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petecarlton

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Everything posted by petecarlton

  1. Here you go: ***UPDATE - Return of The UK Bass Guitar Show – (April 2-3 2022) Liverpool ACC - UPDATE*** First and foremost, we hope that this post finds you and your friends and family well. It has been a challenging year for all, along with the music industry, and we truly cannot wait to see you all again! The UK Bass Guitar Show are pleased to announce that the return of our postponed event, will now take place, at the later date of the 2-3rd of April 2022 at a larger venue, the ACC Liverpool. We have taken this decision, along with the return The UK Drum Show, putting health & safety, along with practical measures for its return as the priority. At present, whilst we have seen announcements for outdoor events beginning in the next few months, the planned restrictions are not due to lift until the end of June here in the UK, as long as there are no unforeseeable delays. Of course, the richness and variety of the show is based on a wide selection of companies exhibiting their latest innovations from various countries, and of course, the UK is ahead with regards to its vaccination programme, as other countries catch up with distribution and vaccination. The return of the show is not just a change of date, but a change of venue, along with The UK Drum Show moving to a neighbouring hall in Liverpool too. Over the past few years in Manchester, regular visitors to our drum show will have experienced the show grow year on year, so we are thrilled to say that the new exhibition halls are now twice the size, not only to accommodate further displays, but also to facilitate and provide more space to freely move around both events. As each year the shows grow in its new home in Liverpool, and if distancing need apply in 2022, something we all hope will be a distant memory, the new venue is significantly larger. Whilst The UK Bass Guitar Show moves to the ACC Liverpool, the weekend of the 2nd & 3rd of April 2022, so will our dedicated drum show, which was due to run September 2021. The response from our drum exhibitors and guests is one of excitement with guests and bass band members making a day or a weekend of the show together. Located in a neighbouring hall, our drum show & bass show guests will be able to freely visit either show in Liverpool at no further cost if in receipt of a drum show or bass show admission ticket. After all, this is the rhythm section, so for us, the return made good sense to reunite our drum and bass buddies for what will be a great weekend and positive return. The ACC Liverpool is located approximately 45 minutes from Manchester, with good train and road connections, and Manchester International airport is just 40 minutes away. All of our guests that have purchased tickets for either delayed events will be honoured, and for those that purchased artist tickets, we are writing to all our confirmed artists due to appear on the main stage last year, to learn if they are able to return. Any changes on either artist line-up will of course be communicated and guests can exchange tickets for other artists should that arise. On behalf of the Golding Family, we thank you for your continued support and understanding, and look forward to seeing you all in Liverpool in April 2022. Websites, socials and ticketing for our events will be updated following this announcement and if you have any further questions, please feel free to contact us at [email protected] We look forward to seeing you soon and the return of live music – we all miss it so much! Take care, stay safe and see you soon. Neil Golding – Organiser.
  2. Precisely. And bassists are having it worse than almost everyone else (apart from bass fishermen). 😐
  3. I remember filming abroad back in the day. It used to be the job of the assistant cameraman (it was pretty well always a man in those days) and the PA (Production Assistant - pretty well always a woman then) to ensure that the gear and the carnet matched going out and coming back. Often a three to four hour wait both ways to get through customs. It makes me laugh (with a sardonic ha ha ha) that we've gone backwards after twenty or thirty years of glitch-free travel. Still, the NHS is getting an extra £350 million a week, so that's a comfort.
  4. I'm sorry to say that - despite all these really helpful explanations - I'm still not sure I understand. I thought if you had 2 16ohm cabs, you could run them from an 8 ohm amp. Are you saying that you can run three 16 ohm speakers (= 6ish ohm) from an 8 ohm amp, 6 being less than 8? Or am I getting it completely the wrong way round (not by any means impossible)?
  5. Wow - how does that work? Forgive me, it's more than 50 years since I did O-level Physics!
  6. I would love the cab, though I can't find out out whether it's 4 or 8 ohm. However, you're not keen on splitting and I've been out of work for the past three months, so it's not possible, even though this would be a steal at twice the price. I can't blame you for getting a bit frustrated.
  7. I think Harley Benton do some too - check out https://www.thomann.de/gb/harley_benton_db01_sb_electric_double_bass.htm, if only for comparison purposes. You'll notice that neither these nor the Stagg are expensive, even by comparison with the one you've found. Might be better to get a new one, if only for the warranty. I had a Stagg for a while - it had a great tone, but was just a massive object in the context of my very small studio. Good luck. Pete
  8. I've also enjoyed pdbass https://www.youtube.com/user/pdbass for the combination of knowledge, skill and plain old groove (though much is on a DB). His vid on the bassists on Donald Fagen's The Nightfly was superb.
  9. petecarlton

