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@lurksalot Intense. I wasn't sure at first, but the sound is good so kept going. I did get drawn in. The intensity starts to lower and then picks us a bit harder. The drums are done well. They have a live energy about them, that must have taken a lot of fiddling. The performance is unique and holds it's own style. It left me feeling like I'd experienced something. Lots of points awarded for that alone.

Medicine Jar - Macca & Wings

I Need A Doctor - Dr. Dre

What a cool story. I’ve never really understood the appeal of signatures, if I’m honest, but it’ll make a wonderful conversation piece for the studio!

I'm also done, I was reminded of the whirling dervishes and the noises I produced seem to be consistent with that EZ drummer , Fleabass, guitar and keys all through waves gtr3 and messed about with , splash of ozone 8 and there we go !

Burning Love - Elvis Presley

Hehe, my pleasure!

I'd be interested in an SR5 neck, depending upon anticipated cost. I was looking to get a Status one when they pulled the plug.

I'm loving the Euro 4 LX but struggling to get the best out of it with the band. We're playing alt rock, inspired by Teenage Fanclub so fairly chilled out. I'm running straight in to an Ashdown ABM 600 but having to cut the high mids and treble and play with quite a light touch to tone stop it sounding too aggressive. Any tips for getting a bit of character back in my tone while sounding good with relatively clean guitars?

The drunk who says they can play the triangle

Disco Inferno - The Trammps

@police squad, I do like the sound you're getting with both pickups.

Jump in the Fire - Metallica

Kazoo

Not sure if it's Trevor Horn who wrote the part, but Mark O'Toole does a great job of playing it here, and that's a fantastic tone. It doesn't hurt that it's given pride of place in the mix here. One for the good headphones / speakers.

We're a heavy metal band. Our original singer was very much in the mould of Bruce Dickinson. When he left we tried out numerous male singers, none of whom worked out. We now have a female singer with really strong blues influences and we've never sounded better. Writing and arranging material to suit her voice means we're avoiding some of the musical clichés we'd encounter with a standard rock/metal singer. So, embrace the change. The unfortunate reality with music is that people don't evaluate things rationally. Hence you get nonsensical statements like 'I preferred your blokey image'