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Posted (edited)

Fender American Professional Classic Jazz Bass (or in other words, "We redid the American Performer Series in satin faded poly finishes, and added '62 'Coastline' Pickups, a Grease Bucket tone circuit & '66 Lollipop Tuners.") Nothing to see here, then! Those new pickups based on the Pure Vintage series do sound good, though...

 

 

Edited by HeadlessBassist
  • HeadlessBassist changed the title to New Fender American Professional Classic Jazz Bass
Posted (edited)
32 minutes ago, goonerjoe said:

So, at a quick glance, almost a MIM spec for double the price?

 

Pretty much, apart from the Pure Vintage "Coastline" pickups. Maybe the Lollipop Tuners cost £1200..?  🤔

 

On a more serious note, I'm glad they've brought back Firemist Gold.

Edited by HeadlessBassist
  • Like 1
Posted

Fender must be the most consistent company for dull releases!

 

How about a Sergio Vega signature Jag bass (squier and/or fender) given the huge resurgence of Deftones? Nope 

 

30th anniversary of In Utero was a couple of years ago, how about a squier jagstang? Nope

 

Jack White constantly putting out music and working with high profile people like Beyonce reaching new audiences, how about a fleet of affordable teles? Nah

 

Beatles coming round again with a number 1 (meh but still) single, how about a signature bass vi? 🥱 Nahh

 

What about yet another sunburst precision bass that we've seen a million times? Now you're talking!

Posted

These basses look like opportunity for Fender to put together mainly already existing parts in a slightly different way to create a "new" product

 

"Vintage" is the most elastic of concepts when it comes to basses, especially any bass with Fender written on it. There is nothing specifically "vintage" about these new basses except the tuners taken from the 1966 R.I and the colours, but every new Fender has to have some vintage credentials or it is apparently worthless in the eyes of the world. Vintage is to basses what Salon is to hair products, i.e obligatory but meaningless. Vintage is punch. Vintage is warmth. Vintage is depth. Vintage is growl. Vintage is anything you want it to be.

 

These basses sound ok but I can't see much to make them especially appealing apart from the colours.

.

One day a genius at Fender will wake up and realise that all they have to do is make basses that look and sound like old ones of various eras but play better and are made to the standards of decent  modern instruments with quality hardware. Like the American Standard range that was introduced in 2008 but that look as pretty as the basses they made in the 1960's and 1970's. Then they'd be fighting customers off with a stick.

 

 

Posted
3 hours ago, Supernaut said:

Bring back the American Standard. 

Have to agree with that one, many have come and gone but my 2014 Olympic white one is going nowhere 

Posted
3 hours ago, Supernaut said:

Bring back the American Standard. 

 

5 minutes ago, Reggaebass said:

Have to agree with that one, many have come and gone but my 2014 Olympic white one is going nowhere 

Yup, my 2015 black/maple American Standard Precision is the same

  • Like 2
Posted

The mustang bass in this range looks cool — especially the red one, however the spaghetti logo has absolutely no business in being on the headstock of a mustang bass.

 

I'm not at all fussed about a fender needing to be made in the USA to be a serious instrument. I own a vintera mustang bass, two vintera strats, a vintera tele, a player series mustang bass, 3x JMJ mustang basses, and a Ben Gibbard Mustang guitar and they are all proof that the Ensenada factory is making absolutely fantastic instruments. My next purchase is very likely to be another Fender Mexico one, a Lake Placid Blue Vintera II Bass VI (if a secondhand one pops up at a price that makes sense)

Posted
1 hour ago, Gank Bass said:

Fender must be the most consistent company for dull releases!

 

f***ing clever marketing strategy, they keep releasing the same two basses, we keep buying them 👍

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