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Post your pictures, Lets see what you all look like.
Piers_Williamson replied to slaphappygarry's topic in General Discussion
Pete Townsend take a back seat! Have you got one of those mini-trampolines Nils Lofgren used to use? -
Ah fair play, I thought you had used standard Titebond. I have taken to keeping a little jar of hide glue granules in my cupboard, for the infrequent moments when a seam opens up. They don't dry out!
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Post your pictures, Lets see what you all look like.
urbanx replied to slaphappygarry's topic in General Discussion
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Advice from Cambridge-based bassists needed!
urbanx replied to TKenrick's topic in General Discussion
Oooh that's me! I'm a bassist from Cambridge! There's quite a few open mics and bits and bobs around. Village pubs are possibly better than the city. The Cambridge music scene has gone downhill in the last few years, due to venue closures, but there's still a couple of blinding venues! Let me know if you want anything specific (there is one to avoid, but I'm not going to publicly shame them here lol) -
RogerDodger started following Peavey bass usage?
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I now have 3 Peaveys in my collection. I started with a Cirrus BXP 5 as I felt I needed a 5-stringer. I then bought a Peavey Rudy Sarzo I've just bought a Cirrus BXP 4, which is by far the lightest, but also sounds great and is lovely to play.
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Bix started following Festival band clashes
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I made that choice too, though my mates wanted to see the Prodigy and I was torn between the two. It was a great call, we had an awesome night.
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“Rush” UK Tour March 2027
hiram.k.hackenbacker replied to RAY AGAINST THE MACHINE's topic in General Discussion
Mine were £135. -
“Rush” UK Tour March 2027
hiram.k.hackenbacker replied to RAY AGAINST THE MACHINE's topic in General Discussion
I was frustrated by this on my first attempt. There were 5 of us that wanted to go on the Thursday. When I logged in, there were 5 left in one row in a reasonable position and I stuck them all in my cart thereby selling out the row. It wouldn’t let me do it for the same reason. Well, the warning was the same, but it didn’t matter how I edited my basket, it wouldn't let me buy them. I ended having to come out and go back in again to do it another way 🤷♂️ -
martthebass started following How was your open mic or jam night last night? and “Rush” UK Tour March 2027
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“Rush” UK Tour March 2027
martthebass replied to RAY AGAINST THE MACHINE's topic in General Discussion
I love Rush, especially the first decade of stuff. Saw them way back when in Leeds (Permanent Waves tour?) but haven't ventured to repeat. I'm afraid I hate arena gigs these days, they leave me cold and uninvolved so I doubt I'll make an exception this time around. -
How was your open mic or jam night last night?
martthebass replied to tauzero's topic in General Discussion
Had one of those about 10 years ago - thought I was having a bloody stroke..... -
Yeah I found a great seat but also had to buy two which went up to £850 ! (Before admin & insurance) I managed to find a single seat (albeit further away) but still the most I’ve ever paid for a gig lol Manchester AO
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It is very cool. Clouds is an immense piece of kit, and jamming the whole thing into a pedal is frankly bonkers. It’s easy to get lost… but it sounds absolutely lush. I withdrew it as there are some granular vibes in here I just couldn’t get from other pedals, but I really need to slim the herd a bit!
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I do hope you like Rosewood & Mahogany...
chris_b replied to HeadlessBassist's topic in Bass Guitars
These are fantastic instruments, but I've never seen one that's light enough for my back, so I'll just have to look at the pictures. If Chris May brought out a Super Light series I'd have several in a heart beat. -
But I haven't. First new notification since I thought I'd sorted it and the pleading box is back. This time I've clicked the "x" in the top corner. Hopefully that will work...
