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No idea. Never had an issue. Best take it to a tech....

Personally, i take them out and use masking tape to affix them to the inside of the pickup cover, then put the covers back in the case/storage.

The former only crazy people would do otherwise

I got the Xvive A58 system today. Im very impressed with it. It's shorter than my Lekato WS-90 by a noticeable amount, but a bit deeper. It fits on my P bass much better and doesn't stick out like the WS-90 does. They are even more compact than the Xvive U2. Im sure my WS-90's are either faulty or just not very well shielded (guessing the second). No issues with how good they sound and are noise/dropout free as far as what I hear on headphones and through as rig, but ive encountered 3 situations where they have cause other equipment to produce noise. The latest one I discovered tonight when I have the receiver plugged in to my Blood Moon phaser. When I engage and disengage it there is a very loud noise. Much more than there should be. No issue with either of my Xvive systems. That, as well as the disruptive noise I got when using the Ampeg SGT-DI, and if I put my hand hear the receiver when its off and plugged in to something means they will now just be a back up for live stuff.

Tonight was the penultimate rehearsal with the new lineup before our first gig together. If we play like that on stage at the weekend, the punters will be in for a treat Mixed all the levels right on the XR18 for a good room sound, and everyone was happy with their individual in ear mixes. I was especially pleased with my Tonex One sounds, having gone back to Amalgams Bassman amp+DI captures from their Tonex One pack. It's the exact same captures I used for guitar but it sounded mega on bass too, so maybe the answer for me if I go back to using a proper amp for guitar is to just buy a bassman and have it cover both guitar and bass.

So, most of us take the pick up covers and or bridge covers off. Various reasons but please discuss! My question however is…. Do you put the screws back in holes in the bass (so they don’t get lost and the holes don’t get filled with crap (technical term))?, or Do you store them carefully with the removed items (and then find you’ve lost them when you go back to having the items on the bass)? Answers on a postcard….

Sent the last bit over as it finally cleared. Thanks again to all involved x

It was a fretless Stingray, and I don't think any amps were involved - I remember reading a BP interview with Flea around the time that came out, and he talked about it, and that he went straight into the desk. In that isolated track, you can definitely hear that characteristic Stingray "thwp" when Flea hits his dead notes. I don't think it was as quick as they suggested though, because they didn't have much to work with - a basic arrangement, chords, drums and a vocal track, so Flea and Navarro had to work out the parts on the fly in the studio. Knowing Navarro, he was probably at the studio long after Flea had left, doing overdubs and fiddling with reverbs and delays. Most of the rest of the album was Lance Morrison, a prolific LA session player, on bass, but Chris Chaney played with her live for quite some time.

In my experience, Pub Landlords tend to favour particular styles of bands , so if they like Punk /Ska music , they will book those type of bands . If you play more non mainstream music ( as we do ) , you tend to get the “ thanks for playing , here’s the money , goodnight “ treatment . I do sometimes wonder if we’re just cr@p , but we have over 200 years of combined musical experience, and lots of good feedback from the audience in general.

If I understand correctly, the routed shape of the pickguard lifts away from the body as a separate piece. But it appears to match exactly to the surrounding wood of the bass body, implying it was cut from that wood. Assuming the cut didn't go all the way through the body, then the only way I could do this would be to assemble the top, cut the cover, glue the top to the rest of the body, route the cavity and when all is done put the cover on. Is that how it's done?

Well he has been playing for over 40 years I believe. Ive only known him for 3 of those. I joined the band and I had a lot of work to put in. I was happy to put the work in to get them up to speed, but it seems he is so stuck in his ways that it will impact the band getting gigs. Having played the club/function scene for a good 20+ years I know the standard thats needed. All are competent players, but struggle with the fact that thy have to be professional about it if they want paid gigs.

Some promoters are morons. We were playing a well known pub chain and the manager had to fight his way across the heaving dance floor to tell us he wanted us to play more danceable music!!! The dance floor was full, so we carried on with the set and everyone had a great night. . . . and we didn’t get rebooked!

I have this one and definitely my favourite bass at the moment ....

Thanks I think this it the best one I've done so far I draw out the body full size on inkscape then I cut it out with my laser engraver 👍🏻

I use a very old and very mellow Ibanez chorus for occasional use only. The sort of songs it excels on have bassline with slow, melodic sections - What is and what should never be is an example, it makes the long, slow slides shimmer.

Nile Rogers autobiography Le Freak is a good read. I've just finished reading Just Backdated by Chris Charlesworth, an account of his years working for Melody Maker in the early '70s. An excellent account if like me you were at an impressionable age at the time. I think I got it from @Mickeyboro

State of play tonight. Most of the 'back end' connections are made, and after much cursing and struggling with inaccessible M3 fixings, the bias board is fitted. I'm not 100% happy that it's secure though and I may yet look at mounting it to the end of the chassis.

I have a Behringer PA amp. Very happy with it and slightly intimidated by all it's bi-amping and bridging possibilities. Fortunately I just need a basic stereo amp.

Usually It's calendar issues, or venues changing hands

In my old punk covers band The Daves we played a local venue where we went down amazingly. Unfortunately a lady and her husband that we knew had come to see us, she was very drunk and started a fight with him, yelling at him very loudly in the middle of the pub. When he left she started yelling at anyone who made eye contact she would fight them too. Her broad German accent made the behaviour even more noticeable in rural Watford. We could hardly say we didn’t know her as she had a Daves tee shirt on. No matter how many times we tried to get gigs they were always fully booked…..

Likes a Phaser, started back in the 80's with an Amdek Boss-a-like Kit Likes a Joyo, have the 3 Knob Ironman Nebulous Phaser, (and the Rowin Nano) But this takes a battery... and was cheap! Not a fan of the Vintage Phase decal so scraped it off. Nice Single Knob Phaser, prefer Slow and Shallow these are not that overbearing on the depth.