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  2. Forgive my ignorance of these matters, but I am curious about double basses. I have always assumed the 3/4 is the one to get. Even though the 3/4 is more money on this site, they are offering a 10% discount too, and free delivery. So once it's in the basket, and the code applied, the total price is just £428.40. This seems outrageously cheap for a 3/4 double bass. What am I missing, is it made of matchwood? Thanks, Rob
  3. Things such as this are often lauded as absolute bargains etc... yet nobody pulled the trigger and it is relisted. LOL From the lack of bids (zero), it clearly isn't a bargain and needs to be cheaper; how much cheaper will dictate its true 'value' but not a bargain if absolutely nobody is prepared to drive to Bristol to buy it..
  4. That's great, thanks for the clarification. Pmd
  5. Anyone received the BigMuff 2 yet? Can you give us a quick review?
  6. Maybe the HD thing was not a good analogy. As I said in my original post, I know nothing about motorbikes, so I defer to your obviously superior knowledge. Mea culpa. That notwithstanding, this is still a great rig for a very good price.
  7. Have a look too in the for sale section on here 👍
  8. Thanks. Yes I was having a look at the Markbass cabs. They are a bit out of my current bass gear budget sadly, though will still keep them in mind if I can find the extra ££. I will certainly take another look at the Fender Rumble gear. 😎
  9. Can we get a quick review of the Big Muff 2. I'm still waiting for mine here in the UK.
  10. Thanks for that. I guess that if they knew there was an issue with the old tweeters then the replacements would be in the new cabs!
  11. Well there you go, that perfectly demonstrates 'One man's meat...'! LOL I keep the finger nails on my right/picking hand at a length whereby I can use them to affect the sound but not so long that I can't change my position and use the flesh. Sometimes I also play the string below the one I am playing almost percussively with Ghost notes (I'd never analysed or even thought about it till someone asked me how I do it), a DB technique in a way; some tutors would find this an anathema to 'proper' bass playing but it works for me.
  12. It’s £50 posted sorry, was originally £55 I knocked £5 off
  13. We bought my daughter a HB copy of a PRS guitar last year and its great. She was loaned a budget PRS (double the price of the HB) for a few months and preferred the HB. The only issue with it was the neck was really dry when it arrived but a couple applications of lemon oil and it was sorted.
  14. Thanks. I have reached the stage in life when I have realised it is better to actualy get the facts rather than guess. I now have the facts.
  15. These are the best
  16. Today
  17. You may have an idea of how you sound, but a looper is very good tool to reveal details from your playing. Instant playback, cheap units are really cheap.
  18. Would it be worth trying the SVT models in the Stomp before committing to buying more hardware? Especially if you're not going to be gigging it.
  19. I read somewhere that JT learned “chucking” from Bernard Edward’s and that this technique uses the nail to get a pick like sound?
  20. Compliments, I have this bass also and like it a lot, you could mention that it is a hollow body and therefor very light, it has a Delano pickup and preamp with mid-sweep.
  21. The only one I’ve found that let you do stuff like binding parameters to input levels or oscillating waves was the MOD Dwarf. The Dwarf was way deeper in what it allowed but with a significantly steeper learning curve. The Dwarf also allowed you to do crazy stuff with its CV system allowing to set random value generators and stuff like that.
  22. I came to say the same thing. If I want something smoother but uninspired I go with my Jazz bass, if punchy but uninspired I go with the P-Bass
  23. Having recently bought my Dingwall John Taylor bass (and not really having a gig for it) I've started to learn my 80s duo stuff but on the bass. It would be fun to swap between guitar and bass on some gigs ( the bass line on Rio is particularly good) I've decided that I should do some of this stuff more authentically and play using fingers and not always with a pick The guy in my 80s band is a music teacher and awesome bass player and he's putting together a short video of how he plays with fingers stuff like how to keep the volume the same between different fingers Also he says to keep the nails on your plucking hand short so they don't pick the string Anyone else got any more tips for me on this, (keeping the nails short is a great tip)
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