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Orange O Bass


Jean-Luc Pickguard

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img_3846.webp

 

These each come with a second pickguard/scratchplate.

 

The Orange one comes with a brilliant white scratchplate and an alternative black scratchplate.

The Black one comes with a creamy ivory scratchplate and an alternative tortoiseshell scratchplate.

 

Swapping the scratchplate for one in a different colour doesn't solve the problem that the scratchplate shape is a hideous abomination. Surely including a second one with a less fugly shape would be a better idea?

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I don't think it's a bad looking bass per se. The pickguard looks positively restrained compared to some of Fender's efforts which often cover acres of body with unnecessary odd shaped plastic.

And I've always liked oversized two a side tuners on a small headstock, but that's just me.

 

The main problem as already said is that it would appear is that it doesn't have any chance of balancing on a lap or strap. If by some magic it does it might even be a nice little bass.

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14 hours ago, Jean-Luc Pickguard said:

img_3846.webp

 

These each come with a second pickguard/scratchplate.

 

The Orange one comes with a brilliant white scratchplate and an alternative black scratchplate.

The Black one comes with a creamy ivory scratchplate and an alternative tortoiseshell scratchplate.

 

Swapping the scratchplate for one in a different colour doesn't solve the problem that the scratchplate shape is a hideous abomination. Surely including a second one with a less fugly shape would be a better idea?

Now if these had been short scale 30ins I would probably be interested in the black with tort pick guard. 

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The O bass art deco pickguard sets it apart from every other LP-shaped bass.

Here's an example of poor pickguard design.

On the left we have the glaringly bad "Let's put some thought into the top half but cut off the bottom because we can't come up with anything better" Telecaster. 

On the right we have an example with more thought put into it.

PhotoCollage_1661266976407.jpg

Edited by jd56hawk
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Hipshot Ultralite tuners fitted 

DD7EEA3B-FF38-4EA6-B385-E69C5F7DEE4B.thumb.jpeg.1b0ff412171ea90e22bdc28f1444f27f.jpeg

 

Hipshot Kickass Bridge fitted

E918FA07-CBC2-4F3C-AB1A-7366D0025A0D.thumb.jpeg.5f0d63d929ecbab5bd2f70c08d49cef1.jpeg

 

Could possibly fit a Dunlop Flush Mount strap lock to the back of the body like Dingwall do and a normal strap lock to the horn to get it nearer the 12th fret to help the balance even more.

 

Pretty good as it is though! 
 

357EDE27-F69D-46AB-9108-78AE09A45B7C.thumb.jpeg.6fc2f5fe5737efa5e9d48eda78a01376.jpeg

Edited by danweb22
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32 minutes ago, danweb22 said:

Hipshot Ultralite tuners fitted 

DD7EEA3B-FF38-4EA6-B385-E69C5F7DEE4B.thumb.jpeg.1b0ff412171ea90e22bdc28f1444f27f.jpeg

 

Hipshot Kickass Bridge fitted

E918FA07-CBC2-4F3C-AB1A-7366D0025A0D.thumb.jpeg.5f0d63d929ecbab5bd2f70c08d49cef1.jpeg

 

Could possibly fit a Dunlop Flush Mount strap lock to the back of the body like Dingwall do and a normal strap lock to the horn to get it nearer the 12th fret to help the balance even more.

 

Pretty good as it is though! 
 

357EDE27-F69D-46AB-9108-78AE09A45B7C.thumb.jpeg.6fc2f5fe5737efa5e9d48eda78a01376.jpeg

That looks fantastic!

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  • 1 month later...
On 01/09/2022 at 21:26, danweb22 said:

Neck dive update, what neck dive?? 😀

 

Dunlop straplock on the horn made a bit of difference plus the lightweight tuners 

 

8CC9710D-D59E-4385-87AB-E296DD30E734.thumb.jpeg.46143ea0e20b411c8e528bc164c3d7ef.jpeg

This looks fab. Great work. Ergonomic Reverse Engineering for the win. Have you kept the original pickup? How are you finding the bass as a whole post-mods?

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1 hour ago, denki109 said:

This looks fab. Great work. Ergonomic Reverse Engineering for the win. Have you kept the original pickup? How are you finding the bass as a whole post-mods?

Cheers, no still has the original pickup which sounds good anyway! 
 

I haven’t played it much since managing to get a Classic 50s Precision Lacquer so will probably be moving it on soon, still a great bass though 

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  • 2 weeks later...

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