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  2. This question comes up on the Facebook Telecaster Owners Group all the time. It seems to be a rough split between those who think it has to be a Fender and can only have 2 single coils and those who are not stuck in the 1950s. Some go as far as saying that a Fender not made in the USA is not a real tele. Their complaints are usually swamped by people posting the partscasters they have put together, often using far better quality parts for a fraction of the price of a US Fender. I am generally against putting Fender decals on non-Fenders but for the sole purpose of annoying some of the cretins in that group there is nothing more effective than a Fender decal on a parts guitar made from the cheapest bits Chinese ebay can offer, and then clearly assembled by someone who doesn't have opposable thumbs. The rage is quite a joy to behold.
  3. Correct, we were outside beside the tables they have on their sidewalk patio, the gig next week will be inside the restaurant.
  4. Loving my GT1000 Core too - appreciate that it may be less intuitive than the Stomp, but definitely worth putting in the time. Our lead guitarist is also using one and I'm really liking both his range of sounds and my bass tone that the Core is delivering.
  5. I wasn’t going to do the lottery this week but this has rather forced my hand
  6. With You I'm Born Again - Johnny Mathis
  7. Those 107 instruments do pose the question: What makes a Telecaster a Telecaster? Is it the shape, the construction or the pick-up configuration? Or just the fact that Fender says it is a Telecaster.
  8. Amazing looking bass out of my price-range but I'd like to comment on your good photographic skills.
  9. Now that is a nice looking bass. Can’t really justify another 5’er, but I could….
  10. This is an absolutely beautiful example of an outstanding handmade bass In 10/10 condition. Used primarily in the studio. The bass sounds incredible in both passive and active mode. The preamp is an 18v model with massive headroom and very easy to get your desired sound. The bass is a tone monster with the best bottom B anywhere. Here are the technical specs from the KS website. General Specifications Features and Specifications for All Smith Basses (See Model for Additional Features and Options) “NEW” Smith B.M.T. 3 Band Active EQ 18-volt Circuit with Internal 4-way adjustable frequency DIP switches for each band. (Opt. Concentric BT/BMT Circuit with Top Jack on BT Vintage Elite Models.) World Famous Smith Custom Bass Humbucking Soapbar Pickups Fully Shielded Pickup & Control Cavities Aged 5-Piece Laminated Hardrock Maple/Shedua Necks with Graphite Inlaid Bars and Smith Dual Truss Rod. Long Scale, 34″ (Best Low ‘B’ in the Business!) 24 frets Fingerboards: Quartersawn Macassar Ebony (opt. Morado/Pau Ferro. Mother of Pearl Inlays Angled Back Headstock reinforced with Smith Coat of Arms carving on back Wood Headstock Overlay Smith Custom Tuning Gears Scalloped Brass Nut, Individually Hand-Fit Smith QSR (Quick String Release) Bridge machined from Solid Brass Semi-Gloss Poly-mix Elite Finish. Matte or Semi-Gloss Poly-mix finish. (High Gloss optional) All Smith Basses are Set-Up with Smith Custom Balanced Taper Core Medium Bass Strings 5-String Models are Standard with Low ‘B’ 5-String Models String Spacing: Nut: 9mm (23/64″) Bridge: 18mm (23/32″) Fingerboard Width: Nut: 1 3/4″ 24th Fret: 3″ Ken Smith hand picks the wood for every bass from our in-house lumberyard, which features over 20 species of aged tonewoods. Visitors to the factory are awestruck by what is probably the largest collection and variety of acclimated musical-grade woods in the world. Inspired by the techniques of 16th – 19th Century European stringed instrument makers, Smith Basses are a marriage of Old World Tradition and Modern Innovation. Ken Smith supervises the production of each bass and still does the final set-up.
  11. Many years ago we were trying out a new drummer. He was a bit of a name around here, and he announced he wanted to dep out the rehearsals and only do the gigs!! We told him to do one!!
