Twigman Posted 4 hours ago Posted 4 hours ago (edited) I'm in the market for a jazz bass. My current bass for everything is a EBMM USA Sterling 4HH - been number 1 bass for last almost 9 years. But I fancy a change. I've owned precisions and find the nut too wide - I have 2 precisions with jazz necks but I fancy a real jazz. I am leaning toward buying new. I don't want Mexican or Indonesian - call me whatever you like but I've decided Japanese or American only So I've narrowed the choices down to: - prerequisite RW boards only MIJ 'Hybrid' II £1,500 ish pros: price, colours, headstock end truss rod adjustment cons: basic bridge, no case only gig bag American Professsional II £1,900 ish pros: slim profile neck (I like that), option of top load or string through bridge, hard case cons: 5 bolt neck (limits choice of replacement necks if required) - not keen on any colour scheme, not keen on the tuners - prefer the large vintage open wheels, American Vintage 66 £2,200 ish pros: love the sea foam green colour with matching headstock, like binding on the fb, 66voiced pickups, hard case cons: price, never liked the vintage bridge Mod Shop £2,000 ish pros: choice of colours, block inlays available, choice of pickups, same bridge as Professional II with through body stringing and top loading available, hard case cons: no neck binding available, same tuners as Pro II, no matching headstock, 10 week lead time Custom Shop £4,000 ish pros: can have almost any spec you want cons: it'll cost both time (long lead time) and big money I am leaning toward the MIJ Hybrid II in Noir but the Vintage66 in sea foam green is also tugging at my strings.... If you were in the market for a NEW Fender jazz, which would you choose and why? Edited 3 hours ago by Twigman Quote
Reggaebass Posted 3 hours ago Posted 3 hours ago I’m pretty much a jazz and precision player now, I’ve had so many jazzes from Mexican to custom shop, I know they aren’t new but one of the best ones I’ve got now is the American jazz elite, they are passive and active and are amazing quality, i like them so much that I’m looking for another at the moment in black, it’s just a suggestion but try one out if you can , the American Ultra is another I’d recommend trying 1 Quote
police squad Posted 3 hours ago Posted 3 hours ago I'd buy the Adam Clayton signature jazz, if I wanted a jazz I did have a Flea jazz and it sounded awesome Quote
paul_5 Posted 2 hours ago Posted 2 hours ago If you’re used to a MM bas then I’d probably opt for an active Jazz just to make swapping on a gig easier. 1 Quote
Twigman Posted 2 hours ago Author Posted 2 hours ago 10 minutes ago, paul_5 said: If you’re used to a MM bas then I’d probably opt for an active Jazz just to make swapping on a gig easier. I favour a passive jazz. Battery anxiety is one of the drivers for change. Quote
Twigman Posted 2 hours ago Author Posted 2 hours ago (edited) 2 hours ago, police squad said: I'd buy the Adam Clayton signature jazz, if I wanted a jazz If I could get it without his signature on the headstock that would definitely be in the running - it has everything: block inlays, lollipop tuners, string through bridge.....but it also has Adam Clayton's signature on it (and presumably a slice of commission directly to him in the price) - for that reason it rules itself out. Shame Edited 1 hour ago by Twigman 1 Quote
jd56hawk Posted 2 hours ago Posted 2 hours ago (edited) 2 hours ago, Twigman said: I'm in the market for a jazz bass. My current bass for everything is a EBMM USA Sterling 4HH - been number 1 bass for last almost 9 years. But I fancy a change. I've owned precisions and find the nut too wide - I have 2 precisions with jazz necks but I fancy a real jazz. I am leaning toward buying new. I don't want Mexican or Indonesian - call me whatever you like but I've decided Japanese or American only So I've narrowed the choices down to: - prerequisite RW boards only MIJ 'Hybrid' II £1,500 ish pros: price, colours, headstock end truss rod adjustment cons: basic bridge, no case only gig bag American Professsional II £1,900 ish pros: slim profile neck (I like that), option of top load or string through bridge, hard case cons: 5 bolt neck (limits choice of replacement necks if required) - not keen on any colour scheme, not keen on the tuners - prefer the large vintage open wheels, American Vintage 66 £2,200 ish pros: love the sea foam green colour with matching headstock, like binding on the fb, 66voiced pickups, hard case cons: price, never liked the vintage bridge Mod Shop £2,000 ish pros: choice of colours, block inlays available, choice of pickups, same bridge as