Graham

I'm rather smitten with the Euro Classic 5s at the moment, particularly in the white, wish it was a 35" scale - surprised it's not TBH - but otherwise ticks a lot of boxes for me.

Is the front pickup of a jazz in the same position as the single coil pickup on a 51P? I always thought it was further back

Shiner - Lula Divinia I'd not heard of these guys before, but they came up as a reccomendation on the Cave In Facebook fan group and I'm really enjoying it; I imagine @NancyJohnson is a fan

There's plenty of new music coming out, I have three pre-orders on for releases in October and there's more I want to get. Most of the music I buy now is on Bandcamp, personally I like CDs, but they seem to be in their death throes. Vinyl is very popular though, so physical media is still available. I think a lot of artists held back their new records in the hope of being able to resume the usual album release/touring cycle, but have decided it's been too long and there's nothing to be gained by just waiting.

I asked my friend if I could borrow his cable so I could charge my book, he said no as he was charging his cigarette

I really like the look of of those B-Axis pickups, the clips I've heard sound great

It must've been heartbreaking for Newsted hearing the mix for Justice the first time, opened with a song he wrote, only for his playing to be completely absent on the recording.

Power Trip - Live In Seattle I'm not a massive Power Trip fan, but I can see why folk like them and after their singer's untimely passing this week, thought I'd buy an album for his family.

I went down the in-ear route for a while, but have reverted to amp and cab. Basically, my band wasn't set up for it, the mixer isn't great for setting monitors and we aren't geared up for always putting everything through the PA, if only for monitoring. Also, I was the only one with in ears, so the rest of the band struggled to hear me, particularly the drummer who doesn't have dedicated monitoring - normally overkill in the venues we play. I also much preferred the tone of my amp vs IEM, I appreciate that will have a lot to do with their relative qualities (ZS10s vs EBS head + cab) but definetly a factor I swapped back to an amp last year, and everyone, including me was much happier.

8 string guitars are negating the need for bass players in some bands, Ihshan for example has a keys player and 8 strings, which I do think is a shame as it makes it hard to play material from his first two albums live, and the fretless playing on the second record brought a lot of textures that were absent later. Then in the opposite direction is a band like Bell Witch, where there's no guitar, just seven string bass and drums

The new Fall Of Messiah album - (mostly) instrumental post-hardcore from France; strikes just the balance between the post and the hardcore http://fallofmessiah.bandcamp.com/album/senicarne

I had a '95 SB2 in that exact finish, it's lovely. I really like the look of these with the EMGs, will have to try and play one some day

Sticking to just one bass, Wal Mk III 5 string EBS 802 head 2x EBS Proline 4x10, one Mic'd in an isolation cabinet

Sounds great, if you can record any audio or video I'd love to hear it 😀

That looks really interesting, so you know what the pickups/electronics are? What's the scale length?

Oh man, I really wanted to buy this, but I'm still waiting for my promotion (and therefore pay rise) kick in, have a blast with it 😀

There are one or two venues I might consider playing for expenses as a one off to help them out, if they paid us £20 each to cover our petrol and a burger on the way home and then plied us with soft drinks for the duration of the gig I'd probably be willing for the right venues. It would have to be made clear to the venue that this will happen exactly once though and only, due to the exceptional circumstances.

I enjoyed that, and yes definetly sounds like it was an influence on Lingua Ignota. In Hayter's case, her work is a cathartic expression of her experience as an abuse survivor

Probably a little different to much of this thread, but I adore these two Lingua Ignota (stage name for Krysten Hayter) Julie Christmas, here fronting Made Out Of Babies

Saw this on Obscura's Facebook page "Massive Framus & Warwick bass collection by Jeroen Paul Thesseling! 🤘 From left to right: Warwick Thumb NT6 w/ Wenge fretboard (1989); Warwick Thumb NT6 fretless w/ Asian Ebony fingerboard (1989); Warwick Thumb NT6 fretless w/ Ebony fingerboard (1991); Warwick Thumb NT6 w/ Wenge fretboard (1991); Warwick Thumb NT6 fretless w/ Macassar Ebony fingerboard (1993); Warwick Thumb NT7 fretless w/ Ebony fingerboard (2011); Warwick Thumb NT7 fretless w/ Snakewood fingerboard (2013); Warwick Thumb NT7 fretless w/ Ebony fingerboard (2017) #framuswarwick #warwickcustomshop #obscura Photo credit: Jurgen Heerkens"

Case in point, I made it 93 seconds into a Muse album this morning before being interrupted

Less than I did, I changed job roles in May and previously I could listen to music pretty much uninterrupted whilst I worked, now I'm lucky to get more than 2 minutes before someone wants me. I also got into a couple of Podcasts, so much of my commute is now spent listening to murder or mythology, rather than music. Dog walks are good for listening to music though.