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I do not like to see f-holes. They just bug me. They are just about acceptable in their original context: violin, viola, cello and double bass - though I don’t think they look right on the double bass. Put them on any other instrument and I am out. Yes, I’m looking at you, Ampeg and Paul Gilbert.

If I don't know the venue, if I'm playing outside or if anything looks dodgy I use an RCD circuit breaker on my main power block. I went wireless years ago to give me some isolation from my backline. In my current band we have two working electricians, so they are always on the case regarding venue electrics.

I've never really understood why anyone should get paid for stuff they did years ago, and has already earned from concerts and disks sold, just because it has become popular or useful for somebody else. Not a popular view amongst musicians, I'll admit, but I can't somehow see its justification. Other people invent or create many things during their lifetime, but don't get a regular income from it. It's an odd system, to me.

That's lovely! The website people need flogging though. Can't spell "D'addario" properly. No nut width or bridge spacing information either.

Not quite seeing it - if you want a multi effect there are plenty that size, or if you want an optional single effect that you can pick from a large amount, there are plenty of options for that, that isn't this, don't want too many options, there are a lot of far cheaper ones that don't need a phone to set up. And almost all cheaper and not needing to buy the 17th onward effect. Their selling point here is 'We know everyone else has already done it, but we are boss'.

Wouldn't mind that as a fretted. Dave

After two leads failed at one gig due to jack disintegration, my three main cases all have cables with Neutrik connectors in them (switching type at one end). I have couple of Sommer cables but also happy to upgrade favourite well-perfming cables with Neutrik connectors if the old jacks are dodgy. I have a Chienmort cable which is very nice and noiseless, but use it at home as the braided cable is rather stiff for stage use (he does more flexible ones). For less critical uses such as on my practice amps or even for pedal board to amp, I use less expensive cables: Kirlin gel are nice. The more expensive incarnations of Tourtech and Stagg using 'Neutrik-like jacks' are usable but not as durable. I have a couple of Fenders but wouldn't trust them for stage use as the stress relief seems very poor.

It's not an integrity issue in 2025. It was a bunch of kids talking bollocks in the 1970's.

Any thoughts on these? Chowny NT-5

Cliff Richard is a vocal protagonist of the 70 year thing as a fair bit of his catalogue will expire soon so ‘stop’ his income. You can go down all the ‘his music is crap’, ‘he’s rich so what’ etc avenues but imo you should have copyright for your lifetime at least. I guess Jimi H’s family must be bricking it!

Cool - that's why I didn't speculate about value.

Just in case - I have listed 2 medium scale Ibanez basses in the classifieds (I have paid my subs!). A 4 string and a 5 string. Both in great condition. In the unlikely event that someone wants them both I'm sure a deal can be done!

and the MD-200.

I don't think it's an integrity issue at all. The world has changed. Hardly any bands make good money anymore and everyone has to eat.

Ah you bought it then in the end? You happy with the light weight? They haven't as yet marked it as sold 😊

Things I have learned today ... Mooradian are actually still in business. https://mooradian.com/

Which is an important point. Tons of old music now being used in TV ads flogging stuff to 'young people'. Cant think of one non Hip Hop style tune from a current artist being used.

The personal trainer bit is good advice. I had lots of support after a motorbike injury 18 years ago and I still use the training plan. Always speak with a medical professional and best of luck.

Hi Alex, All these recommendations on here will serve you well, however, avoid the Vovox cables. Snake oil at best. To start with, especially in an instrument cable the most important part is the cable. Whether is low loss or ease of coiling. The other thing to keep in mind is length. I sell three types, Sommer Tricone 2, Sommer Tricone XXL and Sommer Spirit LLX. Over 6 metres I would always use the Spirit LLX, it is very low loss and coils really well. It is a bit thicker than the other two, but that is the price you pay for low capacitance, low loss. The upside is it is so easy to coil. Up to 6 metres, you can choose either of the other two. The Tricone 2 is a nice cable and recommended for general use, the Tricone is slightly stiffer and as a result does not twist or tangle as easily as others. Connectors, for instruments, if you want a cable to last, use Neutrik Jacks. They use conductors that are made from a single piece of metal. One of the biggest failures in jack plugs/cables is riveted plugs. If you are going to be a bit rough with your cables, chucking them about etc, avoid Silent Plugs. XLR/ Balanced cables. By using balanced cables, you avoid many of the issues of the ones noted above for instrument leads. Again Neutrik make the best XLR connectors, although the choice of make is not so crucial here. For cable, I stock two types, Cobra, a budget cable and Sommer Stage 22 thinner than the Cobra and slightly better specified. I will send you an instrument lead price list later, and can give you a quote for XLR cables once you tell me your exact requirements.