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Thanks for doing the legwork for this Matt @neepheid 👍 Random thought....this isn't a "Bass Bash" but a chance to meet up and talk so shouldn't it be called a "BassChatChat"?🤔🤣🤣

Thanks @NancyJohnson

Sorry if I Hurt You - Charli xcx

Totally agree with this suggestion here. I've made it four times, and it was super easy. If you're not bothered about the tweeter just get rid of that portion and it becomes even cheaper and easier! There's a video on YouTube which uses the same build technique albeit for a 1x12 cabinet. If you're near me, I have an unloaded cabinet I can give to you to try, although you would need to construct a new tweeterless baffle if that's the direction you'll be going. Ashdown drivers are different to the Basschat 1x10's Celestion Pulse10, but I can't imagine they'd be miles different.

They should explore a new name to avoid confusion. Gilla Band were formerly called that and released a couple of albums on Rough Trade under that name. Similar genre, too, and the first results in web searches send you to the Gilla lads. It'd be easier for them to do when the profile is lower.

BrewDogs a shout. Can at least book an area maybe? I can’t imagine it being that loud on a Sunday. Be awesome to meet folk!

If your main mixer has a spare aux out, you can mic everything and send yourself a dedicated sub mix. Those mics don't need to go to the front of house mix. If you don't have a spare AUX and your mixer has inserts there is a way of 'normalling' the output by using a mono jack and not pushing it all the way in (just to the first click) to give a send to another mixer without interrupting the signal path inside the first mixer, and dispensing with the need to have a return.

You could try the Basschat 1x10 here

I actually sold my ctm100 , found it a bit impractical for the kinda bands I was playing with.

New Person, Same Old Mistakes - Tame Impala

I sub in and out for a jazz band and their bass player has an elf also , I used his rig once and for some reason the sound he was getting was much cleaner and warmer than mine , I noticed he had the gain up at 3 O,clock , the bass up well past 2 o clock , and the treble , mids and volume down really low. Just used the volume for more, well volume. I tried this and got the same effect with my own amp. Just a funny setup but gave a great tone .

Do It Again - Steely Dan

I like it - Gerry and the Pacemakers

Cheers! With mine the Stomp supplementary switch is as wide as the gap you want to leave to the next pedal. Actually, for a Stomp, the two switches are just momentary press going to a TRS jack, so making one into a project enclosure (you can get good quality aluminium ones for a few quid) is a pretty simple job. The one I bought lights up too, so it's got that "essential" extra featurette... On my board the MicroBass 3 preamp is the hub and the switcher along the front just connects to its fx loop and switches the 4 supplementary pedals in/bypass at the touch of a button. That means you can switch out a pedal (eg. the Stomp), silently change its setting, and then switch it back in when ready.

You’re a far more polite person than me Andy 👍

If this was a language translation issue, that's fine but I was addressing exactly what you wrote even if that's not what you thought you wrote. When this kind of thing comes up, and you are using a translation app, recognize that it's possible that your translation is not accurate and when questioned about what you have posted, consider that you could have made the mistake and be respectful in your follow-up responses. I deal with the international community every day, I am very careful how I write responses and how it's possible that they might be mis-interpreted and rarely encounter disrespectful responses unless there is more to the story that I am unaware of. Have a good day.

1966 jazz bass in candy apple red. Stays in its case. Won’t take it to gigs, won’t sell it. Took 2 years of saving up to buy it.

Yellowburst 🤔

Does the seat come out easily? It was only 4 bolts on the MG.