EssentialTension Posted February 27, 2011 Share Posted February 27, 2011 Flat and adjust it to the room. Quote Link to comment Share on other sites More sharing options...
paul_5 Posted February 27, 2011 Share Posted February 27, 2011 Differs for every gig. 'My' sound (for studio stuff, when I'm allowed free reign) is as follows: On the Ampeg SVP PRO: LO boost on, Bass at 12 o'clock, Mid Range at 1 or 2 o'clock (band 4 selected) and Treble at 4 o'clock(!) - of course all of this is dependent on the type of tubes in your amp. That's a whole other thread right there... Occasionally I'll add some 'drive' and back off the bridge PUP if I want a bit more 'Precision' sort of sound. If I'm using the MXR Bass DI: bass 3 o'clock, Mid 12 o'clock, Treble 3 o'clock (a nice 'Geddy Lee' sprangy tone) Live stuff (Hartke LH1000) everything straight up. The tone starts with the Blade B15 (Jazz bass-esque). That is all. Quote Link to comment Share on other sites More sharing options...
Rich Posted February 27, 2011 Share Posted February 27, 2011 Amp: Genz Benz Shuttle 6.0 with two 1x15" cabs Amp EQ settings: all three Signal Shape buttons engaged; all shelving controls flat. Bass EQ settings: slight bass boost, all others flat. Quote Link to comment Share on other sites More sharing options...
Vibrating G String Posted February 28, 2011 Share Posted February 28, 2011 I don't have a single setting since I play in more than one room. For funk/rock I like to lose a bunch of the highs and often some of the lows. I always turn off tweeters on my cabs. So many variables to consider. I do prefer the organic focused old school sound and I find the wide frequency range - hifi tone advertised so heavily doesn't sound good to me when playing with a band. Quote Link to comment Share on other sites More sharing options...
Linus27 Posted February 28, 2011 Share Posted February 28, 2011 I use a Shuttle 6 and I have all settings flat, pointing at 12 o clock (somebody will now tell me that 12 o clock is not flat on this amp) and my Precision and Jazz has volume to full and tone to full or occasionally, the tone rolled back a little to reduce some of the clank. On the 2EQ Stingray, the volume is on full, the tone on 50% and the bass of 75%. Quote Link to comment Share on other sites More sharing options...
JTUK Posted February 28, 2011 Share Posted February 28, 2011 Everything centred on the amp inc the 4 band Para EQ. The aural enhancer between 10 and 2. For the room I might need to get more cut out of the cabs and might tweak the top two faders..but leave the freq alone..so only looking for a small boost. Cabs have the horns turned up to 4. Basses are active and I might add a touch of bass and the treble at the pre, I don't mess with the mid sweep during gigs. The one thing that has me hunting for EQ is when my strings go off. I like a good clean signal from the bass and then I can dial brightness down.. It isn't something you can clean up the other way round, IMO. With bass, I like to add bass not have to try and get rid of it. Quote Link to comment Share on other sites More sharing options...
JeSuisSkeleton Posted March 1, 2011 Share Posted March 1, 2011 (edited) I'm playing almost everything at the moment. I don't own an amp but I usually set whatever one I'm using flat. I set the EQ on my bass (SR500) to: Bass - 6/7 Mid - 5 Treble - 0/1 I find that suits me for most things (primarily jazz and rock), but I'll tweak it depending on what I'm playing. Edited March 1, 2011 by JeSuisSkeleton Quote Link to comment Share on other sites More sharing options...
Conan Posted March 1, 2011 Share Posted March 1, 2011 [quote name='Lozz196' post='1143833' date='Feb 27 2011, 08:59 PM']I generally pick the tone for the band, as in whatever I think the band needs, so "my" tone changes depending on which band I`m with.[/quote] Mine even varies from one track to the next! Especially if it is covers. For example, I have an audition on thursday where I have been asked to play three tracks, each of which demands (to me anyway) a totally different sound... Hard to Handle - Black Crowes. Pretty much flat EQ with the neck pick-up selected. Slight boost in the midrange. Hysteria - Muse. More bass and treble, with a slight mid-scoop. Distortion! Gentler touch to get the speed, so higher volume. By the way - RHCP. Slight cut on the treble, slight mid-boost, bass about flat. Aggressive fingerstyle. And that's just for three tracks!! Quote Link to comment Share on other sites More sharing options...
