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Basses on the settee


neilb

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On 15/03/2022 at 18:00, PTB said:

Here's my current collection:

 

1985 Stingray fretless - the only one I haven't bought via BC!

Limelight Pino

Sadowsky Metro Will Lee

Nordstrand Acinonycx

1989 Stingray 4

MTD 535

2018 Stingray Special 5

 

It's too many really but.........

IMG_8821.JPG

 

 

 

Crikey that Acinonycx is beautiful. I want one.

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  • 2 weeks later...
On 13/04/2022 at 15:30, graham1945 said:

Here's my current collection - pre retirement sale!!!

 

4H1A1599.JPG

For info, (member asked). Mexican PB with Lollar pj pickups, Modulus M92 Sweet Spot 5, Reverend US Rimblefish 5, signed by Joe Naylor, Fender Bass V with Bartolini pb and musicman pickups, Mike Lull T5 with Seymour Duncan pre amp, de Gier pb 5 with Lollar pj pickups, Brubaker NBS1 5, Modulus Flea 5 with Lane Poor pickup. Lucky boy!

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20220721_180812.thumb.jpg.5b5614d20b75f1b8cd3a1e84c8bac87f.jpg

 

Vigier Passion (1980's, 33.8"), Ukkobass (2010's, 36"), Ibanez Affirma (1990's, 34"), Modulus Genesis (1990's, 35").

 

Specs:

- dark fretboard

- no front markers

- super stable neck

- 19 mm string spacing

 

While others have electronics, solid body, and two pickups, Ukkobass has only one pickup (a splittable humbucker, ser/par/single), a step attenuator, and the body is partially hollow.

 

Genesis has a bolt-on graphite spine neck with wood inserts, and a useless truss rod.

Edited by itu
lighter photo
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On 05/05/2022 at 08:41, SurroundedByManatees said:

IMG_20220504_184901.thumb.jpg.a92e83f1e79b1258b7e8c28fb494a9c3.jpg

 

Yamaha JB600r, Japan, around 1984

Rickenbacker 4001 Azureglo 1974

Fender Jazz Bass 1965/66 with padouk fretboard

Ibanez Black Eagle 1977

 

Great collection. On the 65/66 is the neck stamp July 65? I've seen 4 or 5 with padouk and those were all from that month specifically.

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23 minutes ago, SurroundedByManatees said:

That's correct!

 

Interesting. Clearly a pattern :)

 

22 minutes ago, SurroundedByManatees said:

Superb, what is it?

 

Thanks. Just a project/mutt. Started as a Fender Japan reissue of an early '66 that I got used. It had Sadowsky preamp already installed as well as DiMarzio UltraJazz pickups (so, essentially Sadowsky electronic setup as DiMarzio makes many of their pickups). Took all the poly off, slightly altered the neck profile to better match an original early '66 I have and then had a friend spray the metal flake - all nitro - black base coat, flake in clear nitro, clear nitro to initial level, black tinted clear to burst and then more clear - need a lot to bury the flake fully (I've done quite a few nitro refins but don't have the equipment for flake plus it is a huge, huge mess and gets everywhere). Put on an extra set of original '66 tuning machines I had (tug bar is an original as well). The guard I got from a friend in Italy and it's thick single ply old real celluloid. Nice weight, sounds and plays great. Very happy with it though have not had the chance to actually gig it yet - took a long time for all that nitro to fully cure.

Edited by Kazan
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6 hours ago, Kazan said:

[...] had a friend spray the metal flake - all nitro - black base coat, flake in clear nitro, clear nitro to initial level, black tinted clear to burst and then more clear - need a lot to bury the flake fully (I've done quite a few nitro refins but don't have the equipment for flake plus it is a huge, huge mess and gets everywhere) [...]

Lots of prep, but worth every second spent on it. Absolutely gorgeous 😍

 

I've got a Bass VI project in the pipeline that will be having a similar refin job soon. Not nitro, though - I don't have the patience :D Seeing this is confirmation that it's going to be well worth doing.

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52 minutes ago, simisker said:

Lots of prep, but worth every second spent on it. Absolutely gorgeous 😍

 

I've got a Bass VI project in the pipeline that will be having a similar refin job soon. Not nitro, though - I don't have the patience :D Seeing this is confirmation that it's going to be well worth doing.

 

Thanks! The prep is crucial to good results. Using poly or similar makes much more sense with flake really. Much easier to get the thickness needed and clarity. A lot of the originals from the early 60's were actually done with acrylic which holds up much better and does not yellow much either. Some were done with nitro but they look bumpy with a rough surface now as the nitro has shrunk over the years.

Bass VI will look terrific! You've seen this Champagne sparkle original '63?

 

1725567865_PinkChampagneSparkle63.thumb.jpg.ab4d777130f51cd14560e38d5d25874b.jpg

 

509242113_PinkChampagneSparkle63headstock.thumb.jpg.7375fb013e215b588ade5a64e046ff54.jpg

 

271807668_957352144907216_1642272002603215313_n.thumb.jpg.5d5058652bbb5ad181104ea200067974.jpg

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