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If flatwounds are not your thing, I can happily replace them with one of the following. I really do need to stop buying strings…….it’s a bad habit! -
Aguilar Tone Hammer 500 + Gig Bag + 2 x SL112 Cabinets + covers
WAYNESWORLD replied to AATB's topic in Amps and Cabs For Sale
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Incidentally, I found this video: which says in the description "M-VAVE ANN BLACK BOX is same as the original BLACK BOX, they just emphasized the ANN Training capability of their device."
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I had a problem with the Boss working in my acoustic and the workaround was to use a TRS-TS connector. So I got a right angled one and as that also ‘worked’ on my other instruments I could use it when I felt it was sticking out a bit too much… There were also some jacks it didn’t like and it wouldn’t operate the power so I kept an assortment of washers that went over the Boss jack and made sure the power was activated. All stored in an old glasses case…
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It's a good photo - it shows all the kit. And it's a lot of kit for the money! There is a whole thread on buying electric pianos here https://www.basschat.co.uk/topic/520144-stage-pianos/page/3/ so there seems to be interest in such instruments on Basschat. -
Now in the country...
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Sorry I probably wasn’t clear enough. I meant dismantle the XLR plug that is stuck in your PA amp module. Undo the screw on cable gland on the plug, withdraw the innards from the XLR plug and then reach inside the housing of the plug that will still be stuck in your PA amp module to release the latch with a small flat head screw driver.
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Tone Hammer 210 combo.... Looks nice. 🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶🎶
Musicman20 replied to spyder's topic in Amps and Cabs
I do think Aguilar lost a lot of what made them great when Korg acquired them. They've barely done anything to move forwards, expect increase their prices significantly. I still think their Tonehammer Pre and DB cabinets are absolutely fantastic, but by now I'd have expected them to move on with brand new ranges. Now that I see the criticism of this combo, I can see why people are surprised at the design of it. They would have been better to make a combo like TC/Genz did with either a cradle or a separate 'shelf' on top of the cabinet (that is totally covered), and kept it at 500W. At the price this combo will be, I'd expect an exceptional 2x10 that can handle most of what a mid level amp can throw at it (say 400+ w). In the UK, I'd probably go for Ashdown now with their UK manufactured combos/amps. -
MONO M80 bass gig bag in Excellent Condition: no rips or tears, all zips intact. Semi-rigid, lightweight with plenty of storage. - Suitable for most electric basses e.g. Fender, Ibanez, Warwick, Sandberg, Musicman and Yamaha - Hybrid case with ABS headstock and body protectors - Water repellent Sharkskin surface material with sole and seam reinforcements made of industrial rubber (PVC-free) - Clip/Tuck strap system with chest strap - Special accessory pockets with cable retainers - D-rings for attaching optional MONO Tick case - Steel riveted, reinforced handle and straps - Incorporated Headlock system protects headstock and machine heads - Protectors prevent damage to body and strap button when dropped - Transparent plectrum pocket - Extra strong, tear-resistant nylon material - Extra soft inner material Internal Dimensions: Total length: 121.9 cm Body length: 55.9 cm Lower body width: 36.8 cm Upper body width: 31.8 cm Height: 7.6 cm External Pocket Dimensions: 27.9cm x 36.8cm x 3.8cm Weight: 6.2lbs (2.8kg) Only £140 (retails at over £200). Collection from Bournemouth BH6. Happy for buyer to arrange courier. MONO Tick accessory case (in As New condition) listed separately. -
Thanks, Mokl. I was running two as a vertical stack – best live sound I've ever had! -
The DM610 is a large bookshelf/standmount speaker from renowned hi-fi brand B&W, featuring a well-braced 30-litre sealed cabinet with 8-inch mid-bass driver. The larger driver and extra cabinet space create a much better low end range than from most similar speakers. This model allows for either bi-wiring or bi-amplification. These speakers present clean tight bass response, surprisingly clear mids for such a large driver and the pleasant highs that the well-designed B&W tweeter at that time was famous for. They can be driven quite loud, enough for the physical effect of the bass to be felt without audible distortion or a sense of sound compression. Both speakers are in Very Good condition, especially for their vintage. All-original, complete with full grilles (one of which has a small hole, shown in the final photo). Only £125. Collection from Bournemouth BH6 preferred. Here comes the science bit… Type: 2-way closed, shelf speaker Colour: Ash black veneer Dimensions: 490 x 236 x 303 mm (H x W x D) Weight: 7.8 kg Recommended amplifier power: 30-150 W Frequency response: 70 - 20,000 Hz (±2 dB) Crossover: 2500 Impedance: 4 Ohm -
Absolutely not unreasonable. Some people like to have an idea in their head that is probably more suited to recording than playing live. In my 80s band we have a sax player who also plays keys. Even if he didn't play keys I'd want more sax all the time!!! You don't see many bands of our ilk with a sax player, and when the sax player is good you should make them the star of the show IMO.