Low End Bee Posted March 1, 2011 Share Posted March 1, 2011 Surely all controls should be set to 11... Genre - Unfashionable. original power pop/rock Orange Terror through TC cabs with the tweeters off. Varies between venues. a rule of thumb I'll go for. Bass - flat, Mid 2.5/10, treble 6/10. Not that the eq makes a lot of difference on the OTB. Gain 6/10 P bass, 4/10 Retrovibe RV4. I 've only one guitarist to 'cut through' and he leaves me lots of space (or he's too lazy to play all the time) so I don't need the mids. I'm sure I'd boost them if we had a second guitarist or keys player. Quote Link to comment Share on other sites More sharing options...
Dave Vader Posted March 1, 2011 Share Posted March 1, 2011 Start flat, adjust to the room. Used to bypass the eq on my old ashdown and twist tone on the bass. Can't on my GK, so I just fiddle till it sounds a bit like Geezer on the cheap. Quote Link to comment Share on other sites More sharing options...
algmusic Posted March 1, 2011 Share Posted March 1, 2011 I see both sides of this thread. I think the point was to look at people's settings. When I was a nipper there was a bass player I knew from church that always had a great bass sound and I always wanted that sound. I was able to borrow his bass on a regular basis and this enabled to start look at his setting for his 'sound'.. The only problem I had was to get his 'sound' because I soon realised that the settings changed all the time I later learnt two things that I missed in the past that effected his 'sound': The surroundings where the bass was being played, which changed on each gig - for more info see BussBass comments The bass playing I've realised now.. you have experiment and as your playing changes and tase do, that changes.. For me in general, I take a little of the treble and little mid boost and little bass drop.. But that's just the start... When I'm playing for others, it depends on the the sound that works for the band/artist Quote Link to comment Share on other sites More sharing options...
xgsjx Posted March 1, 2011 Share Posted March 1, 2011 I'm another who sets the amp to flat & then adjusts things to suit the venue. My sound is made up with the VLE being set at @10:30 o'clock & the VPF @ 9 o'clock. The MF-105b then cuts out certain frequencies (a couple of certaim mids & then anything above 1.2k). It's a bit more complex than Bass 6, Mid 4, Treble 5. Quote Link to comment Share on other sites More sharing options...
fragility Posted March 1, 2011 Share Posted March 1, 2011 Being a simple soul, my approach is usually: Start with everything flat Usually end up with plenty of mids, bass a bit lower, treble even lower and that basic pattern will depend on the circumstances Quote Link to comment Share on other sites More sharing options...
garethfriend Posted March 1, 2011 Share Posted March 1, 2011 Genre: Indie/Rock type stuff Amp: Orange Terror Bass: SBMM SB14 with Nordstrand MM4.3 pickup and fender nickel wound strings. EQ on bass: little bit of a boost in treble (this and the pickup mode are the only things I fiddle with live, also adjust for new/old strings) mids and bass flat. EQ on amp: treble boosted to about 3/4, mids flat, bass boosted to about 3/4 (sounds like big boosts but the EQ on the terror is subtle) reason I use both EQs is that I can boost the bass on the amp after the signal has been through the preamp tubes as this seems to create a tighter bass sound when the gain is cranked up. Of course I might be talking b******s - that's what I hear but if it's not why I hear it someone correct me. Quote Link to comment Share on other sites More sharing options...
BassBunny Posted March 1, 2011 Share Posted March 1, 2011 [quote name='Pete Academy' post='1143493' date='Feb 27 2011, 04:37 PM']Since using a Markbass head I just set everything at 12 o'clock and use the two filters. I boost mids on my bass.[/quote] +1 No need to do any more, just let the natural sound of the Bass shine through. Quote Link to comment Share on other sites More sharing options...
Mlucas Posted March 1, 2011 Author Share Posted March 1, 2011 Thanks for all the replies so far, great stuff, keep them coming! Quote Link to comment Share on other sites More sharing options...
MuckedUpFunkies Posted March 1, 2011 Share Posted March 1, 2011 Funk Trace Elliot 7210 SMC (Great amp you can pick up for NOTHING!) huge mid scoop for slap the complete opposite for runs Quote Link to comment Share on other sites More sharing options...
