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  2. I have to agree, whilst I don’t dislike Teenage Kicks there are much better songs from The Undertones, You’ve Got My Number, Wednesday Week, Julie Ocean to name a few which are all quite different showing just how good a band they were.
  3. Have played this and can confirm, it is great.
  4. My nicest (at present) Need advice on low tension flats or tapewounds for the Ortega. Sire P5 Yamaha TRB1005j Ortega Deep 5str
  5. A truly stupendous piece of kit. But unless I play it all the time I get disorientated when I go back to it. I tried, it was not to be. It is in top nick for a 35+ year old bass. One or two nicks, but you have to look. It went back to OW for maximum love. They plumbed a contemporary 3 band preamp in there and cnc'd some ebony to plumb the latest pickups into it. 36" scale, neck through and lush. You know that many of the West End pits have OWs in there? Super quiet, super accurate, super well voiced accross the range and super duper. I find that I can happily sit on the B and use it as I would the E on any other bass I own. It is that clear. Is it light? With that much maple? Nope. It is funny, if these were made in the US people would be laying eggs with excitement about them. It is the equal of anything else I have tried. And I have tried them all. I am just not the equal of it. And I am at peace with that. It is strung bottom F# to G. People say "you will not be able to hear it etc etc." "Too low etc". Wrong. But of course, you could just go low B to high C. I have heard that people dig that higher stuff (smh). Currently strung with fairly fresh Newtones with Payson low F#. I am fully aware that this is pretty niche. If it does not sell then it will not be a hardship to pick it up out of the rack now and again. There are worse problems to have. Trades? Dingwall D-Roc 5 turquoise glitter thang. Otherwise just cash. But thanks for thinking about it.
  6. You have a Sire and you've just bought a Sterling and you want other people to tell you which one you prefer?! Use your ears! ...and then keep the Sire. I much prefer my P7-5 to my Sterling sub 5 - much more punchy and articulate 🤪😂
  7. Teenage Kicks. Eulogized by the sort of psueds that make up the Later With Jools Holland audience, I could pick a dozen better songs from The Undertones.
  8. Carl Martin Match Box. Nice quality A/B switcher with chicken head level controls for each input. It’s very easy to see the positions. These are over £100 new. It has been used and has a few marks on the case. comes with Box. Price includes postage.
  9. Not especially challenging for a lot of the people here, but this is definitely something I want to learn as a party piece. I'll have to learn to play it fingerstyle first, playing with a pick is a whole world of confusion for me.
  10. Neat low-fi electronic drum VST free for the next 24 hours: https://thecrowhillcompany.com/demon-drop-001/?chref=subbed Think you're meant to sign up to emails but that link might work without it.
  11. As much as I love the first Damned album, when Paul Gray joined them on bass, that was a class move. I loved his playing on all the Eddie & The Hot Rods records, but with the Damned he just had a bit more bite. Brilliant cover version btw ❤️
  12. https://www.pennemusic.com/squier-by-fender-limited-edition-classic-vibe-bass-vi-silver-sparkle/
  13. Today
  14. I remember these from back in the day...used by respected bass players. What happened for Aria to stop being regarded as a quality bass builder? Oh, BTW...GLWTS
  15. Adele, her entire back catalogue. Every song seems to be about getting dumped. Not a single song about cooking a full English or having a booze fueled horizontal dancing session after a night out. Maybe there's a link there.
  16. I heard it through the grapevine - Marvin Gaye
  17. Yep, it's very loud and there's an amazing weight to the sound. Best digital power section I've used (and I've used a lot!). There's so much going on I'm a loss to know where to start right now, but I'll try and review in a few days. The cab calibration is amazing. The effects sound lush and are endlessly tweakable using the software. Low and High pass filters. Preset shapes. Vintage and Modern tones. I bought the footswitch as well, which will be a game changer for live use. I was giggling like a kid at Christmas when I started playing!
  18. I'm looking forward to this tomorrow, we've waited ages to play a gig in our home town. Should be a good little crowd too as we don't play very often.
  19. A.S.S. 12” custom Bass Speaker Cabinet. Loaded with Peavey 1201-8 12” Black Widow driver. The cabinet was handmade by cabinet manufacturer A.S.S. in their Southend factory in the late 1980s. They made the cabinets for the Who bassist John Entwistle as well as for Turbosound P.A.s and their own A.S.S. P.A. systems. The driver was re-coned about 14 years ago and then hardly used since. The re-cone was by Wembley Loudspeakers (the best) and I assume a bass cone was used. The cabinet is nearly cube shaped at 450x450x420mm. It is incredibly well built in heavy ply with black textured paint and is front ported (see the photos) with an extremely solid foam damped grille. There are some marks on the surface and it has runners on the underside rather than feet. Sound wise it exhibits a nice forward lo mid and mid range and a smooth top end, so not a hi-fi cabinet but sounds great with a four string P-Bass. The cabinet is chunky and weighs 25kg approximately.
  20. Please report on how loud it is when you can. I suspect it's got quite a bit of poke.
  21. 20240426_210741.heicFirst version of this awesome pedal. A bit of light wear and tear on the casing but works perfectly. The foam tabs on the back were removed by a previous owner and does have some velcrow on the back (easily removed). Postage included in the price.
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