All Activity

the bit that made me laugh was for quite a while he didn't even know they were ripped.

I have encountered a fretless Squier, presumably unlined as the dots were at the fret positions, which had subsequently been fretted. It was astonishingly hard to play as I couldn't work out where to put my fingers.

Should turn the light out but need to chill for a bit with a JD. Just got back from Llandovery, about 1hr 45 minute drive, mercifully the vocalist has a new van and felt guilty as I've been driving him for months. Our gig got switched to another pub because of a wake. Limited space but we were a man down and managed to fit. Just. Staff were great. 45 minute first set went ok. Locals friendly but not very engaged at first. Second set people warmed up, especially after some Manic Street Preachers. Lots of positive reactions, handshaking etc. and I even got bought a beer (nice bring the one who isn't driving). Yes we had a few minor fumbles, but we haven't played without our rhythm guitarist for a long time and we did some long forgotten and ungigged songs. Had to compromise on tone as electrical noise meant I had to keep both pups on full (Flea Jazz). Affected guitarist too when he used his strat instead of LP. I got told to turn up! We have a rehearsal on Monday to polish up with our full lineup. A big gig on Sunday, our first in the big room at the Earl Haig (my favourite place to play - see previous post) proper stage & lights 🙂

Only if it's not pretending to be real. I use AI from time to time for posters. A pretty obvious one:

Which 200W amps have you used for home practice and found too loud? The volume control is effective on most, if not all, amps, and will reduce the sound level considerably when correctly applied. If you're using a 100-200W speaker, it means you're less likely to accidentally blow it. I use my 200W TC BAM200 head in preference to my 900W Tecamp when I'm using a small cab (house jam micro cab, and, when I've finally completed it, BC 8" cab). Still managed to blow an Eminence Deltalite 2510 mk2 with it (poxy "Made in USA" rubbish, give me reliable Chinese stuff any day).

Did that come through reverb or through an email, make sure that who you are talking to is definitely reverb, not someone else.

Hi Guys, Does anyone know the value of the Bridge pickup pot on the Spector Euro RST , no markings apart from made in Korea on the pot. Cheers Geo

I have a TB Raxx and it gets pretty messy. I used it for recording an album straight from the pre into the desk once, and it did that just-past-the-edge-of-clean thing with aplomb, got a really satisfyingly thick sound. Very underrated preamp, would command a far higher price if it didn't have the Peavey hair metal styling IMO. Mine's a keeper.

No one notices if you kill guitards. No court would convict anyway… just mention that they played Stairway too often and you’ll get acquitted

I ended up getting an Alto TX408, mainly as it was cheaper and Amazon had them. It seems very loud and punchy for something that size. Easily kept up with the band and drummer with volume to spare. Just wish it had more handle options like the db has.

If you’re playing around with the global EQ on your stomp to suit your in ear sound then surely that’s going to compromise what you’re sending to front of house? Have you some other method of adjusting your in ear mix that won’t affect what’s going to the PA?

It would be cool if he played this or the Scarab again…

Just done a lovely little solo gig at Bar Dos Hermanos in Leicester. Quite a quiet night possibly due to the ghastly weather but it meant I could experiment with more subtle stuff and new tunes rather than competing against a really noisy crowded bar. A girl from the audience asked if I knew Jolene and could she sing it (she was really good too so that worked really nicely). Chucked in a bunch of new stuff too which went down well. And only got slightly soaked loading out. Happy with that. Gear: the usual Simon and Patrick SP6 guitar and soundhole pickup, Allen and Health desk and Mackie SRM350 speakers. Footwear by Clarkes.

DIrty Punk - The Clash

This top is just looking amazingly ... amazing. 😍

I did buy a 100 watt Fender Rumble when I joined a country band. It was definitely loud enough for the quieter type gigs I did with them. I also used it with a blues band, that I would occasionally gig with. Both of those bands had sensible drummers. It was extremely light and easy to cart around and had more than enough output for that type of music. I've got 500 watt heads and a cupboard full of cabs for the bigger gigs, with shed builder drummers and power mad guitarists.

Bought and sold a few, and am always searching/on the lookout for a good ray! You do get the odd nutjob seeing what Specials go for new and assuming their early 00s 2-band is worth 2k used, but generally you'll see standards at £1100-1500 (max) and Specials from £1500-£2000.