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Ive had the B2-Four 3 times now. It's really nice, and the only reason I dont have one now is it started very quickly to be a distraction, always tweaking things etc. Also I got turned on to IR's and these work better for me than the Zoom stuff at home. Ive still got a MB-60 and B1-Four, but never use them. I did have the B3n years ago. Ive also had the MB-60+ twice, but got rid of them for the same reasons above. One thing I can say about the newer versions are they do sound better. A bit cleaner and more open than the old ones. The different DI Outs on the B2-Four actually make a difference, and I found I was justing just that feature for a bit. Ultimately I find all these boxes seem to have a bit of sparkle missing when I use headphones, but not so much when using an amp. Im an iOS user but have never bothered with the app, other than a customary look when I got the first B2-Four. Im more a hands on guy, and I feel I need to know what's what incase im at a gig or can't use the app to make adjustments. I found the B2-Four really simple to use one I figured out what does what and where to find things. I like the extra foot switches on the B2-Four, I think they make for a more versatile pedal, especially live once you get the hang of them.

Just the other day I caught myself being brusquely pejorative about another local band's output as lazy shorthand for the truth; "I've tried multiple times but I just don't get it. I'm going out to get some chips while it happens.", so I corrected myself there and then. I find that stopping and openly saying "nah, wait, that's balls - I don't actually mean that" isn't all that hard, and if the guys in the band subsequently had it reported to them verbatim that I'd said I didn't get their music and I'd chosen their set to nip out for food, I don't think it'd stop us from having a beer and watching the headliner together later. Loads of other people are either very into what they do, or don't like chips as much as I do.

And we made a more "traditional" music video too...

Memories are not reliable when it comes to sound, but I reckon this new one is in the ballpark - it has that knack of being twangy but thick at the same time. What I can tell you is that this Epiphone feels way better screwed together than my old 1978 Gibson G-3. It just feels less fragile - the pickguard doesn't move/warp ever so slightly when you use the selector switch and the bridge is way sturdier. The neck heel area is much more sculpted and rounded off - the OG G-3 neck heel is basically sharp edged sawn off. Now some of this feeling of sturdiness on the Epi may be unfair as my Gibson G-3 was an alder bodied one instead of maple, so it was definitely lighter. But the old bridge was a slightly better BBOT (in that it had side walls to limit side to side movement) but it used slotted grub screws - by the time I got around to owning it two of them had broken and could only be turned by using pliers. The Badass II is a welcome upgrade, and not unsympathetic - pretty sure a bunch of people fitted Badass bridges to their Grabbers and G-3s back in the day. My only regret so far is that I wish they had gone with clear pickup covers instead of black like the pre '79 G-3 (and my old one) because they look way cool. That's a damn good price for a Gibson G-3 these days. No regrets though - I'd have this Epiphone rather than an OG Gibson any day of the week for the reasons I have outlined above.

I saw Morrissey supporting David Bowie at the Albert Hall. I didn't think much of it, but you can't be "rubbish" to get a gig like that. If someone expresses a dislike by calling something "rubbish" I just mentally tick the "lacking vocabulary" box.

I love a midlands accent, the vowels are really fruity. Having a flat North Kent accent myself I loved my university days in Coventry. I have history witht he name because we used to go for a thali and a barfi at a North Indian sweet centre on the Foleshill Road and there was a signpost for Nuneaton on the way. As we would have starved ourselves to get full value from the food we'd do a silly studenty play on words as we passed as part of the ritual. Anyway - neither Nuneaton nor Coventry qualified as rubbish in my book back then. I haven't been since, mind you and I'll bow to your superior wisdom on Nuneaton.

Semi-weighted is what I'm after from a stage Piano.

Really? I lived in Nuneaton for the best(?) part of thirty years, I can’t say I found the name, nor accent (which I still have) particularly erm… great. The original area was just called Eaton. When it expanded they decided to change the name… there happened to a nunnery there, too… I am glad I got out when I did, the place has completely gone to pot. I’ve noticed comedians, and others on the telly, using the place as a crime riddled hellhole. From what I have seen and heard (have friends still in the area), they’re not wrong. Unfortunately the pun wasn’t deliberate. I’m not feeling quite that witty today.

Yes. I don't suppose it was deliberate but I quite liked the symmetry of it. It's also just a great place name, especially said in the local accent.

(A + C) - B = 0

Rump it Up - Elvis Costello

Is this an algebra question?

Hi, Following on from my recent post in search of a USA Musicman Sub as a fretless, I have purchased a very suitable bass to have converted to a fretless, the neck has already been crudely stripped of its finish so I am not going to devalue it further by defretting it, does anyone know of a decent luthier in the Northants area (or within reasonable travelling distance) who could do the job? Sadly all the contacts I had for doing such work have long since retired! Rog

I'd like one please Rob, looks great and more than happy to make a donation for it ☺️