    Platypus

    I've just sold my treasured Bongo 4H to Paul. The whole transaction went like a dream, smooth as silk, no quibbles on either side and I'm delighted both with the way it went and to have made his acquaintance as a fellow Basschatter. I can't recommend him highly enough and I'd be very happy to deal with him again at any time in the future. Thanks, mate - it was an absolute pleasure. Enjoy the Bongo!
  10. I have spent nearly the whole of this afternoon catching up with this thread and I really don't know how to express my total awe and respect for the work you've been doing @mhoss32. Speaking as someone who has no skill either in woordwork or electronics, my only reference is the skill, creativity and love that you have poured into this project and your generosity in sharing it with Basschatters, many of whom have returned the compliment with thoughtful comments and suggestions of their own. If this is a product of the enforced isolation of lockdown, long may it continue (I don't really think that, but you know what I mean). Chapeau, as the French would say. Thank you is the best I can do.
  11. I think that's why the 4H is so revered now (and becausse it's been discontinued). No mucking about! Shame you weren't able to make the pair (but at least I'll know where to come if I'm looking for another 4H in the future!). Happy ice blue gigging! Pete
  12. All done - I meant to include the point about the tuner and had a (very) senior moment!
  13. All done - I meant to include the point about the tuner and had a (very) senior moment!
  14. Oh thanks Mark, just doesn't look very black to me. I thought I was only red-green colour-blind, must be worse than I thought! I'll edit accordingly. Hope you're getting on OK in these strange times.
  15. My only real experience with Stingrays as such was the Ray34 I parted with to get this (now in the hands of my teacher @nottswarwick of this parish) and I would say there is no difference, other than the finish, which was natural on the Ray and satin on the Bongo. I have fairly small hands and I've always found it comfortable and easy to move around the neck. I believe, though I've owned neither, that it would be slimmer than a P and bulkier than a J - I think it's somewhere between the two. What's distinctive is the tone - this is a powerful piece of bass!
  16. 2009 - Sterling Silver (see registration database details in the pix). These are as rare now as hen’s teeth – none on Reverb and the latest version is nearly £2000 and has horrible little black tuners – probably lighter, but nowhere near as cool as the original clover keys. Although the current Bongos tend to be HH or HS, there’s a lot of love out there for the 4H as deservedly the most “authentic”-sounding (by which I mean Stingray-sounding) variant. I bought this from @Sparky Mark here on Basschat 18 months ago for £750 and it’s been my go-to bass ever since. Since then it’s been expertly set up by Dan Orellana at the Music Inn in Nottingham and fitted with the drop-D Hipshot tuner, which cost me £70 from Bass Direct and works like a dream. I still have the original tuner and will include it in the sale. This lovely bass is in near-mint condition. I can find only one tiny nick in the body, which I’ve shown in the pictures as best I can; and the “pointy” part of the headstock and the jack socket are pristine (they’re often not, for obvious reasons). The case itself is incredibly protective, and has some (but not very much) case candy, if that's the sort of thing you like, and… I have the key!!! The ONLY reason I’m parting with this awesome bass is because I’ve had back problems for years, long before I started playing bass, and – although this is not heavy at 8.6lb – I’ve been finding it a bit of a strain, so I tend to turn to my short-scale Gretsch for preference. Of course, the Gretsch – great-sounding as it is – cannot match the classic Music Man growl and punch of this Bongo, which boasts a lightweight basswood (linden/lime tree) body, a beautiful rosewood fretboard, meaty 18v on-board pre-amp and massively-flexible three-band EQ, and will happily cut through any mix. I am putting this up for sale elsewhere, but not at this price, which is exclusive to Basschat. So, if you’re looking for a premium bass at a bargain price, look no further! I’m in Nottingham and happy to let Basschatters with serious interest come and try it out before buying; or I can post/courier at whatever the going rate is, depending on your requirements; or you can arrange your own courier. I’m not sure of costs at the moment – I’ll get quotes when I know I’ve got to pack it up and have an accurate weight for bass + case + packaging. Payment by cash on collection/bank transfer or PayPal Goods and Services (as long as you pay the fees). I’m afraid I’m not up for trades – I need the dosh to eat and (almost more importantly) to feed my GAS! Thanks for looking! Pete
  17. 2009 - Sterling Silver (see registration database details in the pix). These are as rare now as hen’s teeth – none on Reverb and the latest version is nearly £2000 and has horrible little black tuners – probably lighter, but nowhere near as cool as the original clover keys. Although the current Bongos tend to be HH or HS, there’s a lot of love out there for the 4H as deservedly the most “authentic”-sounding (by which I mean Stingray-sounding) variant. I bought this from @Sparky Mark here on Basschat 18 months ago for £750 and it’s been my go-to bass ever since. Since then it’s been expertly set up by Dan Orellana at the Music Inn in Nottingham and fitted with the drop-D Hipshot tuner, which cost me £70 from Bass Direct and works like a dream. This lovely bass is in near-mint condition. I can find only one tiny nick in the body, which I’ve shown in the pictures as best I can; and the “pointy” part of the headstock and the jack socket are pristine (they’re often not, for obvious reasons). The case itself is incredibly protective, and has some (but not very much) case candy, if that's the sort of thing you like, and… I have the key!!! The ONLY reason I’m parting with this awesome bass is because I’ve had back problems for years, long before I started playing bass, and – although this is not heavy at 8.6lb – I’ve been finding it a bit of a strain, so I tend to turn to my short-scale Gretsch for preference. Of course, the Gretsch – great-sounding as it is – cannot match the classic Music Man growl and punch of this Bongo, which boasts a lightweight basswood (linden/lime tree) body, a beautiful rosewood fretboard, meaty 18v on-board pre-amp and massively-flexible three-band EQ, and will happily cut through any mix. As you’ll see from the registration database, this originally had a black pickguard, which was changed to the current one before I bought it, so I don’t have the original and – frankly – wouldn’t want it. I am putting this up for sale elsewhere, but not at this price, which is exclusive to Basschat. So, if you’re looking for a premium bass at a bargain price, look no further! I’m in Nottingham and happy to let Basschatters with serious interest come and try it out before buying; or I can post/courier at whatever the going rate is, depending on your requirements; or you can arrange your own courier. I’m not sure of costs at the moment – I’ll get quotes when I know I’ve got to pack it up and have an accurate weight for bass + case + packaging. Payment by cash on collection/bank transfer or PayPal Goods and Services (as long as you pay the fees). I’m afraid I’m not up for trades – I need the dosh to eat and (almost more importantly) to feed my GAS!
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