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Last time posted I was looking to build two Basschat 110 cabinets using the speakers from an Ashdown 2x10. Both cabinets are now useable and sound great and I thought that was it for a while, then......... I've been given an old Mesa Boogie 1516 cabinet, that holds 1x15 + 1x10 + 2x6 and a high frequency driver. It's the model with the 3 way switch on the back and a single jack socket. Now there's no way I'm ever going to use this cabinet as is so my thoughts have turned to doing the following, which I'd like to know your thoughts on. The cabinet is actually two distinct enclosures, so I was thinking to remove the smaller drivers and cut the cabinet down to a 1x15 (which I probably still wouldn't have a use for). Build a small enclosure for the 2x6" drivers, along the size of the 110 so I could combine them if needed, and then put the remaining components to one side. I don't want to sell the cabinet as it stands, I was given it for free and feel that it wouldn't be right and anyway once again the tolex is torn and damaged a little. What are your thoughts?

Two of my big valve amps are in The Amp Hospital at the moment so I've to take then off the list. 1. Rich - Trace Elliot TE-1200 amp, Barefaced Super 12T cab, earplugs , Shuker custom 5, Tanglewood TRB-CE acoustic bass gtr. 2. Woody - Rickenbacker 4004-L5, maybe Sei Flamboyant, Same old basschat 12" with some amp, other stuff TBC 3. Pinball (tbc) - some interesting basses 4. Stubsy - Joyo BadASS, GRBASS AT212 slim - only 50W but that should give 120dB at one metre 😇. (or I bring my TE 1110 combo). Some fun pedals. Perhaps the AVII 1960 precision, the Sire P10 and maybe the Fender Performer and something unexpected... 5. Sean - Laney Nexus Tube 400 [oh jeez], GK MBF500, GK Fusion 550, 2 x LFSys Monaco, 2 x Japanese Market Spector Euros with LHZ-03 preamps, Valenti #005 Super P with Hotrod Nightrain PJ pickups that are coming out immediately after the bash and will be for sale, Yamaha BB1300 (rarity with pickups rewound by Toltec), my small but well-appointed pedal-board (Origin Cali 76, Origin DCX, Aguilar Chorusaurus, etc). Plus whatever I might be selling at the time. 6. Rosie - likely I'll bring my upright, set up for bluegrass/folk/jazz if anyone's not played upright before and fancies a go 7. Phil - BassChat cabs, maybe some sort of shootout? 8. MikeD - Laney Digbeth, Zilla 212, Dingwall Combusion, Revelation PJ, pedals, try to finish home made bass🤞🤞🤞🤞 9. neepheid - G&L CLF L-1000, Yamaha BB1200, Sire D5, Sire Z7, Greco LGB-700, Reverend Triad, Epiphone Les Paul (not so) Standard, Epiphone Thunderbird '64, Squier Jaguar H (with Ibanez CAP double humbucker from ATK200/800 etc), Gear4Music rat bass (with Lace Aluma-P), £150 giggable bass challenge, 1 or 2 amps depending upon space... 10. Jabba_the_gut - Note sure what stuff yet........10. Jabba_the_gut - Status 3000, Status 4000, Stingray 4, USA Sub 5, Markbass Tube, some pedally bits inc Valeton GP5 cheaply thing 11. Wolverinebass - Grainger Hades, HX Stomp, GK Fusion 1200s. 12. Japanaxe - Precision(s) & Dingwall(s), DIY 100W Bassman head if finished by then(!) as people seemed to like my B15 clone, At least 1 other amp (see sig) 13. JohnDaBass - Fender Imp combo, Fender Mike Kerr Jaguar, Fender Stu Hamm Urge 1, HB ThunderStang, Squier Paranormal Rascal, Mark Bass Bronco ( very yellow), Ashdown Capri ( very Pink) 14. Geek99 (tentative) - sire v7 5 string (rapidly becoming my favourite bass ever), vintage est96a (punches above its weight as judged by basschat midlands massive and Stub Mandrel), Tc electronic bh250 and A cab that was dragged out of the sea (Possibly) but only cost £10 15. chienmortbb - Fender Aerodyne AJB65, G4M pretend aerodyne, Sire Narcus M2 (possibly for sale. Ashdown Restoglide 800 and Bugera Veyron 1001M, LFSys Monza cab. Possibley a number of accessories for sale. I might have to rrim the list as I am due an op shortly and am not allowed to lift anything for 6 weeks. You will notice me as the bloke with no trousers. 16. Richard R. - Brawley 4 and 5 string basses, Ashdown ABM C300-100+15"extension, Roland V-Bass COSM system pedalboard plus HB Musicman fitted with hex pickup, headphone amp, raffle prizes. Hopefully my son and his Ibanez. Definitely trousers. V-bass system and bass possibly for sale. 17. Scrumpymike - Gillett Contour ST; Harley Benton MV-4MSB Gotoh BM; Rascal Mervyn-Lyte (Fender Rascal re-bodied a-la P Lyte by Andy Jr); Sandberg California ll SL TM 4 SHORT with recent Aguilar upgrade; Vox Starstream A2S; Ampeg SVT-7 PRO; Fender Rumble 100 combo; BF Super Compact Gen 3; LFSys Monaco. 18. rwillett - Depending on what space @neepheid leaves me in the car, Fender Jazz, 3d printed headless, 3d printed jazz & 3d printed six string (if I finish them both), Jazz Bitsa, Matching Westone 1A Guitar and Bass, Mustang Bass, Gnome Pro V2, some sort of large speaker that was donated. Possibly a Strat and.or Tele to provoke sharp intake of breath, Tonex and Mod Dwarf. If he brings too much, either he's sitting on the roof bars or I am 19. Mottlefeeder - Yamaha RBX765: 5-string '80s solid body. Ibanez EW205: 5-string ABG. Ibanez EHB1265MS: 5-string fanned fret, headless. Hohner B2AV: 5-string active cricket bat. Home-brewed briefcase - battery/mains 175 Watts through twin 5 inch speakers. Eminence Basslite 10 in home-brewed cab *2. Ashdown Mybass Mk I (500w). Warwick Gnome. Vong HPF/LPF pedal. 20. CHYC - BC112mk3, BC110T, GSS 06b400mkd, Ashbory, Warwick fretless, double bass.

