Lozz196

If you can manage a 610 then I have a pretty decent one for sale - shameless plug - an Ashdown RM610 at £350.

I never knew that Bill, thanks for the info. I`m a "we don`t need no steenking tweeters" guy anyway, so the above is very useful.

We`re an originals band and have a sound somewhere between punk and Oi, which is Street Punk. What`s Street Punk, well it`s punk played by people that look more like they`re football supporters/drinkers/hooligans rather than out and out punks, Fred Perries, DMs, cammo shorts, that sort of stuff rather than mohicans, bondage trousers and studded leather jackets.

Yes the in-house guy seems to like low-end bass. My sound is anything but and I`ve had "the discussion" about not DI`ing a flat Precision sound as he would destroy the sound of the band. He`s pretty reasonable though, and once you explain to him what you`re after he works pretty well to get it.

We played The Underground in Dublin last night. We set off at 5am to catch the 11:30am ferry to Dublin. Got to the venue about 3pm, loaded gear in then went for a relaxing drink in a bar down the road. I had a Hartke LH500 & Hydrive 410 to play through, with my trusty Sansamp Paradriver providing my eq. We went on at 10pm for an hour and it was great, considering we`re an originals band it always amazes me the amount of people singing along with the songs. As we were in Ireland we had a temporary change of one of our songs, Football Beer & Punk Rock to Football Guinness & Punk Rock, which went down very well. Finished at 11pm, chilled for about 30mins then loaded the car, set off to the port for the 2:15 ferry back. Landed in Blighty at 5:45, home at 11:30ish. Tiring but a great day and great gig, the promoters were amazing, really hope they`ll want us back.

Don, this says it all to me" thing is the P is a 73 and the best sounding and playing P I have ever had and I have had a few older and newier. I'm thinking that maybe one Precision is enough to own and the Roadworn is a close 2nd to the 73". Close second to the best example of a Precision you`ve ever had, of many isn`t good enough - keep the 73, you`ll regret it for years if you let it go. Sell the Roadworn, save a few Krone (or max the credit card) for the Jaydee

If you liked the Evo ii I reckon you`ll love the Evo iv - it`s more flexible due to the added eq options, and it just seems louder, well I suppose it should seeing as it`s 600 v 500, but there just seems to be "more" sound from it. I`ve had mine now for some 18 months and that`s pretty good going for me, usually I seem to be changing amps like no tomorrow but the Evo iv is the amp for me (and I`ve found for practical purposes that the RM-500 is the backup amp for me).

I had one of the same ones as @Reggaebass, pretty decent, played good and sounded it. As said, a deeper neck profile than many Jazzes, especially MIM Standards.

I think Bruce Foxton seemed to have a few Rickys that weren`t all they seemed - there was a pic of one of his with a Jazz pickup in the bridge position.

Nah, for Bedroom Noodler insetr Custom Shop, lol

Have to admit from a marketing point of view it makes more sense to not have both MIM & US "Standards". I think Professional & Player are pretty clear, though maybe it should have been Professional & Weekend Warrior perhaps?

That does look a stunner, Nick

I recently bought a Tonerider Precision Plus pickup and it sounds very much like the Custom Shop 62s that are in my US Precisions. They`re very reasonably priced too, so may be worth checking out both P&Js in their range.

MIM, white, black guard, maple neck, why look no further:

Yep a black guard on that will really make it look great, even a nice tort maybe.

That`s a great shame, we played there last year, fantastic venue.

Agreed, I think it was a prog about Bowie where the piano playing on Life on Mars was analysed and it`s apparently musically "wrong". Which is what made it so right.

It was similar in the SE Bash, Stevie, Berg CN212 won by a mile.

Vintage - I`ve been very impressed with the Tony Butler Signature Precision I picked up recently. Just think the name makes looking for instruments a bit difficult, vintage bass, vintage guitar etc, end up with any old pony bit of gear.

There`s not much wrong with Peavey gear, aside from the weight of the older ones. I`m not that clued up on their gear but I`m sure they must have got round to introducing lighter cabs into their range.One of my fave cabs is the TVX410 but at 110lbs I`ve never even considered buying one.

The description says Barefaced Big Twin II to me. Not cheap but if I had to describe one Transparent, featherweight, 4ohm, vertically aligned would be pretty much exactly how I`d do so.

It is a strange one, and one I still can`t work out. For years I`ve used Rotosounds, but as I need that twangy/brightness you get from a fresh set of steel rounds I`ve found that Rotos although they sound great just die too quickly. So I`ve moved to Warwick Red Lables, and I get pretty much the same sound but at least twice the life/almost three times as much.

Hmmm, the cynic in me says pretty much the same basses, differnet name, higher price tag, a bit like what they did with the US Standard/Professional tagging. And I`m a Fender fanboi.