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Some time back in the 1980s, I owned a Fender P. I replaced the pickup with Di Marzios because that was the thing to do back then, but TBH never noticed any great change in the sound. The original pickup went into a drawer and stayed there for around 40 years, quietly maturing. It's about time I did something with it, so it's off to the marketplace. The two components have date stamps from different years, so I suspect that before I got the P it had one replaced. They both have the same resistance and they seemed fine when they were in the bass. This is something that I'm perfectly happy to post at no extra cost.

For sale TRex Junior power supply boxed with five connectors great condition £45 plus postage Boss TU-3 Chromatic tuner boxed with a spare base plate with Velcro attached £45 plus postage.

Now that is how you advertise something for sale...

I've been an afficianado of 1970s WEM combos for many years but my on-going de-clutter requires me to cut down to just a single unit (a Clubman, since you ask) which means that these two lovely things are now on the market. Both are 50-year-old combos that have lived a life so, although they are both in very good condition for their age, neither is pristine or as-new. The Dominator (on the right) is deffo in better cosmetic nick than the Westminster (on the left) but both work perfectly and exactly as their maker intended. Both sound excellent regardless of what you plug through them - bass, guitar, keys, Mongolian nose-flute. WEM DOMINATOR 25, late 70s, £600. Arguably one of the finest products of the British valve-amp industry, the Dominator was always in the running for nearly 20 years straight. Read all about it here: https://www.vintagehofner.co.uk/britamps/watkins/dominator/dom19.html Often described as a 15W amp, this was in fact more nearly 17W (which is why Mo Foster chose that as his title: https://www.amazon.co.uk/17-Watts-British-Musicians-Sanctuary/dp/1860741827). Mine is the truly wonderful Dominator 25, which is also a truly wonderful piece of Marketing tosh. The '25' was neither 25W nor did it sport a 25" speaker ... it was uprated from the standard Fane 12" speaker on a Dommie to a 15" Celestion to make it sound even better for bass. The '25' thing was the WEM Marketing Dept's equivalent of, "yeh, but this goes to 11". Twin inputs means you can plug in two different instruments simultaneously, or come up with all sorts of weird bi-amping scenarios to puzzle your guitarist with. All original and unmolested. So what does it sound like? Well none of Zoom's excellent product range can really capture just how good this sounds in the studio (or live), let alone the gorgeous, creamy valve break-up at very sensible volumes. If you want to experience that then you'll need to come to Harrow and plug in your own bass. But here's a crude approximation ... Maya into Dominator.mp3 Any excuse to show off my God-like abilities on bass, eh? Shafty into Dominator.mp3 WEM WESTMINSTER, 19777/78, £400. The Dominator was top of the range and not everyone could afford one, so the Westminster was always the better seller and went through far more cosmetic 're-fresh' experiences. Mine was a very short-lived variant in terms of looks, only being made for two years. Read about it here: https://www.vintagehofner.co.uk/britamps/watkins/westminster/west13.html Still twin input for all those pub-rock gigs back when that was a new thing, usually starting just after the stripper had finished. Notice the economy measure of a single set of controls, though. Side-mounted carry handle is very practical. Again, all original and unmolested. If I could play guitar then I'd have used that for these sound clips - the Westminster handles bass perfectly well but it's always going to come off second-best when compared to the Dominator 25. Shafty into Westminster.mp3 Put a guitar through this, though, especially something over towards the Les Paul end, and it's something else. Maya into Westminster.mp3

No, thanks for your offer! I am not into 6 String basses.

Some close ups as requested.