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  2. Hey All, Thinking of parting with my FBass BN5. Comes with a FBass gig bag. I'm building a studio and could do with some more funds. I've got a number of modern 5 strings so I might sell one of those and keep this. Might be interested in trades. In particular Sadowsky (as they are my jam!), a Rhodes or studio gear (500 series, preamps etc).
  3. Prefect for a bit of Toto's "Africa" you'll blend right in to the savanna....needs Zebra pickup covers though....
  4. A lovely (accurate) set of reissue basses from Gibson… Like meticulously accurate, not the “it’s almost right…but…” that they seem to do. A Yamaha BB3000 reissue
  5. Hi, do you still have this? If so, I’ll have it fir £10 delivered thanks. I have the cd but not with the live cd or bluray. thanks, mike
  6. I prefer to set my volume to a prime number.
  7. Latest Status plastic basses 😉
  8. You'll probably still be snowbound Neeps, so don't worry.
  9. Personally, I think there are a few parameter-based things rather than modelling, that make the Anagram sound arguably "better" than my Helix LT. The default settings on the Anagram usually sound great. As has been mentioned before in this thread, many of the Helix block defaults are at "what were they thinking?" settings. Almost every effect block in the Anagram has a clean blend. The Helix often requires you to insert effects on a parallel path just to make them usable for bass. The anagram's parameters are pretty self explanatory for each block. The Helix replicates real world devices, including sometimes misleading parameters, or strange behaviour, and they take a while to get your head around. The cab blocks are usable without much tweaking. It took me years (literally years) to get a usable tone out of a cab block in the Helix. I do wish the Angram cab blocks had hpf/lpf in them, though. PS. Now that DG has demonstrated they can build amp blocks that do drive when pushed, I wonder if they'll revisit the Peggy block or make a new one.
  10. Seven Trumpets - Aphrodite's Child
  11. 76 Trombones - Philharmonic Wind Orchestra
  12. Ah bum, I’d have had that Phase 90. The one time I don’t check the ads religiously.
  13. Al Krow

    Darkglass Anagram

    Sure, agreed. And they got folk to land on the moon with less computing power than a current pocket calculator. Hence my comment about the Line 6 software updates and its value in keeping the Stomp in the game, which is also true with the even the more basic Zoom pedals where some of their patches are decades old. However better DSP is going to provide an inherent improvement in chip capability, other things being equal? It's then up to the programmers to make the most of it.
  14. 68 Guns - The Alarm
  15. All Fender guitars and basses with an indestructible finish that cannot be relic'd. Its an unacceptable fashion that must be stopped.
  16. Para Bellum by Testament, This Heathen Land from Green lung sadly it wasn't to be the year for the new Anthrax album. fingers crossed for this year lol
  17. Pretty Vacant - Sex Pistols
  18. I'd love to see a far east produced 'official' Ricky a small footprint reissue of the Ibanez Weeping Demon wah. BC Rich producing quality passive basses again
  19. If he looks like Thomas the Tank Engine I don’t know whether that would be a good thing or not…
  20. LukeFRC

    Darkglass Anagram

    It's not just the DSP though, it's how it's used. Neunaber wet reverb is still good today, and that's based on FV1 chip - it's just really well programmed.
  21. Think maybe I'll mention it to the Glam band but we don't use agencies as we haven't found an honest one in our area we could trust. Dave
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