essexbasscat

If the current deal falls through, please do contact me Thanks

Your starter for ten..... Paul sold me a tuner which arrived in good condition, well packaged and protected with bubble wrap. Everything went smoothly and quickly, no hassle whatsoever. Recommended to BC Thanks Paul, nicely done Tom

[quote name='JapanAxe' timestamp='1421675722' post='2663813'] If someone coils my cables I have to uncoil them and start again! [/quote] I end up doing the same. The guitarist says I'm a bit obsessive about my gear - this from someone that allows a onboxed PA desk to bounce around in the back of his car.

In the end, I went with a system that allows a name to be written on the label. As for getting other band member to coil the cables properly, that's an ongoing task.....

What an interesting programme. Went all the way back to Thomas Edison's invention of the tin roll to capture sound and play it back for the very first time, showing the machine that did it and the very first recorded sound ever heard - Edison reciting Mary Had a Little Lamb. Later on, the very first blues recordings, including Louis Armstrong playing a mean trumpet and improvising vocals on spot - again a first on record. Absolutely fascinating

Look into BAPAM, an organisation of health professionals with special knowledge and interest in health problems associated with the performing arts. They came to my attention through an article about the treatment of a member of the London Philharmonic Orchestra Best wishes for a good resolution for your issue

A friend gave me one to set up for his son in law. I found the build quality of the through neck construction to be very good and the instrument very very playable (once I had set it up, I admit). I didn't test the guitar at gig volume, so can't comment on how the pickups are in that situation. That being said, if they were found to be wanting, I would happily invest in a set of Kent Armstrongs or Seymour Duncans for the instrument, as the finished result would be a very usable guitar. Are they worth the money ? definately. A used one ? bargain !

What bass player turns up to a gig without a bass.... Erm... Oh dear. Luckily the guitarist in that band lived around the corner and I borrowed a bass he had in a back room The guitarist in the current band also left both guitars at home last year. No -one is immune.

Two; - A maple/maple 73 precision with white scratchplate helped to fund my first Goodfellow. Ah well...... - Hohner Jack, from new. Light, great pickups, cigarette paper action, faultless build. Why did I sell this ? DOH !

Hit The Road Jack

Kevin offered up a copy of Queen's Sheer Heart Attack for free. Y'know he wouldn't even accept something for postage Top fella and a credit to BC Thanks Kevin !

Oh yes please

Very tidy indeed

Damn RIP

[quote name='mike313' timestamp='1418656999' post='2632028'] Hi, I am working on my sight reading and I have a big problem caused by the years I spent playing saxophone and reading in treble clef when I was a child. Even after many years of bass playing I realized that everytime I read a bass part I am actually still insta-translating from the treble clef. Example: if I see a C note in bass clef in my mind I will initially read that as an A (as it is in treble clef) and then immediately translate it in my mind to a C. This is working fine in the sense that I can read with good speed and accuracy, but obviously it is slowing me down a lot. Does anybody had the same problem? How could I go about "erasing" treble clef from my brain? I thought about writing like a thousand of times every note on paper with the relative correct (bass clef) name aside, to try and hack my brain into reformulating his musical notes patterns. [/quote] We share this same problem. I may as well tatoo "practice, practice, practice" on the back of my hand

A while ago, Hector donated a few items to BC members via the recycling forum and I was lucky enough to receive the double bass bag Hector kindly offered. It's actions like this that foster the living community spirit of BC. A good foot forward indeed Hector My sincere thanks and best wishes Tom

What are the volume requirements of the venue ? are enthusiastic volume control settings likely to get a repeat booking ? or lose it ? Does loud volume invite an audience in ? or repel them ? Are you there to entertain an audience, or for reasons more personal to the band members ? Is the guitarist interested in these questions and the answers to them ?

Almost anything by Status Quo

[quote name='JTUK' timestamp='1418129301' post='2627090'] It isn't so much the now.. it is 20 years down the line and it is those sort of guys you'll be wanting to use as they have experience, and range and frontman abilities. But 20 years of hard use can kill a voice. One of the best singers round here never used monitors and sang over a loud band so he was straining most nights... He has had to give up now. I think its is something that a lot of singers just aren't aware of... so this might be a wake-up call for some to do something about it before it is too late...?? Longevity is the reason why I don't beat the hell out of my bass..or beat my hands up doing it..same sort of thing, IMO. [/quote] JTUK raises a very good point here. Is the foldback doing the job properly ? if not, is the singer straining the voice to compensate ? Don't overlook this one, it's very important

Small mixing desk i.e. Soundcraft Spirit Folio. Opens up a number of options, as you can add practically any source with the correct adaptors Just check the desk has a headphones out socket

Try and get the width of the upper and lower bouts and the depth of the body, which will help guide your choice