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On the one hand, I like that analogue effects pedals are tough, do a specific job, hold their value second hand - buy a second hand Phase 90 today and you could reasonably expect to use it for 10 years and then still be able to sell it for similar price. That is so much better than the 'pay monthly to never actually own it' thing of some digital stuff, and the fact that most of the hardware needed (Laptops/iPads etc) have about 5 years of udtates before they start being a bit useless and worthless. But on the other hand, something like 'loopy pro' just via an iPhone or iPad seems light years ahead of almost any looper pedal: Payday is approaching, as is my next gig, and I only have a tuner pedal at the moment (and Amp with compressor, drive, EQ). So I've got the choice of: Stick: Keep what I've got (but where's the fun in that?!) Go backwards: Re-treading the multi-fx/ individual pedals route (potentially costing £ hundreds, but is the stuff specifically designed for this task and has resale value) Look to the future! Use my iPad and audio interface (Volt 2), and use virtual pedalboard apps like Tonex ,BiasFX2, (and stuff like Loopy Pro). And a wireless midi footswitch like the Boss FS-1 WL. So as I already have the iPad and interface in the short-term at least that costs me about £130 for the FS-1 and apps. I am keen on this option mostly out of curiosity and short-term cost saving and portability, my main hesitation is a practical one of wanting a stompable mute/tuner where I can stomp and then view the tuning - ideally without keeping my tuner pedal wired up as that is the start of just might as well having a small pedalboard. I'm sure I can set the Boss FS-1 to have a tuner/mute command to the iPad app but the practical issue is where do I put the iPad to be able to see this? Not a big deal as I suppose it can sit on top of the amp, but that feels a bit precarious (probably a job for the velcro tape). The audio interface has a 'direct' button, so if the iPad plays up I can just instantly bypass it and go direct from the inteface to amp so the risks of messing up live are hopefully quite manageable.
- Today
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Ive always found at Glastonbury its great when there's an enormous act on the main stage, it makes it easy to get to the front at any of the other stages. Ive never enjoyed performances on the pyramid stage, its too big there and even if you get to the front you're still a long way from the stage and sound isn't great at the front
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MONO M80 bass gig bag in Excellent Condition: no rips or tears, all zips intact. Semi-rigid, lightweight with plenty of storage. - Suitable for most electric basses e.g. Fender, Ibanez, Warwick, Sandberg, Musicman and Yamaha - Hybrid case with ABS headstock and body protectors - Water repellent Sharkskin surface material with sole and seam reinforcements made of industrial rubber (PVC-free) - Clip/Tuck strap system with chest strap - Special accessory pockets with cable retainers - D-rings for attaching optional MONO Tick case - Steel riveted, reinforced handle and straps - Incorporated Headlock system protects headstock and machine heads - Protectors prevent damage to body and strap button when dropped - Transparent plectrum pocket - Extra strong, tear-resistant nylon material - Extra soft inner material Internal Dimensions: Total length: 121.9 cm Body length: 55.9 cm Lower body width: 36.8 cm Upper body width: 31.8 cm Height: 7.6 cm External Pocket Dimensions: 27.9cm x 36.8cm x 3.8cm Weight: 6.2lbs (2.8kg) Only £140 (retails at over £200). Collection from Bournemouth BH6. Happy for buyer to arrange courier. MONO Tick accessory case (in As New condition) listed separately.
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The DM610 is a large bookshelf/standmount speaker from renowned hi-fi brand B&W, featuring a well-braced 30-litre sealed cabinet with 8-inch mid-bass driver. The larger driver and extra cabinet space create a much better low end range than from most similar speakers. This model allows for either bi-wiring or bi-amplification. These speakers present clean tight bass response, surprisingly clear mids for such a large driver and the pleasant highs that the well-designed B&W tweeter at that time was famous for. They can be driven quite loud, enough for the physical effect of the bass to be felt without audible distortion or a sense of sound compression. Both speakers are in Very Good condition, especially for their vintage. All-original, complete with full grilles (one of which has a small hole, shown in the final photo). Only £125. Collection from Bournemouth BH6 preferred. Here comes the science bit… Type: 2-way closed, shelf speaker Colour: Ash black veneer Dimensions: 490 x 236 x 303 mm (H x W x D) Weight: 7.8 kg Recommended amplifier power: 30-150 W Frequency response: 70 - 20,000 Hz (±2 dB) Crossover: 2500 Impedance: 4 Ohm
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shoulderpet started following La Bella Black Tapes on a '63 P-Bass
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Make sure you have good monitoring if you use the Labella tapes as they get buried in a mix very easily, Rotosound are better in this regard though they are noticeably stiffer feeling.
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DR Sunbeam Nickel plated steel roundwound strings, 45-105, for 4 string electric bass. Bought new, cut for Precision, played for no more than half an hour. Nice well balanced tone and relatively smooth to the touch for rounds. Round core. Selling as I prefer flats these days. They are like new with all original packaging. £20 posted to UK address
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SGC Nanyo SB325 - 5 string P/J active 80s MIJ bass
pete.young replied to cannongeorge's topic in Basses For Sale
