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Bredon Cider Fest 2025, Jagged Little Alanis (www.jaggedlittlealanis.co.uk) headlining Friday night - this is a wonderful small festival with a big feel when you're onstage. The crowd are great, no lairiness, everybody happy as anything. Cider selection (and beers) was outstanding, food was good, and neither was extortionately priced. A great example of a well run fest, getting in and out was easy and seamless. They ran like clockwork and the sound guys were excellent, even though they'd come on board late in the game and didn't get the spec sheet (which is extensive for the band). The wig was a £10 TEMU job, it's surprisingly good haha Video is of the crowd singing the first verse. Ends abruptly as I suddenly realised I had to get my arse in gear on bass! Tribute acts aplenty (really good ones!) over the 2 days, such a great little fest. IMG_3761.mov

GR Bass One 350 ordered today. Thanks to everyone for their invaluable thoughts and suggestions. I’ll let you know how I get on!

I've depped now for a good 20 years, with increasing amounts in the last 10 years or so. I've done a couple of weddings already this year, and even had to turn a couple of last minute ones down last Saturday or risk being treble booked. This setlist is so familiar, and that's a good thing! Also - they've given you great key information. Excellent work. I think the key things which help me feel comfortable when depping, in no particular order, are: I play a lot of jam nights. Those songs - those core function band songs - these get played a lot. That helps keep them fresh. I make notes on iPad and have these on a mic stand in front of me. I'm using Gig Notes now but I was using OneNote. The notes are a sort of evolved shorthand shorthandbnotes with basic chord sequences and cover the gotchas like where the key is different, and include the chords in the right key. I try to keep them to a single page if possible, and note any silent bits or modulations / middle 8 weirdness. This really helps for songs I haven't played before. I might include a small piece of notation for some bass figure which *really* matters to the song. A lot of the bands who need a dep are playing standard sets and play them a lot. They'll be great, and that's half the battle when dipping - you need a solid drummer who is picking out something familiar to latch on to, ditto for at least keys or guitar. I always make sure I can hear myself well. I'm actually building a small personal monitoring system which will split the DI from my bass so I can feed a pair of in-ears, and I'll mix the ambient level separately, so I can use those if required (you find out pretty quickly during soundcheck if the band are balls-out) I get to the venue early so there's less stress full stop. I like to help break everything down - it's the right thing to do, and people will remember that you pitch in and don't just blow in, play, and vanish. I bring the bass I'm most familiar with, which I know is the easiest to play. That matters for comfort and confidence. Hope those help. It's a fun thing to do: I'm actually on a pretty large FB bassist-only messenger group which shares deps between bassists and there have been some great ones on there!

Could have done. I think the seller is a bit of a flake, but if the bass is relisted it’s probably going to be a good deal.

Earth, Wind and Wire...

Once had a Lakland DJ5, mainly used for home use, it had awful hum so I took it back to the dealer. He played with it all day, couldn't find a problem with it so I took it back and said I'd give it another go. Turned out to be a particular light fitting in my bedroom..........d'oh.

Just discovered this one, was following along with baited breath waiting for the finished article, but the photos stopped working on page 7! Argh!

Good to hear, cheers matey. I can definitely hear the loss of low end from mis-matched impedance if I ever plug straight into an amp - so I fear the same plugged into low impedance wireless. My Line6 acts like a pre-amp between piezo and amp, and I get a richer warmer sound because of it. I'll let you know if the Joyo compares favourably! I take your point about aluminium/rock and roll etc 😁! But I do find that having a good rich signal to start with can make a real difference to EQing and cutting through mix.

Darkglass have released a video demonstrating the new blocks. I have to say, the Sansamp and Big Muff sound great.

bump

The bass on the right has a far worse offense going on: laminations in the center of the body to imply a neck-through-body construction, when in reality there is a bolt-on neck - and it's not even laminated the same as the body core! Can't stand it.

Hi, anybody heard about an old "by shadow k & m holstein's 101 pickup

This is really helpful

Who judges whether they are well made and high quality?

Sadly a judge will have to go by the guidelines and it is likely that all of his past, spent convictions won't be taken into account because of the timeline. TBH that is probably why he is being taken to court for such a small time frame; were they to actually act upon some of his actions documented on here, then he'd be in the realms of committing crimes whilst still serving his 2 year suspended! His solicitor has likely come to an agreement that they'll not contest the action if he is only tried for a small number of cases in a recent time frame!

I`ve never tried a stack of 210s vertically, would like to so that I can hear the difference - maybe at the SE Bash we can try this if anyone brings along a pair.

Agree, classic looks there