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Ease but not fully solve. A possible solution for two historically aggrieved mismatch owners. Step 1. Agree a value differential between older stack and new[ish] stack. Step 2 agree value of present stacks as stand. Important if one got a a bit shabbier than the other or one is vastly newer. Flip coin. Winner gets to choose to pay other out to get the newer stack or get paid out and receive the older stack.

Just got back in from this week's episode of the Crown at Shard End. I was using (as I have been for a few weeks) my Tecamp Puma 900 with the home built cab powered by an Eminence Deltalite II, except that after 20 minutes to half an hour it ceased to be powered. I was also being sent through the PA, so my fabulous bass playing was still audible. I wasn't sure what had gone wrong, whether it was the power stage in the amp or the speaker, but when I got it home it became evident that the speaker was the culprit. I know I'm using a 900W amp with a 250W speaker, but it was barely ticking over. So much for "Made in USA" as a mark of quality, I'll stick to Chinese from now on. Anyroadup, a couple of people dropped out so there were slightly more songs per person than normally, and I finished up accompanying three of the acts. Some really impressive singing by the four women who sang (I shall draw a veil, mercifully, across the young girls who are always there and absolutely exemplify that clause often seen in adverts, "enthusiasm more important than ability", though a couple of them do show a little promise). Mrs Zero was unwell so I decided not to inflict my voice on the assembled masses.

I thought the original MM Stingray EQ was cut and boost but without a centre detent. There isn't the same amount of cut available on bass and treble though. The bass only has a slight cut available, if I remember correctly. I'm pretty sure that has been confirmed by both by MusicMan and other boffins who would know.

Yeah, clarification required i.e. in the budget compact format end of the market that the Xvive U4 etc being discussed have muscled into. It was certainly one of the more popular wireless devices on BC a few years back. Seems to have faded from view these days.

Umm… no.

I made myself a custom set of Chromes similar to this except I used a 110 E string as I dropped to D quite often. I still have them and use them from time to time. That was back in the day when you could order 4 single strings for about the same cost as a full set

Out of interest, what does the MNT212 weigh?

I might well give those a try, am really liking the XLs I’ve just put on my Sandberg Lionel so might try a set of the BTs on my Precision.

Tonight at practice my IEM cut out breifly a couple of times, so I was a bit concerned after saying how reliable it has been (and it has). Then it occured to me that the receiver was clipped to the top of my right pocket, and my XVive wireless bass transmitter was right next to it because of that. I swapped it to my left pocket and it didn't cut out again. So it seems it doesn't like touching another transmitter!

A few months ago I moved to a house with a cellar, so I finally have a space where I can use some tools that's not a) my work desk, or b) the kitchen 😆 This gives me an opportunity to try some of those DIY things I've always wanted to have a go at, and I decided to start with learning to prep and oil finish a guitar body. I figured a good way would be to get a cheapy body to mess around with and worst case it's firewood. Gear4Music had a sale on natural precision bodies for about £35, so I bought one - keeping my expectations low! Although listed as "finished" I assumed it would be finish sanded or some kind of light sealer coat for that money, anyway turns out it's got a poly coat 😳 In case anyone has looked at these, I can say that nothing looks like it lines up, the blank was cut at an angle, and it may be an optical illusion but I don't think the neck pocket and pickup route are on the same plane!! Still, it was £35. And it's not a bad colour. I have no desire to sand off the poly but I'm keeping the body to try out another idea: For a while I've been thinking about a cheap hybrid Fender/G&L bitsa. There's something about trying to cross-pollinate the two that appeals. I snagged some MFD humbuckers recently so this seems like a good opportunity. Basically I want to try L-1000 electronics in a P body, implementing the parallel/single coil/OMG switching. A poor man's Wunkay, if you like. I have two MFDs so I could try a different arrangement if I felt more ambitious - perhaps add a bridge bucker in the L-1500 (i.e. roughly Stingray) position, rather than the conventional J position in the L-2000. To source a neck I may just buy a Harley Benton P kit. That would give me another body I can have a swing at an oil finish, and also attempt to carve an early 80s G&L headstock 🙂 These fellas on YouTube make it look so easy 🫣 I was measuring string spacing on the MFD today and as best as I can tell the poles are 23/32 apart (18.25mm), so 2" 5/32 from E to G. So something to ponder will be an inexpensive 18mm spaced bridge. (I think a genuine Saddle Lock bridge is out of scope for this budget!!) Or maybe it will be okay to fudge it with a standard 19mm bridge. Anyway, this is probably a bad idea for reasons I have yet to realise, but we'll see.. what have I missed? Why will this be doomed? Experienced builders please look away now!

I’ll throw the Vanderkley MNT 212 into the mix. Light enough to be a one hand carry, narrow enough to pass through doors without scuffing your knuckles, and chucks out an amazing sound.

I thought that too until I realised that would put the feet on the bottom on the top.

Just got in from first rehearsal of the year, last being over a month ago. Was really good, a few hiccups here & there as none of us have really played any of the material in the downtime, but no big issues, especially as we’re not a gigging band. Was great to just be in the rehearsal room playing some great songs and having a laugh. Used my Sandberg Lionel into the studios Ampeg SVT450 & 810 and it sat very nicely in the mix, very pleased indeed.

Sorry, but the original Music Man 2EQ preamp is boost only and I know what I'm saying owning an original 1978 and having made my own clones of this preamp.

I use the D’Addario 45-107BT and for me they make a difference over the standard XL’s. it sounds strange but to my fingers it makes them all feel as if they are one. no big jumps between sting thickness, tension, although obviously there is. I was worried 107 would be too thick, but it feels natural next to the other strings in this set. Could be a placebo effect, but the end result is i find my basses more of a pleasure to play, so job done in my book. Not the be all and end all, but given a choice ill stick with the BT set.