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  2. Turn To The Left - Weeds https://music.youtube.com/watch?v=kuwqBTtksXE&list=OLAK5uy_ndYGasfVeThrrJk_kGaM6kSd4Ex5auxSw
  3. Try here my friend. https://thegita.co.uk/product-category/all-guitars/all-bass-guitars/
  4. The speaker specs will tell you the maximum cone excursion, Xmax, which for this driver is 5.5 mm. Sometimes they give a separate larger figure for the excursion where damage will occur, but I think if we go past Xmax that means we’re into the realm of abusing the speaker anyway. So the cone should move at most 5.5 mm forward (or backward) from its rest position, add a couple of mm for (waves hands) stuff, and I guess that should be fine. I don’t think the size of the holes matters acoustically, but guess the percentage that is hole rather than not hole might do? I’d say picture what a speaker grille usually looks like and go for something not too different from that. You want to avoid the grille vibrating too much at an annoying frequency, so I would probably mount it as rigidly as you can. I screwed mine to blocks round the edge of the baffle and one in between the speaker and port and that seems fine.
  5. I wish they wouldn't too, but at least on that with the dark wood it doesn't show as much as when it is maple.
  6. No need, the resistance of even 1mm2 copper core is less than 0.02 ohms/meter. And as John says the amp rating for cable is based on continuous, sustained current. That means running it at that rating for long enough that it reaches temperature equilibrium, and failure mode is by melting the insulation. You just wouldn't ever reach anything near that in a speaker. Given that flexibility isn't that useful or desirable inside a speaker, I just use offcuts of T&E after tripping off the outer insulation
  7. Have I the right - The Honeycombs (with a Burns endorsement 😁)
  8. Please explain your signal chain a bit: is the OD after the bass, do you use wireless, or cable, what's the bass... OD/dist/fuzz may behave in a different way depending on the bass output impedance (hi-Z, or lo-Z). I have different pedals for different basses. It took quite a long time to find a suitable fuzz to a lo-Z bass (i.e. with a battery powered preamp).
  9. Ah tease 🥲 tempting to keep I'll admit Ander.
  10. What a lovely thing at a ridiculously low price. The GAS is suffocating me. The body and neck alone are worth a lot more than the asking price - someone is going to be very happy with this instrument - sadly not me just now.
  11. I get that. I think I probably misunderstood the thread title. I thought it was suggesting soldering the wires into the terminal, not just adding solder to the wire ends.
  12. Thinning the herd a little ahead of a upcoming house move. Up for sale is this rather lovely Ibanez acoustic fretless. I've had it for around a year, never gigged, in excellent condition. Strung with thomastik flats (hardly played!). It is really very playable! £275 which includes UK postage (I still have the box it arrived in). Some more specs: Fretless AE Series AEG Cutaway Back and sides: Sapele Top: Sapele 3-Piece Neck: Nyatoh / maple Fingerboard: Walnut Fingerboard inlays: White dot Scale: 815 mm (32.1") Nut width: 43 mm (1.69") Nut: Plastic Pickup: Ibanez under-saddle Preamp: Ibanez AEQSP2 with built-in tuner Bridge: Walnut Saddle: Plastic Machine heads: DLX, die-cast Colour: Mahogany Sunburst
  13. Excellent condition S-Style guitar by Harley Benton. Comes with whammy bar, gigbag, and goodies including picks, strap, headstock tuner, instrument cable, adjustment tools. Collection-only anywhere in London. Specs: Body: Basswood Bolt-on vintage caramelised maple neck Fingerboard: Laurel Neck profile: C Fingerboard radius: 305 mm 22 Frets Scale: 648 mm Nut width: 42 mm Dual action truss rod Pickups: 3 Roswell STA Alnico-5 vintage ST-style single coils 1 x Volume and 2 x tone controls 5-Way toggle switch Tortoise pickguard Chrome-plated DLX hardware Synchronised tremolo system Kluson-style machine heads Factory strings: .010 - .046 Colour: 3-Tone Sunburst, high-gloss
  14. A "somebody must want this" bump...
  15. Having a clear out before we move house. Hardly used Gorilla pedalboard, he's the original amazon link: https://amzn.eu/d/gnyu6bK £10 collection only from Stone (Staffordshire)
  16. Mint condition, only used twice at home. Intended on guitar but doesn't sound bad on bass! Collection only anywhere in London. SPECIFICATIONS Maximum Power Output 10 W Nominal Input Level (1kHz) INPUT: -10 dBu (1 M ohm) AUX IN: -10 dBu Speaker 20 cm (8 inches) Controls POWER switch AMP TYPE switch (CLEAN, CRUNCH, LEAD) GAIN knob VOLUME knob BASS knob MIDDLE knob TREBLE knob EFFECT knob (CHORUS, DELAY, REVERB, SPRING) Indicator AMP TYPE Connectors INPUT jack: 1/4-inch phone type AUX IN jack: Stereo miniature phone type REC OUT/PHONES jack: Stereo miniature phone type Power Supply AC adaptor (DC 5.7 V) Current Draw 700 mA Accessories Owner's manual AC adaptor
  17. Irony being if Lovetone bring it back they will probably be buying the bbd chips from … behringer!
  18. http://www.facebook.com/share/v/16YNpDumo2/?mibextid=K35XfP
  19. I'm guessing Behringer aren't going to do the Lovetone flanger with the question mark on, that thing was nuts, a lot of fun.
  20. Given there’s not much new in analogue electronics, and given we are in a topic about behringer …. I think that counts for lovetone as an original adaptation of an existing topology! Something like the 3leaf Photon is similarly a refined version to the point it becomes its own thing
  21. Today
  22. SimonK

    Ibanez Porn

    Another awesome Ibbi finish ruined yet again by the truss rod adjuster and the patch of exposed neck at the end of the fretboard - I wish they wouldn't do that!
  23. Rockboard sold. Just a Nano left!
  24. Loved the 2605 - I had one when they first came out, but in the end when I was cutting things down, I had the 1605 and the 2605 and the 1605 was my first love (and not so harsh) so it had to go
  25. I see that chip pic didn't make the gig!
  26. My new to me SR2605 in Cerulean Blue burst
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