Professional II with through body stringing and top loading available, hard case cons: no neck binding available, same tuners as Pro II, no matching headstock, 10 week lead time Custom Shop £4,000 ish pros: can have almost any spec you want cons: it'll cost both time (long lead time) and big money I am leaning toward the MIJ Hybrid II in Noir but the Vintage66 in sea foam green is also tugging at my strings.... If you were in the market for a NEW Fender jazz, which would you choose and why? Sorry, but I forgot all about Fender when I discovered they weren't the only company making jazz basses.. I went with this and it puts to shame everything Fender's making. I definitely want another one. Edited 1 hour ago by jd56hawk 1 Quote
police squad Posted 2 hours ago Posted 2 hours ago 34 minutes ago, Twigman said: If I could get it without his signature on the headstock that would definitely be in the running - it has everything: block inlays, bound fingerboard, lollipop tuners, string through bridge.....but it also has Adam Clayton's signature on it (and presumably a slice of commission directly to him in the price) - for that reason it rules itself out. Shame what's the problem with the signature on the headstock? Quote
Reggaebass Posted 1 hour ago Posted 1 hour ago 2 minutes ago, jd56hawk said: Sorry, but I stopped considering Fender when I discovered there are quite a few better Jazz basses being made. I went with this and it puts to shame everything Fender's making. I’d have my fender elite over any of those , I suppose we all like different things 🙂 Quote
Stub Mandrel Posted 1 hour ago Posted 1 hour ago 4 minutes ago, police squad said: what's the problem with the signature on the headstock? Hard to give a rational reason but it puts me off too... Not an issue with Adam Clayton, I like the bass but I'd want it to look more 'vintage' - like the Flea that just has an engraving on the neck plate. Quote
Stub Mandrel Posted 1 hour ago Posted 1 hour ago 9 minutes ago, jd56hawk said: Sorry, but I forgot all about Fender when I discovered they weren't the only company making jazz basses.. I went with this and it puts to shame everything Fender's making. I definitely want another one. Those would all benefit from a tort scratchplate. 😁 1 Quote
police squad Posted 1 hour ago Posted 1 hour ago 11 minutes ago, Stub Mandrel said: Hard to give a rational reason but it puts me off too... Not an issue with Adam Clayton, I like the bass but I'd want it to look more 'vintage' - like the Flea that just has an engraving on the neck plate. it doesn't bother me at all, weird isn't it. I've got two Adam Clayton basses (for my U2 tribute) a Slash Les Paul, JMJ mustang and recently added a John Taylor Dingwall to the arsenal. But the Adam Clayton jazz bass looks lovely Quote
Lozz196 Posted 1 hour ago Posted 1 hour ago If buying new I think I`d be looking at the Mod Shop, as the range of choices are pretty good. Quote
Jeffskowski Posted 1 hour ago Posted 1 hour ago (edited) Lots of love for Mike Lulls instruments. If I was in the market for a new FENDER Jazz bass... I'd buy a Lull. https://www.mikelull.com/ Nice used example in the UK: https://reverb.com/uk/item/93535040-mike-lull-v4-2014-two-tone-sunburst?bk= Edited 1 hour ago by Jeffskowski Quote
NancyJohnson Posted 59 minutes ago Posted 59 minutes ago 2 hours ago, Twigman said: I'm in the market for a jazz bass. Bonny lad, you know that Basschat is fundamentally the worst place you can go to for opinions, because you'll end up with dozens. You've listed pros and cons from the five versions you've identified - and I'm assuming your leaning towards a Fender - but remember nothing is set in stone; you can replace bridges/machines/other hardware, it's highly unlikely that you're going to need to replace a neck, you can buy a hardshell cases (and so on). Remember also that you'll save a few bob by sourcing a used instrument. My advice would be to go out and try a few. You may find that there are other manufacturers that may tick the boxes as well (Lull, Lakland, Sadowsky). Quote
NancyJohnson Posted 59 minutes ago Posted 59 minutes ago 32 minutes ago, Jeffskowski said: Lots of love for Mike Lulls instruments. If I was in the market for a new FENDER Jazz bass... I'd buy a Lull. https://www.mikelull.com/ Nice used example in the UK: https://reverb.com/uk/item/93535040-mike-lull-v4-2014-two-tone-sunburst?bk= THIS ^^^ Quote
dclaassen Posted 47 minutes ago Posted 47 minutes ago I had a ‘63 that I gigged hard 1978-88…kick myself every day for letting it go. American vintage for the pickups… Quote
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