Twigman Posted 2 hours ago Posted 2 hours ago (edited) I'm in the market for a jazz bass. My current bass for everything is a EBMM USA Sterling 4HH - been number 1 bass for last almost 9 years. But I fancy a change. I've owned precisions and find the nut too wide - I have 2 precisions with jazz necks but I fancy a real jazz. I am leaning toward buying new. I don't want Mexican or Indonesian - call me whatever you like but I've decided Japanese or American only So I've narrowed the choices down to: - prerequisite RW boards only MIJ 'Hybrid' II £1,500 ish pros: price, colours, headstock end truss rod adjustment cons: basic bridge, no case only gig bag American Professsional II £1,900 ish pros: slim profile neck (I like that), option of top load or string through bridge, hard case cons: 5 bolt neck (limits choice of replacement necks if required) - not keen on any colour scheme, not keen on the tuners - prefer the large vintage open wheels, American Vintage 66 £2,200 ish pros: love the sea foam green colour with matching headstock, like binding on the fb, 66voiced pickups, hard case cons: price, never liked the vintage bridge Mod Shop £2,000 ish pros: choice of colours, block inlays available, choice of pickups, same bridge as Professional II with through body stringing and top loading available, hard case cons: no neck binding available, same tuners as Pro II, no matching headstock, 10 week lead time Custom Shop £4,000 ish pros: can have almost any spec you want cons: it'll cost both time (long lead time) and big money I am leaning toward the MIJ Hybrid II in Noir but the Vintage66 in sea foam green is also tugging at my strings.... If you were in the market for a NEW Fender jazz, which would you choose and why? Edited 1 hour ago by Twigman Quote
Reggaebass Posted 1 hour ago Posted 1 hour ago I’m pretty much a jazz and precision player now, I’ve had so many jazzes from Mexican to custom shop, I know they aren’t new but one of the best ones I’ve got now is the American jazz elite, they are passive and active and are amazing quality, i like them so much that I’m looking for another at the moment in black, it’s just a suggestion but try one out if you can , the American Ultra is another I’d recommend trying Quote
police squad Posted 1 hour ago Posted 1 hour ago I'd buy the Adam Clayton signature jazz, if I wanted a jazz I did have a Flea jazz and it sounded awesome Quote
paul_5 Posted 1 hour ago Posted 1 hour ago If you’re used to a MM bas then I’d probably opt for an active Jazz just to make swapping on a gig easier. 1 Quote
Twigman Posted 58 minutes ago Author Posted 58 minutes ago 10 minutes ago, paul_5 said: If you’re used to a MM bas then I’d probably opt for an active Jazz just to make swapping on a gig easier. I favour a passive jazz. Battery anxiety is one of the drivers for change. Quote
Twigman Posted 49 minutes ago Author Posted 49 minutes ago (edited) 28 minutes ago, police squad said: I'd buy the Adam Clayton signature jazz, if I wanted a jazz If I could get it without his signature on the headstock that would definitely be in the running - it has everything: block inlays, bound fingerboard, lollipop tuners, string through bridge.....but it also has Adam Clayton's signature on it (and presumably a slice of commission directly to him in the price) - for that reason it rules itself out. Shame Edited 49 minutes ago by Twigman Quote
jd56hawk Posted 16 minutes ago Posted 16 minutes ago (edited) 2 hours ago, Twigman said: I'm in the market for a jazz bass. My current bass for everything is a EBMM USA Sterling 4HH - been number 1 bass for last almost 9 years. But I fancy a change. I've owned precisions and find the nut too wide - I have 2 precisions with jazz necks but I fancy a real jazz. I am leaning toward buying new. I don't want Mexican or Indonesian - call me whatever you like but I've decided Japanese or American only So I've narrowed the choices down to: - prerequisite RW boards only MIJ 'Hybrid' II £1,500 ish pros: price, colours, headstock end truss rod adjustment cons: basic bridge, no case only gig bag American Professsional II £1,900 ish pros: slim profile neck (I like that), option of top load or string through bridge, hard case cons: 5 bolt neck (limits choice of replacement necks if required) - not keen on any colour scheme, not keen on the tuners - prefer the large vintage open wheels, American Vintage 66 £2,200 ish pros: love the sea foam green colour with matching headstock, like binding on the fb, 66voiced pickups, hard case cons: price, never liked the vintage bridge Mod Shop £2,000 ish pros: choice of colours, block inlays available, choice of pickups, same bridge as Professional II with through body stringing and top loading available, hard case cons: no neck binding available, same tuners as Pro II, no matching headstock, 10 week lead time Custom Shop £4,000 ish pros: can have almost any spec you want cons: it'll cost both time (long lead time) and big money I am leaning toward the MIJ Hybrid II in Noir but the Vintage66 in sea foam green is also tugging at my strings.... If you were in the market for a NEW Fender jazz, which would you choose and why? Sorry, but I forgot all about Fender when I discovered they weren't the only company making jazz basses.. I went with this and it puts to shame everything Fender's making. I definitely want another one. Edited 10 minutes ago by jd56hawk 1 Quote
police squad Posted 13 minutes ago Posted 13 minutes ago 34 minutes ago, Twigman said: If I could get it without his signature on the headstock that would definitely be in the running - it has everything: block inlays, bound fingerboard, lollipop tuners, string through bridge.....but it also has Adam Clayton's signature on it (and presumably a slice of commission directly to him in the price) - for that reason it rules itself out. Shame what's the problem with the signature on the headstock? Quote
Reggaebass Posted 9 minutes ago Posted 9 minutes ago 2 minutes ago, jd56hawk said: Sorry, but I stopped considering Fender when I discovered there are quite a few better Jazz basses being made. I went with this and it puts to shame everything Fender's making. I’d have my fender elite over any of those , I suppose we all like different things 🙂 Quote
Stub Mandrel Posted 7 minutes ago Posted 7 minutes ago 4 minutes ago, police squad said: what's the problem with the signature on the headstock? Hard to give a rational reason but it puts me off too... Not an issue with Adam Clayton, I like the bass but I'd want it to look more 'vintage' - like the Flea that just has an engraving on the neck plate. Quote
Stub Mandrel Posted 6 minutes ago Posted 6 minutes ago 9 minutes ago, jd56hawk said: Sorry, but I forgot all about Fender when I discovered they weren't the only company making jazz basses.. I went with this and it puts to shame everything Fender's making. I definitely want another one. Those would all benefit from a tort scratchplate. 😁 Quote
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