Simon.

That 2nd one is utter genius! Love it. 😁

Let's be honest, there's more than likely going to be a NBD thread going up in the other forum very soon...

Forgive me Basschat, for I am (very probably) about to sin... So, in 30 years of bass playing, I've only ever bought 2 new basses and 1 second hand. I've always considered myself to be immune to GAS and the only bass related things I've bought in the last 10 years have been strings and batteries. And yet I now find myself utterly consumed by a particular new bass. Utterly. - It's a five string, when I've only ever played fours... - It's an 'exotic' top, when I've only ever had single colour finishes... - It's the price of a 2nd hand small car... Why do I feel like this? Oh, and I'm going to try it out next week. I'm doomed, aren't I?

As Bigwan said - Chris McIntyre is the guy to go to. The only problem with Chris is trying to avoid be seduced into getting any other work / a custom build done... 😀

Supposed to be going to see Cory Wong next week in Glasgow (26th), but now can't make it - if anyone wants a pair of tickets (free), let me know! Next on the agenda is Vintage Trouble in March. Fingers crossed...

One needs to know - how did it get down the stairs to the cellar? Carried or given some 'assistance'...? The purpleheart looks awesome, btw! Would make an amazing top in its own right.

Out for delivery! Apparently...

I think I've been fairly lucky in not loosing too many things at gigs. A few leads at multi-band shows and a hat that someone swiped at a show in Ullapool. However, we did turn up for one gig, and as we were rearranging the staging discovered 3 sex toys that had been left behind from the night before! 😱

This could be combined with the "Most ridiculous thing..." thread, although more of a thing I did, rather than a thing I was asked for! My view from the last gig I played, albeit taken in daylight, and it was dark by the time I did my stint:

Just catching up on this thread, but wanted to say that the workmanship and attention to detail is amazing! What a great job on the relicing of the body. It might be too late, but if you are still looking for stamps for the neck-pate numbering, the originals would have been imperial measurements, rather than metric. Probably something like 5/32.

Really smart work! I'm not a huge fan of the reliced look, but this is very nice indeed. The Lake Placid jazz and the Duck Dunn are special... the DD especially is giving me serious GAS. Darn.

Those inlays are something else! What an amazing job to get them in without damaging anything. I personally wouldn't darken the fretboard - I think it works brilliantly as it is. I'm curious as to how you cut the fret slots once the inlays are all in and set? Is there a risk of bits of the inlay snapping off?

Please guys! Stop posting this stuff! My bank balance does not appreciate it... 🤤 andydye - those are three beauties, but the PJ is awesome. Wow.

I think it exceedingly unlikely the P-Lyte was around in the 60s or 70s. To the best of my knowledge they are a Fender Japan original design - a neuron is fizzing at the back of my mind which reckons it was the first original, non-domestic, design Fender Japan were allowed to produce. Others might be better able to verify that. Mine is dated from 1990, and I think that was pretty early in their lifespan. Doesn't mean there might not be other designs with that heel shape. It is super comfortable.

I was just about to mention the P-Lyte, but Paul beat me too it! Has a very similar neck plate and chamfered heel and it indeed, very comfortable to play. I do like the contrasting wood tones Andy. Very nice.

Such a great track! Thanks for doing this one.

I went to see Wonderstuff and the Neds the other week. Had a pillock stood in front of me for the entire Wonderstuff set constantly checking Twitter, Facebook and sending thousands of Whatsapp messages. Most of them about how much he wasn't interested in watching the Wonderstuff.... Why be there then? FFS...

I used to use SubStation in Rosyth. They have a couple of rehearsal rooms for hourly rent, but did have a 3rd space which we had as a monthly rental. Not sure if they are still doing that, but it's worth asking.

Except for the dumming... unless he's flipped the camera, but it doesn't look like it. Seriously talented, and so effortless on the vocals. What a bugger.

I agree with you. The number of good fakes out there of so many things is alarming, and not a little bit depressing. The 'so bad, it's almost funny' comment was intended to be directed at just how appallingly bad a rip off those fake Wals are. The fact that they use images of genuine Wal's, with the logo (really badly) pixelated out, is just ... well, I'm not sure what term to use. Just rubbish. I would love a Wal, especially a Mk1, but they are way beyond my budget. I'd never stoop to a knock-off copy like these though. It would be nice to think the guys at Wal had the resources to be able to take legal action against these kind of rip-offs, but it's a pointless exercise when the legal system in China will never find in favour of non-local manufacturers, even when the evidence it totally clear.

Good grief. That's so bad, it's almost funny!

I can't remember the figures off the top of my head, but I reckon shipping from Japan and import taxes/handling fees would add about £250 to the cost. Like others have said, I would heartily recommend getting a Japanese Fender. My 75 RI (which went to Bubinga5) was lush. Still regret selling it. I have a bog-standard MIJ Jazz just now, and it's still a great bass. There are usually a few in the For Sale section on here - it's worth hanging on and seeing what comes up.

Looking to catch one of his shows at the tail end of next week. Have seen Guy a couple of times in the past, but don't really care if it's the same stories and jokes or not - his playing is sublime, and that's more than enough for me! Looking forward to it.

Hi folks, I'm looking to source a few stomp-box style switches for a build project - does anyone have any recommendations as to what's good and where to get them? It's going to be a foot controlled product, on a stage, so needs to be fairly robust. I did have a bunch from a refurb of a pedal board I did a few years back, but: 1. I can't find the spares I had left over; and 2. I can't remember where I bought them from... Cheers.