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My experience is not exhaustive. But I had an NS which was beautiful. But it sounded a bit fretless-y with original NS strings. I loaded it up with proper DB strings, raised the action and, voila, there was the DB-alike tone.

A little solo arrangement (still rough around the edges) that I've been working on over the last few days. Wishing you all a happy Christmas!

Also applies to the Cort Space and Ibanez EHB.

Gimme A Bullet To Bite On - AC/DC

Phew, it did fit (just). All wired up and yes, series sounds much better (to me anyway) than parallel. Success! After I had to swap the top and bottom terminals because I got the fifty fifty decision wrong and got my north and south the wrong way round. Typical!

I have a 2016 version. Sounds and plays excellent.

F4-10M Thrust Bearings on my B2 (4 for about £5 on the bay)

I have a related Squier, a MVM Jazz 5 which has been defretted, and I do rather like it. I had a play on a Harley Benton 5-string Jazz at a bass bash in Derby a few years ago (can't remember who brought it) and was also impressed by that, though it was a tad heavy. So I'm not being in the slightest bit helpful. Still, everyone will tell you you need a Precision, and a PJ means you can have one without the horrible Precision neck, and with the possibility of making a bit of difference to the P sound, so the HB might be the one to go for. Unless, of course, it's got the horrible Precision neck.

Just loving Adrian Shaw's walking line on this.

The RM800 unexpectedly arrived early today, so I've tried it out at very low home levels. I'm liking what I'm hearing so far through a Barefaced One10. The Compressor and drive are OK actually, but on low settings. Not sure about the sub yet! I'm looking forward to trying it out through my LFSys Monaco in the new year.

Now that Sub Zero has finally moved out, it's taken weeks of airing and spraying to remove the smell of teenage-then-20s youth from his former bedroom. And yes, he was a Lynx abuser.

Well, Steve Parrish did once relate the story of when he was team mates with Bazza, he came into the garage one day to find a young lady (not Mrs Bazza) kneeling in front of Bazza checking how far down his zip would go. Must have been fresh enough then.

I've not had an Ashdown amp with a built in compressor The Sub is ok IMO but an OC-2 is better The Drive is ok as well but again there's a plethora of Bass OD pedals available now In the late 90's I would sometimes boost the drive ( and mid eq) if I was jamming using a plectrum

And the different things that they like cost different amounts of money!

The Behringer one looks as if it will do the job. You'll need something like https://www.ebay.co.uk/itm/186880321395 to go in the back of the piano, then a USB-C to USB-C cable to go from piano to HOST socket, and a USB-C power supply to go to the POWER socket. It's annoying that manufacturers keep penny-pinching by not putting DIN MIDI connectors on devices that have the room to fit them. https://www.ebay.co.uk/itm/388956055978 offers straight or right-angle adaptors and is UK based.

I've used all 3. Compressor is on half. Drive to be used with caution, only a fraction but does the job. Sub is your typical Ashdown and is OK in small measures.

Very kind. We’ve got three albums to listen to that you can find on bandcamp, Spotify etc. It’s all instrumental, self produced, different themes, very prog and a bit pretentious 🤣 I really like From sea to sky and the 3rd one we put out on a label. “Phantasia on the high processions of the sun, moon and countless stars above”. All a bit silly. I miss the band a lot.

Merry Christmas everyone Sonny Rollins and Coleman Hawkins - "All The Things You Are"

I like the HB B550 progressive series. I rather like the tone of it, and it has both active/passive(on mine there isn't much difference), although I rarely use it. I'm not entirely sure but I think string spacing is about 16.5 or 17mm and it's very lightweight.

Shoot Shoot - UFO

Yes, I second that emotion.

Shaped, sanded, black grain filler and first coat of Liberon Finishing Oil.