Norris Posted March 2, 2011 Share Posted March 2, 2011 Genre: Rock covers G/B/D trio EQ settings: Set all sliders to minimum Twiddle each slider in turn to see if it's a nice or nasty sound If it's a nasty sound, drop it out completely If it's a nice sound, mix it in with the other nice sounds It might be an unusual way to set up the EQ, but generally sounds good, avoiding nasty 'honks' and 'farts', but obviously doesn't make a nice bell-curve shape as it's done purely by ear. Having jotted the settings down, I can then use it as my baseline for a speedy soundcheck. In general my EQ settings are fairly flat with a bit of mid cut, but then the signal is also coming through my GT pedal (Ampegish emulation). Having said that, I do vary the balance between neck & bridge pickups, the bass tone controls, and also where I pluck the string (to modify the overtones). That all alters the tone quite a bit too. Quote Link to comment Share on other sites More sharing options...
krth1985 Posted March 2, 2011 Share Posted March 2, 2011 Now I just set everything flat. Usually roll off the bass and treble slightly and add a bit of mid. I run through a compression pedal into a sansamp and I get a lovely tone from that. Any slight tweaks that maybe needed i noodle with the EQ on my bass (now playing an active J). Quote Link to comment Share on other sites More sharing options...
Low End Bee Posted March 2, 2011 Share Posted March 2, 2011 [quote name='Norris' post='1147086' date='Mar 2 2011, 01:37 PM']Genre: Rock covers G/B/D trio[/quote] Interesting choice of chords. We tend to stick to A/D/E originals. Quote Link to comment Share on other sites More sharing options...
sixdegrees Posted August 23, 2011 Share Posted August 23, 2011 Classic Rock, hard rock, a little metal, covers Ashdown EVO II. Pre-amp eq flat, bass cut a little, mids boosted, treble flat. This is a general rule for what fits in my band. I also use an eq pedal so that I can engage the classic (but horrible in a band mix) big mid-scoop when slapping. And a slight mid-scoop when the other instruments drop out. I find that, by cutting the bass a little and boosting the mids, I can cut through the mix without pushing the amp. If you play bass - mids are your friend! Obviously the size and furnishings of the venue come into the equation. But so do people in the crowd. Clothing soaks up volume, especially the highs. Oh, and I also use compression, switch between fingers and pick, jazz and P, use 45-105 pressure wound strings....there are so many other variables that are just as relevant to what makes 'your' sound. And don't forget that all amps are individually 'voiced' to give them their signature tone. One man's perfume is another man's poison... Quote Link to comment Share on other sites More sharing options...
algmusic Posted August 24, 2011 Share Posted August 24, 2011 [quote name='Low End Bee' post='1147219' date='Mar 2 2011, 04:14 PM']Interesting choice of chords. We tend to stick to A/D/E originals.[/quote] I think the G/B/D trio means Guitar/Bass/Drum trio Quote Link to comment Share on other sites More sharing options...
Hobbayne Posted August 24, 2011 Share Posted August 24, 2011 [quote name='algmusic' post='1350128' date='Aug 24 2011, 12:18 PM']I think the G/B/D trio means Guitar/Bass/Drum trio [/quote] Oh! I thought it was root third fifth Quote Link to comment Share on other sites More sharing options...
andydye Posted August 24, 2011 Share Posted August 24, 2011 when I had beginners gear and other middle order stuff too I prattled with my eq muchly in order to get a sound that would sound full and still cut so lots of bass and mid shuffling up and down to find it... since improving my amps via hartke, then eden and now a genz benz head through an epi UL112-2 I no longer have to faff with the amps eq I just leave it flat and only touch it if the room has an explosive frequency... my stingray 5 now cuts and fills just lovely Quote Link to comment Share on other sites More sharing options...
lee4 Posted August 24, 2011 Share Posted August 24, 2011 Status Groove with flats through a Markbass LMII into a Zoot 2x12, Bass +2,Low Mid -3,High Mid -5,Treble 0.All fiters off,EQ on bass is flat treble,+3 bass. Gets through 2 guitars and a keyboard well,but has plenty of oomph! Quote Link to comment Share on other sites More sharing options...
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