only use it to drive external gear)- very powerful and solid as a rock timing-wise. Perfect for those who want to get away from screens.
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