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Still on fire, and Doug Wimbish is a monster Setlist is Cult of Personality, Pride, Love Rears Its Ugly Head, Time's Up, Solace of You

I use different basses for different bands. Some bands require a particular look or core tone, so therefore requiring a variety of basses. That's my excuse and I'm sticking to it!!!

Yes. It could be linked to quite a few other conditions, and there are therapies that are proven to manage it. The NHS pages on it list a few. https://www.nhs.uk/conditions/tinnitus/

domination - Pantera

It’s yours so do whatever you like it’s already been refinished once so the “authenticity” is anyway reduced if it were me, I’d buy a cheap look-a-like of rutger’s jazz in case of theft

I thought about doing that too, Si. You can have that effect on people. 💋

Not a true analog split but I use this in a couple of bands. Only works on Behringer or Midas kit with the Ultranet system though. I have it set so that each output is a copy of the corresponding channel input immediately after the gain control - which you need to remember not to mess with, but thankfully the sound tech can’t either! It’s in the bottom rack space here, connected to to my XR18 via a single ethernet cable: And here’s a handy video from Scott Uhl, who I’ve found to be a great resource on all things wireless:

Now, I totally get that. The hardest part for a band is to find the right members, I think. If they join you and don't go prepared to rehearsals, then they are not a good fit, that's all. I endured a few bands when starting out, trying to make every situation work. Eventually I realised that learning when to quit a band was a very useful and powerful tool. I think it extends to choosing your bandmates: if somebody is unreliable, I will not have them around, full stop, and replace them with somebody else who is reliable. If I didn't, I'd probably be typing lots of posts in the Daily Annoyances thread 😄

I kind of see both sides of the pay for free argument. It’s worth noting though that Glastonbury keeps going due to the vast array of volunteers, from security, medical, cleaning, maintenance etc. Artists always used to get free entry and camping and a 40 minute set seem like far less hassle than cleaning up afterwards or herding in a couple of hundred thousand revellers.

I don't fully get the question. They're adults: they manage themselves. They know what the expectations are, how often we're aiming to play, how much time they are likely to need and what sort of availability, etc etc. If that works for them, then they make it work. Motivation? They have to like playing with the band, that's all it takes really. There's one guy in particular playing with us, trumpet, who makes a lot more money with other gigs than with us, but still plays most of our gigs. He just likes to do it, so he makes it happen. If somebody is a problem with their level of commitment or creating scheduling issues, then THEY are not motivated enough for that particular band. It's not down to me to change their mind.

I'd keep the finish as is and get a white scratch plate. That would look sweet! 😍

....I'd also let her know in no uncertain terms that, having first spoken to your solicitor, you will within the bounds of the law name and shame on social media

Ah, yes. . . . C3 (not split) and 2 Leslie cabs!!! Thank god for Nord.

Please don't discuss or agree to any reduction. Add expenses plus a grief fee on top when you take her to SCC. Chancers like her bank on bands being afraid to pursue them so give her a good kicking (in court, obvs). Good luck.

Indeed. With regards to deps... I was with an originals band for just over 10 years, we didn't use deps for that one. The chemistry among us was a big part of the band (which varied between 6-9 members). Sometimes we'd play with one or two members missing, which was not ideal but it still worked as long as the "core 5" were there. But for most other bands there would be someone who could step in if needed. Deps are very useful not just to book gigs when someone is not available, but as insurance against illness, for example. At the moment I only play with 2 bands, plus dep with others occasionally. The main band has a number of deps, for everything except main vocals (we're a 6 piece). They've become part of the band, they just don't play as much as the designated main player.

We did actually get loads of bookings that referenced seeing her on our Instagram so it can pay off if you're selective. I did struggle to get the strap over her for those wondering..