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metal dog - paul gilbert

I'll Be Your Dog - The Stooges

My back hurts just from looking at the pictures in this thread!

Be My Baby - The Ronettes

What's your name/ handle/ address on there, please?

Banned Heat Sweep The Why Rolling Stanes Sink Floyd

Any updates on this? I’ve never met Phil, but have had some contact with him on the interweb. Always been impressed with the PJB line and his concept for how audio can be. Hope all goes well for him.

That looks like a very nice find indeed. From here it looks like it hasn't been gigged much if at all. That or a very careful owner had it. May I ask how much you paid for the amp and the new valve? I am assuming you had the cab already. I hope you have a LOT of fun with it (preferably well away from your neighbours).

I'll Be Anything You Want - Melissa Auf Der Maur

I bought this from them a month ago and returned it. The truss rod is broken. I got a very expensive quote to have it repaired but decided to return it. They did offer to let me keep it for a nominal sum but I really don't need an unplayable bass lying about the house. Shame as it was in otherwise great condition.

Cheers. There is already a piece of paper in the slot. I was getting buzz from behind the nut a while ago and that cured it, but now i get a bit of buzz on the open E string and can see the string is sitting really low. Fretting at the 3rd fret pushes the string on to the 1st fret.

Hi guys My band Syncolima have just released our 1st Video / Single today Streaming on all sites - link here https://ditto.fm/shipwrecked-syncolima Album available to pre-order here - https://syncolima.bandcamp.com/album/move-mountains https://www.facebook.com/Syncolimauk

I found when I needed to raise the nut a little a slip of paper did the job enough - might be worth a go before you start hitting it with the glue?

Normal inspection as per any stringed instrument. The state of the fingerboard (surface condition, radius etc), neck (truss rod) and nut would be my number 1 comment. This is especially important if the neck has been de-fretted. Look for any ridges on the fret-lines and/or excessive gouging along under where the strings lie. The nut height is important if you want the lower action typical of a fretless bass. When trying the bass, first play it without amplification. This will help you discern if the notes sustain well, which helps a fretless bass sparkle. Personally, rolled edges to the fingerboard are a “nice to have”. Remember that a lot of the fretless sound comes from player skill and articulation. Good luck in your search.

A good, level fingerboard is important, you can't compensate for a small high spot by scraping down a fret. If it has side dots, be sure they are where you want them. On some (mostly defretted) basses they are between fret positions. I learned on a bass with dots at the fret positions and trying to play with the other style is tough as they 'draw' my fingers away from proper intonation.

Benedict bought a short scale StingRay bass from me. It was a pleasure to deal with him, quick payment and excellent communication throughout. Basschat happiness all round!

I'm in a band with a young lad who looks likely to make it with an indie band, but who has been told by several pros that he could make it as a blues rock musician. He does lots of side stuff as well. He's just completing an electronics degree and works part time for the post office. I would say flexibility and keeping options open is the best plan. Bear in mind student loan payments only kick in once you earn a reasonably decent salary.

Spot on Phil. Just to add - of all the musicians I’ve worked with over the years, I think guitarists have been the least likely to be able to read or follow charts, so those who can are a rarity. ( I speak as someone who isn’t an overly proficient reader myself, but can get by and also use chord charts.)

It's a very unstructured situation at the 'cover band' level. I've done several deps for one band where I had two rehearsals first. Another band said 'we don't rehearse' so I went in cold. One interesting gig was with a dep guiarist too. We did Come Together... I knew the band played the the Gary Clarke jr. arrangement but the guitarist was all Beatles which came out a bit odd! As for bringing in deps, drummers generally do well, guitarists you need someone who can improvise instinctively by ear if they aren't able to rehearse. When I've been depped for apparently it went well but she knew the guitarist well. Usually you get a list of about 30-40 songs many of which won't be played! I might veto one or two which can reduce the learning time by 50%. Links to 'the version you play' are useful. People always tell you the starting chord not the key... Never come across anything other than getting the same share as the band, although one gig we threw in a bit extra for the dep as it wasn't a big payer. Deps aren't expected to chip in on rehearsal costs. Most deps do it because they enjoy learning new material and the buzz of playing by the seat of their pants. A good amateur dep who throws themselves into the spirit of things (maybe with some improv) can be great to play with.