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  2. My advice is if you're already playing a fretted Squier P, get a fretless Squier P to match it. It'll make the transition to fretless much easier as your fingers will naturally fall into the right positions. Top tip: make sure both straps are the same length too!
  3. yes +1 for the harley benton. My PB-50 is just fantastic
  4. Blister - Zimmer's Hole
  5. Lovely bass for a very fair price. GLWTS!
  6. This would look so good alongside my MTD Super 5......must sit on hands and must resist...GAS does not exist...... GLWTS!
  7. I've seen good reviews of the Harley Benton JB-40FL: https://www.thomann.co.uk/harley_benton_jb_40fl_3_tone_sunburst.htm
  8. If I was looking for a budget fretless, I'd get this: https://www.thomann.co.uk/harley_benton_jb_40fl_3_tone_sunburst.htm HB have a great reputation, plenty of folk on here use them as regular gigging basses.
  9. Thanks for your comments-yes a truly beautiful looking and sounding bass.
  10. Takes a bit of getting used to but feels so common sense when it falls into place...
  11. I don’t blame you tricky, if it has sentimental memories you have to keep it 🙂, they are both really nice 👍
  12. Paging @rwillett...
  13. Yes it is, still for sale. 21 frets.
  14. If anyone can help me produce a small item for my Roland drums then please message me. Happy to pay for it of course. I’ve got the design file already Thanks in advance
  15. I’ve been using my Boss WL-20 setup for the last year with few issues. I haven’t noticed any loss of low end - I think that may be an ‘Internet wisdom’ hangover from early systems. Used live I’ve only had problems on two occasions: (1) Electronic drum kit and bodies between transmitter and receiver in a pub with very little ‘stage’ space. Used a cable instead. (2) Theatre gig. Fine during soundcheck, in fact I walked halfway up the banked seats in the auditorium to check out the FOH sound. But once the audience were in I kept losing the blue ‘RF found’ LED on the receiver. The signal itself didn’t drop out but I wasn’t going to risk it so in a break between songs I swapped to a 6m cable to preserve stage-strutting privileges as far as possible. I put it down to too many WiFi hotspots in the audience.
  16. Nowt like a gnarly knurled knob.
  17. Fairly sure. Not that it mattered, it was very competently done whatever their gender
  18. Plus it'll take me about an hour to set up my plethora/smorgasbord/I can stop anytime I want.
  19. I asked this question a way back it puzzled me also
  20. Collection only from Gloucester. It used to house my GK Fusion 550. It's really light, about 1kg. No lids, I don't think it ever had lids/covers. All feet are there. Handle is solid. I would have kept this if I hadn't seen that 550 for sale in a 3u Gator rackbag.
  21. Got my Cali ll TM SL Short ex-stock from Thomann. The only thing it didn't have compared with my configurator design was a roasted maple neck. I was happy to trade that off against immediate delivery plus a cost saving of over £400, which has funded the Aguilar pick-up set I've just had fitted. Now the Sandy is definitely 'the one bass that rules them all' - in our house at least 🙂 The pic is the shot of my actual bass taken by Thomann.
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