  12. Good luck Andy, hope it all works out for you which ever way it goes. I hit 56 next year which means I've played bass in bands for 40 years. As I get older, I am becoming more reflective and less enthusiastic about gigging. I'm very happy with the bands I'm in, everyone is great to work with and on the same page but the fire is dying. I started out all those years ago, playing all over the country, building a following and eventually getting a record deal. Every pub and club had music and it was always a packed and enthusiastic night. These days there really is a huge difference with a general lack of interest in bands and music. There are less places to play and the foot fall is so small that it makes you wonder, why bother, it sometimes feels like flogging a dead horse. Even playing Glastonbury this year, I noticed some stages were very quiet and bands were playing to not many people which was depressing to see. Someone said earlier that as we get older, we realise that time is precious and I'm very much feeling that way. I'm fortunate to have lived out my dream and achieved more than most but after 40 years of being a musician, I have nothing left to achieve. I now feel that the years I have left, with good health and relative youth on my side, I want to spend the time I have building new chapters, memories and adventures.
  13. Fast and easy solution, but not very conventional would be SuperGlue with an accelerator, called activator. Just slightly sand and clean both surfaces, apply the SuperGlue, then spray the activator: Within the next seconds, it will be as hard as stone. Make this in an opened space as the vapours are not that good to breathe, and wear a mask.
  14. As they have round cores I would say there's a bit mellower than the D'Ads. Watch this video, from 1:56 to 2:42 and then again from 6:49 to 7:35, which might help.
  15. I've had these a while, using them in various amps with valve preamp stages, but my move away from such amps means they are now surplus: Mullard ECC83 - code B6B3 means made in Blackburn, third week of February in either 1956, 1966 or 1976 = £50 Mullard ECC83 - (code backward3)91 means made in Chelmsford for Mullard by Marconi, but not sure how to date the rest = £50 Mullard ECC81 - no code that I can see = £25 Caveat Emptor: I have tested them in my Demeter amp and they are all working fine at time of writing, but as always with old valves be aware they can fail at any time. Please do bear that in mind before you buy.
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  16. Just the PSU left now. No box but I will include a mains plug USB adaptor plus a short micro USB cable to charge the PSU with. Here we have a used but not abused Rockboard Tres 3.0 pedalboard setup that, with the addition of the power supply and patchbay, means you are set up and ready to go. No need for mains power to the board, you just charge the power supply before the gig and you can enjoy hum-free pedals all night! I've never had any issues with this setup. The battery can do a two set gig with no issue. New, all of this would have been £200, so I think £125 posted is fair. Thanks for looking EDIT: Forgot to add proof of ownership to the pictures, but hopefully pages and pages of feedback (see link in signature) will confirm I am a legit seller!
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  17. This amp is now £400 on Amazon. Incredible. I will drop the price for the amp, adapter, pedalboard and case to £500, which is still a good deal I think, but I really cannot go any lower. If it doesn't sell at this price I will just keep it as a spare.
  18. I picked this up from @Basilpea not that long ago. It's a great cab, but it isn't a cosmetic match to my other AT210, so being the fickle person I am I want to replace this... It's got some small dents from being gigged, but overall in good condition and absurdly light. You can pick it up with two fingers! It's also very loud. W52 x D33,5 x H57 cm 600 watts at 4 ohms 103dB SPL Also comes with GR Bass soft padded cover. GR say: The lightest 2×10 bass cabinet in the world. Thanks to its size, lightness, and power, the AT 210 is one of the most versatile cabinets in the entire catalog. Suitable for both small and large live shows, it allows you to always have your sound with you. With the AeroTech line, you can have the incredible innovation of our Carbon Fibre cabinets combined with the Pure Sound of GR, which is the pure sound of your instrument. Incredible sound, lightweight, power, impact resistance, and a beautiful modern design. I'm afraid this is collection only, as I don't have anything suitable to ship it in. No trades either thanks. I'm using @Basilpea's pictures, which I hope he's okay with.
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  19. Can we go back to the first statement in the thread. Please justify four basses to yourself otherwise many of us are in deep trouble…..
  20. I actually prefer a nice bitsa bass to a 'genuine' one. This particular one is very close to my idea of what I'd want a jazz bass to look like.
  21. A bit of gaffer tape should do the job.
  22. a Tele for all things there
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