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That would be potentially very interesting. Pickups are one of those areas that are going to be an awful lot more complex than at first sight... "yeah well it's just a magnet with some wire innit?", I doubt that somehow Would it be worth re-approaching these chaps much closer to the time?
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I hadn't spotted that Andy, right at the very bottom of the page! I know I'll have to try one of these out as soon as I can. Rob
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Just testing a nice little update today…
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Geek99 started following Just quit…big sell off incoming
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brave decision …. Just counting down to the sellers remorse thread …. 🙂
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neepheid started following New Laney Range - Digbeth *Foundry*
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My Markbass combo has top mounted controls, but I don't find it bothersome - mostly because it's stacked on top of a New York 121, so the controls are elevated to easily used territory - high enough so I don't have to bend down but not so high that I can't see the controls. But my rig is sitting flat on the deck, so I'm clearly from an irrelevant, bygone era
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HeadlessBassist started following Just quit…big sell off incoming
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Sorry to hear you're out of love with the band, Andy. I guess I'm in a lucky position where I get to work with lots of people, but I can't afford to play for nothing with people I don't want to be with. I feel for you and hope you'll find some great, like minded folks to make some great music with soon.
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Hi Peter, sorry for the late response, @Lozz196 sorted me out with one!
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Why do amp manufacturers still put the controls on the top of combos? It's not the 50 and 60s any more. No-one (not even tribute bands of artists from that era) puts their amps on the floor and then stands behind them. The position of the controls should reflect how the amps are used in the real world today (on stands and normally angled upwards) and not reflect some bygone era that is now irrelevant.
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dclaassen started following Has this ever happened to you...
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Where? Love these!
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HoorayForAnonyms started following Graphite neck - ordering
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- 1 reply
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- mustang
- candy apple red
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Gretsch G6119b Broadkaster bass Japan €1.350
W1_Pro replied to SurroundedByManatees's topic in Basses For Sale
The one in The Gallery is a nice thing. I tried it the other day. Thin neck, nice tone, looks the part. My reservation is that I think it might be a bit pricey for what it is. But I guess the gallery has overheads that we don't. Your shortscale will undoubtedly be nicer to play, and what with these both being quite 'thumpy' semi acoustic basses, I doubt the scale length will make any real diff to the tone. GLWTS!- 4 replies
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- semi-hollow
- gretsch
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LukeFRC started following Just quit…big sell off incoming
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everything has a price it will sell at, value might be a chunk less than you think it is… If you asked nice Andy might let you upgrade and swap it for a couple of well looked after Solokings ?
- Today
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For sale in very good used condition my 1000watt neo 4x8 cab. It's weighs in at around 22kg single hand lift and carry (if not too far)! Super punchy cab and seems to naturally sit in the mix easier than many cabs I've used. The only flaw is the speakon input isn't working but both jack sockets are. Its 8 ohm so can be coupled with a 15 for a lovely full range sound. I have used it with my ashdown 2x10 combo which made a great rig. Hartke amp is for size ref only although is for sale separately (deal to be done)?? Postage is possible if sorted by the buyer. Robust packaging assured. Cheers
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@BassAdder60 - that's a shame. I thought they looked decent - especially the Lionheart head. My Digbeth is a solid thing. Though the external transformer for the Ironheart Foundry doesn't seem like a great idea. Those flimsy cables are always the first to break. I don't remember ever having a broken kettle lead!
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This happened to a mate of mine with his white, 80s Les Paul deluxe. He was doing Björn Again in front of 10,000 people. Raised his arms and the crowd went “YAAAAAAAY!” guitar falls to the floor and they all go “OOOOOHHHHH!” - a real Wayne’s World moment.
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I am proud of this one. The complete Anthony Jackson performance on the tune '11:49 p.m.' from the 2012 Hiromi Trio Project album, 'Move'. One to read before you try to play! it has a long section in 5:8 that is not something you see very often, certain not for prolonged sections of improvisation, so it will test you, especially as the note groupings AJ uses are not consistent. There is also a unison section (also in 5:8) that will break a few bones! https://bilbosbassbites.co.uk/11-49-p-m-hiromi-uehara-trio-project/
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Maybe, Maybe - a-ha
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