Tool and Taylor Swift at the big end both didn't have their music on Spotify for a long time, they do now, so I assume they had the clout to negotiate a better deal.
There's probably things in the manual they're legally obliged to print and send with the instrument, even though no-one ever reads them - RoHS statement, WEEE statement, disposal instructions, that sort of thing
Also, just remembered Old Man Gloom - Mickey Rookey Live In London and Cave In - Live At Club Soda
The Cave In is great as it's where they supported ISIS on their last ever show and it's the only recording I have of the song Inflatable Dream
I do like a live album, since having kids I watch a lot of live sets on YouTube too rather than going to as many gigs as I'd like - set me up quite well for COVID, lol
The live album I've listened to the most is probably Cave In - Live At Roadburn when they did their acoustic Caleb Scofield tribute. Others I listen to a lot are Iron Maiden - Rock In Rio, Capdown - Live in M.K. Converge - Thoudands Of Miles Between Us and AFI - I Heard A Voice
I bought a ticket to Mayhem, Anaal Nathrakh and Dragged Into Sunlight about ten years ago, just for AN and DIS. When the supports both cancelled due to snow, I didn't bother going.
End of 2019 I want to see Torche, who I liked, but probably wouldn't have gone to but they had Slow Crush supporting. Both bands were brilliant and I can't wait to see them both again.
Probably heresy among Opeth fans, but Black Rose Immortal sounds like a number of ideas jammed together that is more famous for it's length than for being good
Some great choices there, Reinert was a stunning, incredibly creative player and Eloy has been a shot of adrenaline in Sepultura's arm, a really good addition to their ranks.
For me, I'll add Billy Rymer from The Dillinger Escape Plan - you can see him playing through Prancer at the start of this video
The mix on this live track is brilliant, looking forward to the full album
https://open.spotify.com/album/067eJM2uXYThi1x3ocHUkH?si=D0FO4X3ET9-ZimjlITLaXA&utm_source=copy-link
Be it damage in transit, or a poorly produced pickup in the first place is almost by the by. It should be in EBMM's reputational interests to ensure a new instrument - of any value, but particularly one >£2k - reaches the customer in the condition it left the factory.
If I worked at the manufacturer, I would also not want the customer to make remedial repairs to the instrument, it just leaves open the possibility of a product with my name on it, being out in the world and not being of the required quality.
The simplist solution here is to pull a pickup from stock, send it to the distributer and ask them to arrange for the pickup to be changed and the bass set-up again to factory standards.