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  2. Fender, you shameless bastards people.
  3. Hi, I haven't had these for long (I used to own both these pedals many years ago, but bought them for the second time recently), but a recent change in musical direction has now made these obsolete. I have about 700€ invested in these and I' m looking to get back 650€ for them which seems reasonable considering the ridiculous prices the seperate pedals go for these days. I'm selling to fund some new hardware and onboard pre-amp for my main axe, so I'm not interested in trades this time, sorry.. Shipping from Belgium. Sales pitch: Up for sale is this magnificant duo of rare pedals made by Spencer at 3 Leaf Audio. The Proton is his take on the Mutron III filter and it doesn't get much funkier than this! The Doom is a unique sounding fuzz that is extremely dynamic and can get supersynthy. When combined these pedals offer a wide variety of funky and synthy sounding tones that are used by lany great artist that are looking to get someyhing "extra" out of their pedalboard (think of Stuart Zenders work with Jamiroquai, Tim Lefebre, Janek Gwizdala,...) Due to the very limited production these are very hard to come by and they keep going up in value, so finding a set like these two is quite a rare opportunity. Both pedals come with the original packaging and can be shipped worldwide. Kind regards, Don
  4. Teat Loaf Feat Loaf Heat Loaf Beat Loaf Neat Loaf
  5. Paint it Black - Stones
  6. Excellent condition - it’s done a couple of gigs. No longer needed as it’s not really suitable for new band. Great sound though and I’m tempted to keep but it’s taking up space. Not keen on couriers after some bad experiences- Collection/ meet up halfway within reasonable distance.
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  7. Put sold in the title and it will lock out the ad 👍🏼
  8. First impressions without trying to play it through. 1) What's the tempo? 2) Is there some pattern that repeats itself over the parts? I am not able to see anything like that, yet, but most likely I should play it through first. 3) Done by a machine (see the first notes in bar 15)? How does it sound straight from the computer? 4) What kind of band is playing? Is it even possible to go up high if there are keys close by? Soundwise it may be feasible to stay in the half and first position. 5) I think (this is my very biased opinion) that bass should be rhythmic instrument in modern music. Compared to say baroque music I believe melodic content was more important then than rhythmic if we look at older and today's music. Therefore many melodic jumps seen in the score might be possible to "reduce" to smaller intervals without "reducing" rhythmic content. Ghost notes should not be forgotten. Wishing to see comments from the pros here, like TKenrick, Bilbo, Tom Read, Chris Dev, et al.
  9. Definitely US. This came from a parts bass made by a Sadowsky employee. No real markings on it to identify as such. The pickups were scrubbed out and headstock left blank for fear of repercussions. I still have the neck - Brazillian rosewood fingerboard, Graphtech nut, Schaller tuners.
  10. You were probably at Goldsmiths around the same time as my younger brother. My brother loved his time there with LC. A friend of my mine was also teaching Bass there at the time, John Deemer.
  11. Feel the same. Really good. He's also thrown me the bone on a couple of his essential jazz albums, which I've never heard of. Looking forward to getting into those this evening.
  12. PM sent
  13. Damn this sounds good with my maple/rounds P; I may just try to find a way to keep it.
  14. This bassline was created by software, to go over the chords to "Oh little town of Bethlehem". The Musical Director selected "funky R&B" (or somesuch) as the option for the bass style. Is this difficult to play for a competent reader (which I am not)? Is it unnecessarily complicated? I am struggling with it, and will probably simplify it. Does anyone have any hints or tips, to help me to create a funky yet playable line.
  15. Today
  16. I had a chat with the man today. I forgot to ask him about the decal but the bbot bridge reflects how it was originally. I had a quick noodle on it. It definitely wasn’t a lightweight but it felt incredibly resonant I have to say.
  17. I’m up against mr travis and his all-consuming GEAR maw no chance, I see that bass being dragged to a Manchester address, probably leaving scratch marks on the pavement as it is sucked in like some poor dachshund caught in a wizard of Oz style tornado Briefly. 😛 I Wish I could buy this. GLWTS
  18. @greghagger You shared that lesson at the exact right time - with my commitment and ability, I will have learnt it by November 2026!
  19. Just thought I would add to the thread with this Ken Taylor 5 that I bought last year. I got it new from BAX for an absolute steal, prior to them going bump. It's not fashionably light (9.5lbs), but I'm not too bothered - (it's much lighter than my 6 & 7 strings!!) The main thing is it sounds absolutely immense, love the growl of the humbuckers, the EQ and blend can get a great variety of tones, and almost plays itself. Build quality is as good as anything else I've played.
  20. Spin The Black Circle - Pearl Jam
  21. You are probably right, but My bank manager's too tight.
  22. OMG! You're right! But my memory is so hazy of that night...
  23. Wow, what a beauty!
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