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I’ve been doing some gear restraint(abstinence)//basschat challenge here and I’m really happy with how this setup’s turned out. My in-ear monitors translate exactly what I dialled in at home, and the FOH guys have liked what they’re hearing so far.
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Well I have my ideas, will wait to see what's revealed! But I'd have thought now is the time to do said reveal, what with the publicity/interest associated with NAMM.
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Careless Whisper - George Michael
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Help needed - what material to pack out a case?
Twigman replied to shoulderpet's topic in General Discussion
I have a EBMM USA sterling which I transport in a SKB iSeries case when I fly. The case is designed for a larger body than my Sterling. I pack it out with pipe insulation foam. (amazon or screwfix) One piece around the body of the bass. It works a treat. -
Hoping someone can help, what can I use to pad this case out so my Mustang fits it snuggly (and if you can advise where I can purchase from that would really be appreciated), I appreciate any help with this, thank you
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It’s hinted at massively in my post with the picture above!
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Wait so 'the big thing' isn't any of those big things?! Intriguing...
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This is my Ampeg Heritage 410 cab (and 100w valve head). Cab has a bar and wheels, but if I had to move it weekly I would likely use one of my smaller cabs. Getting too old to move things like that all the time.
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I’ve got one of these and it’s a belter, glwts -
Right now for creative purposes. AI is at the same stage I was in my teens when my songwriting "influences" were very obvious, and the greatest current threat to it is that it will get sued for plagiarism. As others have said there are lots of uses of AI in music that take the donkey work out of some technical aspects such as noise removal. and frequency balancing. I use AI fairly frequently in my day job in graphic design. One use is when creatinge photo-realistic mock-ups of some of the food products and packaging that my clients are considering producing. I could spend time in Photoshop compositing inclusions onto a slab of chocolate to show through a window in the packaging, or I could ask an image generator to create one for me. One will take an hour or so the other with the right prompts less than 5 minutes. It has also been used to generate one of the "covers" for my band's releases. At the time I was completely snowed under with paying work, so we fed a series of prompts into an AI image generator and refined the output until we had something everyone was happy with. I could have done a better job manually, but it would have taken a lot longer and at the expense of paying work.
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I'm not an ex-BF user and still have and use my Two10. I'm a fretless bassist and every time I've used either a Fender Rumble 500 v2 combo or Ashdown combo, its always sounded great and I've always got compliments. I also recently used a GR Bass 208 cab with an Orange Little Bass Thing head and mid set, the singer turned to the audience and said, I loved how as soon as the bass player started playing, you all just watched him, doesn't he sound amazing. Likewise, when I've used my small rig which is a Warwick Gnome 300 and my TC Electronic 208 cab, I've always got compliments. I like my BF Two10 and LM IV but it just doesn't compliment me as much as other setups that I've used.
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Poisoning the well. IIRC someone has created a method of encoding music so that AI thinks it is a different genre to its actual one, or "hears" the music it is being trained on as just noise.
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Don’t think I’ve got the headspace to learn new media skills; too much crazy life stuff being flung at me at the moment. If I could partner up with a video/recording wizard, that would help.