They'd be combined into one mono signal for my amp and FOH, though likely not for the IEMs. If it's not clear the idea is to experiment with a single bass to sound like two basses, where each bass gets a different sound from effects etc.

Love mine. Slotted straight into some 80s synthy goodness. Cuts through the mix. Still love the C4, straight out the box though this is a cracker. IMO.

My wireless bass received has two 1/4" TS outputs and I'm thinking of running them each through separate signal paths, then recombining them post-processing into a single mono signal, to emulate two separate basses playing in unison, perfectly or imperfectly. E.g. "Walk on the Wild Side", "I Want You Back", "Black Dog". I read that a y-splitter cable would need radiators to prevent the mono signals backfeeding each other. What equipment would be needed? Is a box doing this already? Can an AB pedal combine?

Absolutely love the look of them just wish I could get on with the neck profile. Seriously amazing looking basses though. Hope it serves you well 🙂

I know a drummer who has used a stage name since the70's, for tax purposes, he says. I'm the shy, retiring type, but I'm happy enough to be introduced at the end of the gig. I do prefer anonymity on the internet though.

The Crook Hotel for us last night in County Durham. It's a great bar venue, small raised area in a window which normally has dining tables during the day becomes the stage area on a night. We put the black backdrops up and front lights truss to create the illusion of a bigger stage. Always a fantastic and very appreciative crowd in here, and we finally got offstage at 11.45 😳 Finally got my voice back after 4 weeks, now thinking I've been victim of the latest Covid variant with a cough that's lasted four weeks coupled with laryngitis symptoms, not exactly ideal 😖 New strings on the Vigier sounded nice though 👌🏼

I think the Neve on the John Taylor 5 sounds absolutely brilliant especially with the master tone control there to tailor (taylor🤪) the overall tone further. Preamp sounds strong/full bodied with no unusable extremes. Dont know the frequencies but wouldn't be surprised if these were kept secret. Unfortunately I haven't owned a Dingwall NG or Combustion to compare it to but Waynesworld on here lives local to me and he has just bought an NG3 five string so I will hopefully be doing a comparison over the coming days. I feel I have been very late to Dingwall but better late than never as these basses are sooooo good!!

Im looking for a new cab and seeing lots of decent ones cheap but with really battered and torn tolex. It it a big or expensive job to replace the tolex on a 4x10?

I've had TI flats on my PJ5 for about 8 years. They're still sounding great. I have an old set of GHS flats on a cheap jazz, and they improved the sound 100%. If I bought another set of flats I'd be looking at Labella this time.

I’ll dig a little deeper into the side by side specs. I have more expression pedals and expression splitters than I know what to do with, with I’ve always use pitching on its own pedal and typically, I’ve found great use for the built in extra of stuff like this. I do think the presets will be a game changer, but maybe I can live without them. Either way, I’m fairly certain one of them is getting added to the collection.

Why does anyone need to hear my negative opinion of their band? There's maybe two or three people who I know, trust and would ask for their opinion about a band I'm in. Generally, if someone wants to tell me how great we are, then I will be gracious about accepting the compliment (even if I won't take it too seriously), but if they have a negative opinion or think that they know more about it than me, then I will give them very short shrift. Similarly, I won't give anyone my (negative) opinion about their band.

Appreciate that @Happy Jack was already sorted before I happened on his thread, however also an ongoing topic of interest for me! I've come across 3 subs which could also tick the box, which may be of wider interest: Behringer B1200D Pro - 500 W RMS 19.5kg / 43 lbs £239 Subzero 2 x 10 - 1,200W RMS (I've asked G4M for the weight) - normally £500, currently on sale at £380 dB Tech 612 - 600W 600W 19.8kg / 44 lbs £395 No idea how decent any of these are, so if anyone has had experience of any of these, I'd be very interested to know?

I was very tempted by the XS-100 - having presets to scroll through would make it super useful live. But as I already have an expression pedal and wanting to go for something compact I've ended up with the XS-1, hopefully arriving in a couple of days. Our Alto singer is very excited about this opening up more of our set list to her and I'm equally excited about not having to learn songs in different keys!